Ariadne: Living Life Right, was born out of Arav Sri Agarwal's personal reflections on life and how to approach it. It is about exploring philosophy (and its branches - Ethics, Epistemology, Metaphysics, and Logic) and what makes it such an intrinsic integrant of society, politics, and life in general. Ariadne is about Agarwal's journey and how studying philosophy bestowed upon him a means to adopt and nurture an optimistic attitude even in the worst of times.

A mesmerizing debut novel for fans of Madeline Miller's Circe. Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur. But will Ariadne’s decision ensure her happy ending? And what of Phaedra, the beloved younger sister she leaves behind? Hypnotic, propulsive, and utterly transporting, Jennifer Saint's Ariadne forges a new epic, one that puts the forgotten women of Greek mythology back at the heart of the story, as they strive for a better world.

The myths of ancient Crete, her people, and their gods twine through our minds like the snakes around the priestess's arms in those ancient temples. They call to us across the millennia, asking us to remember. In answer to that call, Ariadne’s Thread provides a window into the spirituality, culture and daily life of the Minoan people, and commemorates the richness of a world in which women and men worked and worshiped as equals. In these pages, the glory of Crete once again springs to life; the history, the culture, and most of all, the intense spirituality of these fascinating people and their gods can inspire and transform our modern ways of thinking, worshiping and being. The ruined temples and mansions of ancient Crete may crumble along the coastline of this tiny island, but Ariadne’s thread still leads us into the labyrinth and safely back out again.

An analysis of the contemporary world and its future. The author begins by assessing whether there are limits to growth and if so, how we can change our attitude and prevent the destruction which seems inevitable.

"We trust in the linear, forever the same shape of the past, until eternity. But the diffrences between the past, presence and future are nothing but an illusion."

Saberhagen, continues the Book of the Gods series that began with The Face of Apollo. Shiva has overthrown the rightful King Minos of Crete and in his place put a minion of the gods of Death. Sacrifices are demanded. Theseus, a young hostage, and his companions are doomed, unless Princess Ariadne, her brother Ariadne is the daughter of the King Minos. The creature in the Labyrinth is her brother Theseus is a young man sentenced to be sacrificed by the gods, with whom Ariadne falls deeply in love. She conspires to spare him from his grisly fate, but doesn't count on Dionysus stepping in to complicate matters. With mystical beasts and whimsical gods confronting them at every turn, Ariadne and Theseus must find their way through a maze of events that are as twisted as they are dangerous.

Symbolism is the most powerful and ancient means of communication available to humankind. For centuries people have expressed their preoccupations and concerns through symbolism in the form of myths, stories, religions, and dreams. The meaning of symbols has long been debated among philosophers, antiquarians, theologians, and, more recently, anthropologists and psychologists. In Ariadne's Clue, distinguished analyst and psychiatrist Anthony Stevens explores the nature of symbols and explains how and why we create the symbols we do. The book is divided into two parts: an interpretive section that concerns symbols in general and a "dictionary" that lists hundreds of symbols and explains their origins, their resemblances to other symbols, and the belief systems behind them. In the first section, Stevens takes the ideas of C. G. Jung a stage further, asserting not only that we possess an innate symbol-forming propensity that exists as a creative and integral part of our psychic make-up, but also that the human mind evolved this capacity as a result of selection pressures encountered by our species in the course of its evolutionary history. Stevens argues that symbol formation has an adaptive function: it promotes our grasp on reality and in dreams often corrects deficient modes of psychological functioning. In the second section, Stevens examines symbols under four headings: "The Physical Environment," "Culture and Psyche," "People, Animals, and Plants," and "The Body." Many of the symbols are illustrated in the book's rich variety of woodcuts. From the ancient symbol of the serpent to the archetypal masculine and feminine, from the earth to the stars, from the primordial landscape of the savannah to the mysterious depths of the sea, Stevens traces a host of common symbols back through time to reveal their psychodynamic functioning and looks at their deep-rooted effects on the lives of modern men, women, and children.

Ariadne's Thread came from the need to tell stories of the amazing women in my family. All of them, born in Russia before the 1917 Revolution, settled in France where they had to adapt to a life radically different from what they had known. When their world collapsed, they could either collapse with it, or reinvent themselves. These women taught me the art of survival: resilience in adversity, self-reliance, frugality. Through them - my grandmother, my aunts, my mother - I learned lessons which are not taught in school, values which have sustained me throughout my life. These women's down-to-earth values have new relevance today, in a world preoccupied by appearances and material gain. By looking at my family's collective past, I see clues for a better future. If we want a better world, we could do worse than turn to a few old-fashioned values and work at putting them into practice. The book is a tribute to the precious heritage I received from people who lived and loved fully, and for whom everyday life was a celebration. I hope they will inspire many.

Princes of Mammon begins in primeval times when greed, arrogance, and lust for power and domination of people first arose in the character of man. Those traits carried forward to the modern era, when technological advances make possible previously unimaginable power and wealth accumulation. But throughout history, God has raised up opposition to the blasphemous tyrants who think they are God, who force themselves to the forefront, only fading away to be forgotten. He intervenes directly in the affairs of men as when He destroyed the blasphemous Tower of Babel and confounded the languages of the people. He calls courageous people as the two ancient families who recognized evil in the tyrant Nin-Marada and as the young girl who defied him to his face and later took her place in the lineage of Christ. God commissions the Medallions of the Far Times to be passed down through the ages to remind the bearers of His ways and to mark them for His purposes. He chooses his servants, sifts them as through a sieve, and purges them with refiners fire as with Sterling Davids whom He laid bare then lifted up again to more lofty pinnacles. Princes of Mammon is a compelling story of the age-old conflict between the cabals of evil men who seem to prosper in every era and the humble, mostly unseen people God has kept for Himself who do not bow the knee to idols.