History of the companies of adventurers who left Massachusetts in 1849 for California, passage by sea around Cape Horn and life on ship, passage overland through sometimes hostile areas, and their fortunes in the gold country.

Few classical stories are as exciting as that of Jason and the Golden Fleece. The legend of the boy, who discovers a new identity as son of a usurped king and leads a crew of demi-gods and famous heroes, has resonated through the ages, rumbling like the clashing rocks, which almost pulverised the Argo. The myth and its reception inspires endless engagements: while it tells of a quest to the ends of the earth, of the tyrants Pelias and Aetes, of dragons' teeth, of the loss of Hylas (beloved of Hercules) stolen away by nymphs, and of Jason's seduction of the powerful witch Medea (later betrayed for a more useful princess), it speaks to us of more: of gender and sexuality; of heroism and lost integrity; of powerful gods and terrifying monsters; of identity and otherness; of exploration and exploitation. The Argonauts are emblems of collective heroism, yet also of the emptiness of glory. From Pindar to J. W. Waterhouse, Apollonius of Rhodes to Ray Harryhausen, and Robert Graves to Mary Zimmerman, the Argonaut myth has produced later interpretations as rich, salty and complex as the ancient versions. Helen Lovatt here unravels, like untangled sea-kelp, the diverse strands of the narrative and its numerous and fascinating afterlives. Her book will prove both informative and endlessly entertaining to those who love classical literature and myth.

The prototype of the modern man of letters as a man of business, Harte epitomized the professional writer in America immediately after the Civil War. Nor was his career short-lived. His collected writings run to twenty-five volumes, and his tales were regularly translated into German, French, Italian, Swedish, Russian, and other languages. Part I of this volume lists first printings and many reprintings and translations of nearly 850 of Harte's poems, stories, and plays. It reconstructs his lecture tours and the performance schedules of several plays and lists texts falsely attributed to him. Part II lists a number of documentary sources, many of them new to Harte scholarship, including interviews, a selection of Harte obituaries, and archives that hold Harte manuscripts.