"The ground we walk on and grow crops in also just happens to be the most widely used building material on the planet. Civilizations throughout time have used it to create stable warm low-impact structures. The world's first skyscrapers were built of mud brick. Paul Revere Chairman Mao and Ronald Reagan all lived in earth houses at various points in their lives and several of the buildings housing Donald Judd's priceless collection at the Chinati Foundation in Marfa Texas are made of mud brick." "While the vast legacy of traditional and vernacular earthen construction has been widely discussed, little attention has been paid to the contemporary tradition of earth architecture. Author Ronald Rael founder of Eartharchitecture.org provides a history of building with earth in the modern era focusing particularly on projects constructed in the last few decades that use rammed earth mud brick compressed earth cob and several other interesting techniques. Earth Architecture presents a selection of more than 40 projects that exemplify new creative uses of the oldest building material on the planet."--BOOK JACKET.

The fourth in a series that documents architectural conservation in different parts of the world, Architectural Conservation in Australia, New Zealand and the Pacific Islands: National Experiences and Practice addresses cultural heritage protection in a region which comprises one third of the Earth’s surface. In response to local needs, Australia, New Zealand and the Pacific Islands have developed some of the most important and influential techniques, legislation, doctrine and theories in cultural heritage management in the world. The evolution of the heritage protection ethos and contemporary architectural conservation practices in Australia and Oceania are discussed on a national and regional basis using ample illustrations and examples. Accomplishments in architectural conservation are discussed in their national and international contexts, with an emphasis on original developments (solutions) and contributions made to the overall field. Enriched with essays contributed from fifty-nine specialists and thought leaders in the field, this book contains an extraordinary breadth and depth of research and synthesis on the why’s and how’s of cultural heritage conservation. Its holistic approach provides an essential resource and reference for students, academics, researchers, policy makers, practitioners and all who are interested in conserving the built environment.

Crucial record of the best buildings created in one of the most fascinating and dynamic countries in the world. recording some two hundred of the most significant strauctures and places. These projects range from the breezy east-coast houses of Clare Design and Peter Stutchbury and the stadia built for the Sydney Olympics, to Melbourne's wave of daring monuments by Denton Corker Marshall, Peter Corrigan, Ashton Raggatt McDougall and Wood Marsh.

At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.

1960, following as it did the last CIAM meeting, signalled a turning point for the Modern Movement. From then on, architecture was influenced by seminal texts by Aldo Rossi and Robert Venturi, and gave rise to the first revisionary movement following Modernism. Bringing together leading experts in the field, this book provides a comprehensive, critical overview of the developments in architecture from 1960 to 2010. It consists of two parts: the first section providing a presentation of major movements in architecture after 1960, and the second, a geographic survey that covers a wide range of territories around the world. This book not only reflects the different perspectives of its various authors, but also charts a middle course between the 'aesthetic' histories that examine architecture solely in terms of its formal aspects, and the more 'ideological' histories that subject it to a critique that often skirts the discussion of its formal aspects.

Environmental design and landscape architecture are growing fields in New Zealand as people become more aware of the possibilities and benefits of sustainable development. From the early 1960s Dr Harry Turbott played a key role in introducing these concepts to New Zealand. Now his enormous work and rich legacy can be truly celebrated for the first time. Landscape architect, teacher and environmentalist Harry Turbott (1930- 2016) was at the forefront of the first wave of environmental design. This book showcases his life and prolific works, and is beautifully illustrated. The estranged son of well-known radio broadcaster Dr Turbott, Harry had a very interesting and colourful career. Upon graduating from the University of Auckland’s School of Architecture, he won a scholarship to study at Harvard University, where he completed a Master’s in Landscape Architecture in 1958. He then spent 18 months working closely with Dan Kiley, America’s foremost landscape architect, before touring Europe and India with his wife Nan. They returned to New Zealand in 1961 and settled in Karekare, a remote West Auckland beach. From here Harry embarked on a ground-breaking design career, working on motorways, beachfront farms, suburban shopping centres,national parks, Pacific Island resorts and ski fields. He also taught at Auckland’s School of Architecture and Town Planning for more than 30 years. All of Harry’s work showed immense respect and care for the environment. He believed the designer’s role was one of service to society to protect, restore and enhance the environment of which people were intimately and irrevocably part of. Harry recognised the importance of indigenous architecture. He embraced Māori and Pasifika cultures during many collaborative projects, including the restoration of Rarotonga’s Para O Tane Palace in Rarotonga and the Arataki Visitors Centre in the Waitākere Ranges. The biography offers an intimate portrait of Harry’s life, his global influences and outlines several of his legacy projects. The final section is a short chapter written by Sir Bob Harvey on the life of Harry’s wife and her work. Harry and Sir Bob were close friends due to their years spent as neighbours.

Extensively illustrated with photographs and drawings, Living Architecture highlights the most exciting green roof and living wall projects in Australia and New Zealand within an international context. Cities around the world are becoming denser, with greater built form resulting in more hard surfaces and less green space, leaving little room for vegetation or habitat. One way of creating more natural environments within cities is to incorporate green roofs and walls in new buildings or to retrofit them in existing structures. This practice has long been established in Europe and elsewhere, and now Australia and New Zealand have begun to embrace it. The installation of green roofs and walls has many benefits, including the management of stormwater and improved water quality by retaining and filtering rainwater through the plants’ soil and root uptake zone; reducing the ‘urban heat island effect’ in cities; increasing real estate values around green roofs and reducing energy consumption within the interior space by shading, insulation and reducing noise level from outside; and providing biodiversity opportunities via a vertical link between the roof and the ground. This book will appeal to a wide range of readers, from students and practitioners of architecture, landscape architecture, urban planning and ecology, through to members of the community interested in how they can more effectively use the rooftops and walls of their homes or workplaces to increase green open space in the urban environment.

This dictionary is a fascinating guide to the broad range of terms used in the study of the history of Christian art and architecture, including themes, artists, and movements. The long-awaited new edition includes entries by over a dozen expert contributors, and a fully revised online bibliography, bringing it up to date for the 21st century.