This work brings together current scholarship on the earliest true writing system in human history. Invented by the Babylonians at the end of the fourth millennium BC, this script, called proto-cuneiform, survives in the form of clay tablets that have until now posed formidable barriers to interpretation. Many tablets, excavated in fragments from ancient dump sites, lack a clear context. In addition, the purpose of the earliest tablets was not to record language but to monitor the administration of local economies by means of a numerical system.

Over the past two hundred years, thousands of ancient Greek vases have been unearthed. Yet these artifacts remain a challenge: what did the images depicted on these vases actually mean to ancient Greek viewers? In this long-awaited book, Gloria Ferrari uses Athenian vases, literary evidence, and other works of art from the Archaic and Classical periods (520-400 B.C.) to investigate what these items can tell us about the ancient Greeks—specifically, their notions of gender. Ferrari begins by developing a theoretical perspective on visual representation, arguing that artistic images give us access to how their subjects were imagined rather than to the way they really were. For instance, Ferrari's examinations of the many representations of women working wool reveal that these images constitute powerful metaphors—metaphors, she argues, which both reflect and construct Greek conceptions of the ideal woman and her ideal behavior. From this perspective, Ferrari studies a number of icons representing blameless femininity and ideal masculinity to reevaluate the rites of passage by which girls are made ready for marriage and boys become men. Representations of the nude male body in Archaic statues known as kouroi, for example, symbolize manhood itself and shed new light on the much-discussed institution of paiderastia. And, in Ferrari's hands, imagery equating maidens with arable land and buried treasure provides a fresh view of Greek ideas of matrimony. Innovative, thought-provoking, and insightful throughout, Figures of Speech is a powerful demonstration of how the study of visual images as well as texts can reshape our understanding of ancient Greek culture.

A study of the archaeology and history of ancient harbours, with particular focus on the Greek world during the Archaic and Classical eras. It questions what locations were the most propitious for the installation of harbours; what kinds of harbour-works were built and for what purpose; and what harbour forms were documented.

A collection of writings by participants in the Black Mesa Archaeological Project offers a synthesis of Kayenta-area archaeology, examining the ancestral Puebloan and Navajo occupation of the Four Corners region, and analysing faunal, lithic, ceramic, chronometric, and human osteological data, to construct an account of the prehistory and ethnohistory of northern Arizona that demonstrates how organizational variation and other aspects of culture change are largely a response to a changing natural environment.

This book provides a rare glimpse of thirteenth century life and death in a southern Ontario Iroquoian community. The discovery in 1997 of an Iroquoian ossuary containing the remains of at least 87 people has given scientists a remarkably detailed demographic profile of the Moatfield people, as well as strong indicators of their health and diet.

A Companion to Science, Technology, and Medicine in Ancient Greece and Rome brings a fresh perspective to the study of these disciplines in the ancient world, with 60 chapters examining these topics from a variety of critical and technical perspectives. Brings a fresh perspective to the study of science, technology, and medicine in the ancient world, with 60 chapters examining these topics from a variety of critical and technical perspectives Begins coverage in 600 BCE and includes sections on the later Roman Empire and beyond, featuring discussion of the transmission and reception of these ideas into the Renaissance Investigates key disciplines, concepts, and movements in ancient science, technology, and medicine within the historical, cultural, and philosophical contexts of Greek and Roman society Organizes its content in two halves: the first focuses on mathematical and natural sciences; the second focuses on cultural applications and interdisciplinary themes 2 Volumes

World Prehistory and Archaeology provides an integrated discussion of world prehistory and archaeological methods, presenting an up-to-date perspective on what we know about our human prehistory and how we come to know it. A cornerstone of World Prehistory and Archaeology is the discussion of prehistory as an active process of discovery. Methodological issues are addressed throughout the text to engage readers. Archaeological methods are introduced, following which the question of how we know the past is discussed. This fifth edition involves readers in the current state of archaeological research, revealing how archaeologists work and interpret what they find. Through the coverage of various new research, author Michael Chazan shows that archaeology is truly a global discipline. In this edition there is a particular emphasis on the relevance of archaeology to contemporary society and to the major issues that face us today. This edition will provide students with a necessary grounding in the fundamentals of archaeology, before engaging them with the work that goes into understanding world prehistory. They will be given the tools to place this knowledge in the context of the modern world, acknowledging the relevance of archaeology to the concerns of today.

This book deals with the use of archaistic stylistic elements (i.e., those which revive or imitate features of Greek Archaic art) in free standing statuary dating from the second century B.C. to the third century A.C. The main objective of the study is to determine how the archaistic style was used, what prototypes were imitated, what subjects were represented, how the replicas of statue types were distributed, how these statues were displayed, and what prompted such stylistic anachronism. The introductory chapter deals with general problems of archaism in ancient art and the specific questions pertaining to statuary in the round. The body of material, nearly three hundred pieces in all, is organized by type on the basis of pose and garment arrangement. In a concluding chapter, evidence from the body of the study is collected and possible answers are suggested for the questions outlined above. This study contributes to the currently widespread scholarly interest in stylistic revivals (especially classicism and archaism) which occurred not only in Roman times, but in earlier and later periods as well.

The discipline of Egyptology has been criticised for being too insular,with little awareness of the development of archaeologies elsewhere. It has remained theoretically underdeveloped. For example the role of Ancient Egypt within Africa has rarely been considered jointly by Egyptologists and Africanists. Egypt's own view of itself has been neglected; views of it in the ancient past, in more recent times and today have remained underexposed. Encounters with Ancient Egypt is a series of eight books which addresses these issues. The books interrelate, inform and illuminate one another and will appeal to a wide market including academics, students and the general public interested in Archaeology, Egyptology, Anthropology, Architecture, Design and History. The allure of Egypt is not exclusive to the modern world. Egypt also held a fascination and attraction for people of the past. In this book, academics from a wide range of disciplines assess the significance of Egypt within the settings of its past. The chronological span is from later prehistory, through to the earliest literate eras of interaction with Mesopotamia and the Levant, the Aegean, Greece and Rome. Ancient Perspectives on Egypt includes both archaeological and documented evidence, which ranges from the earliest writing attested in Egypt and Mesopotamia in the late fourth millennium BC, to graffiti from Abydos that demonstrate pilgrimages from all over the Mediterranean world, to the views of Roman poets on the nature of Egypt. This book presents, for the first time in a single volume, a multi-faceted but coherent collection of images of Egypt from, and of, the past.