"For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form"--Publisher's description

There are many books that discuss the coins from specific periods of Egyptian history, but there are none that consider the coins from the whole of that history. This work aims to provide such an account, covering the currency from ancient times through the Ptolemaic, Roman, Byzantine, Arabic, and Ottoman periods to modern times. An important feature of the work is the illustration of a selection of about 150 coins and banknotes that represent the major types throughout that history. Adjunct to this selection of these illustrations is a “key” that provides further numismatic detail about each of the coins in it. A difficulty with Egyptian coinage is that it includes inscriptions in many languages. Some notes in the key to the coins and in the appendices are provided to give a little help in this. In addition to providing a chronological account of the currency, the coins and notes are related to aspects of the daily lives of the people of each period and also to some aspects of the development of the state, particularly its architecture.

This illustrated handbook presents a concise history of the development of the coinage of the early Arab caliphate in the seventh century. The historical introduction, which includes descriptions of all the basic types, is followed by a summary catalogue of the recently acquired collection of Arab-Byzantine coins at Dumbarton Oaks.

Two sisters become trapped in the underworld—and in the machinations of deities, shapeshifters, and ghouls—in this lush and dangerous Phoenician mythology-inspired fantasy. A Kirkus Reviews Best Young Adult Book of the Year Teenage sisters Samira and Rima aren't exactly living the dream. Instead, they live with their maddeningly unreliable mother in a rundown trailer in Michigan. Dad's dead, money's tight, and Mom disappears to gamble for days at a time. So when Sam's grandfather wills her the family valuables—a cache of Lebanese antiquities—she's desperate enough to try pawning them before Mom can. But she shouldn't. Because one is cursed, forbidden, the burial coin of a forgotten god. Disturbing it condemns her and Rima to the Phoenician underworld, a place of wicked cities, burning forests, poisoned feasts of milk and lemons, and an endless, windless ocean. Nothing is what it seems. No one is who they say. And down here, the night never ends. To get home—and to keep her sister safe—Sam will have to outwit beautiful shapeshifters, pose as a royal bride, sail the darkest sea... and maybe kill the god of death himself. A lush and intensely imaginative novel in which fierce women protect each other from rapacious gods and hungering demons, and in which two tenacious sisters come into their power, Vial of Tears introduces readers to the rich and brilliant mythology of ancient Lebanon. A Den of Geek Top New YA A Shelf Awareness Galley Love of the Week Selection

What can one discover through the study of medieval Islamic coins? It appears that the regular gold dinars and silver dirhams issued by the Ikhshidid rulers of Egypt and Palestine (935-69) followed a series of understood but unwritten rules. As the first part of this book reveals, these norms involved whose names could appear on the regular currency, where the names could be placed (based upon a strict hierarchical order), and even which parts of a Muslim name could be included. The founder of the dynasty, Muhammad ibn Tughj, could use the honorific al-Ikhshid; his eldest son and successor could use his teknonym Abu al-Qasim; his brother, the third ruler, could use only his name Ali; and the eunuch Kafur, effective ruler of Egypt for over twenty years, could never inscribe his name on the regular coinage. At the same time, each one of these rulers was named in the Friday sermon and most had their teknonym inscribed on textiles. Presentation coins, the equivalent of modern commemorative pieces, could break all these rules, and a wide variety of titles appeared, as well as a series of coins with human representation. The second half of the book is a catalogue of over 1,200 specimens, enabling curators, collectors, and dealers to identify coins in their own collections and their relative rarity. Throughout the book numismatic pieces are illustrated, along with commentary on their inscriptions, layout, and metallic content.

A comprehensive textbook of the early Arabic Kufic script, written as a complete reference book for calligraphers, designers, and students of art history and the history of Arabic language and scripts. This beautiful and powerful script was derived from the earlier Hijazi Mashq style of Mecca and Medina, which was invented by early Muslim scribes to record the Quran. Today, the many historical manuscripts displayed in numerous museums around the world can attest to development and evolution of this remarkable and versatile script. Authored by master calligrapher, Mousavi Jazayeri, this book is the only book written in English that is solely dedicated to the study, learning and revival of the fascinating script behind the first mature Arabic calligraphic style, which was the official script of the Islamic Near East for centuries, before being replaced by the modern Naskh style. In this handbook, Mousavi Jazayeri who had discovered the lost art of cutting the qalam (pen) for early Kufic more than twenty years ago, explains with detailed, clear illustrations how to write early Kufic using a calligraphic pen and even a regular pen. He guides students patiently through the process involved in creating amazing, modern monograms. With clear, ample examples taken from the old Quranic manuscripts, art history students, font designers, and scholars of the history of the Arabic language and scripts can use this reference book to learn the key aspects of the early Kufic script as a writing system. Mr. Mousavi Jazayeri is joined by two co-authors, Perette E. Michelli, a multi-disciplinary historian of medieval and later art, and Saad D. Abulhab, a known Arabic type designer and independent scholar of the history of Arabic language and scripts. The two co-authors are members of the first international group dedicated to the study and revival of the early Kufic script, Kuficpedia, which was formed a few years ago around the historical achievements of Mr. Mousavi.