“THE CROWN COMES DOWN” part two! As Aquaman’s resistance against King Rath gains momentum, a new kingpin of crime emerges from the Atlantean underworld—King Shark! But whose side is he on? He could be a powerful ally to the Undercurrent…or a dangerous new agent of evil!

In order to solve the mystery of the rage-monster Dead Water, Aquaman must turn to the only person with any answers: the notorious Scavenger!

A wedding is supposed to be a happy occasion. But for Aquaman and his allies, the wedding of the century is here-and hell follows with it. When Mera awakens from her coma, she finds herself betrothed…but not to Aquaman. The secret of the groom could spell doom for Atlantis, and it all culminates in a brawl at the altar, with wedding crashers from across the Seven Kingdoms! Acclaimed writer Kelly Sue DeConnick’s Aquaman run reaches its conclusion here! Collects Aquaman #58-65.

After AquamanÕs undersea kingdom rises to become a world power of the surface, the Suicide Squad must infiltrate the city and send it back to the depths or die trying. The epic crossover event is collected here in these stories from Aquaman #39-40 and Suicide Squad #45-46.

The first two volumes of AQUAMAN as a part of DC Universe Rebirth are collected here in hardcover for the first time ever! Aquaman, the King of Atlantis, has never found a true home in either of the worlds that he was born of. In his undersea realm, Aquaman is both king and outsider. And on the surface world, he's a hero and an outcast. In this brand new series by fan-favorite writer Dan Abnett (TITANS HUNT) and all-star pencillers Brad Walker (SINESTRO), Phillipe Briones and Scot Eaton, the King of Atlantis attempts to broker a peace between Atlantis and the surface. But this noble quest might force Aquaman to finally choose whether to live his life above the waves, or below them. Plus, Black Manta makes his bloody return and seeks to destroy everything and everyone Aquaman loves! The first two volumes of the hit new AQUAMAN series are included in this deluxe hardcover collection, which includes variant covers, concept sketches and other bonus material. Collects AQUAMAN #1-12 and the AQUAMAN: REBIRTH one-shot.

Harley broke most of DCU continuity last issue, and in this ish, sheÕs dealing with the fallout, namely the time-tossed hero of World War II called Captain Triumph! The golden boy of the Golden Age finds his black-and-white approach failing miserably in the gray areas of the modern world (although unfortunately, there are still plenty of fascists for him to punch). ItÕs up to Harley to return Captain Triumph to his own time, but sheÕll have to put the kibosh on his do-gooding firstÑright after she figures out what ÒkiboshÓ means!

After debuting in 1938, Superman soon became an American icon. But why has he maintained his iconic status for nearly 80 years? And how can he still be an American icon when the country itself has undergone so much change? Superman: Persistence of an American Icon examines the many iterations of the character in comic books, comic strips, radio series, movie serials, feature films, television shows, animation, toys, and collectibles over the past eight decades. Demonstrating how Superman’s iconic popularity cannot be attributed to any single creator or text, comics expert Ian Gordon embarks on a deeper consideration of cultural mythmaking as a collective and dynamic process. He also outlines the often contentious relationships between the various parties who have contributed to the Superman mythos, including corporate executives, comics writers, artists, nostalgic commentators, and collectors. Armed with an encyclopedic knowledge of Superman’s appearances in comics and other media, Gordon also digs into comics archives to reveal the prominent role that fans have played in remembering, interpreting, and reimagining Superman’s iconography. Gordon considers how comics, film, and TV producers have taken advantage of fan engagement and nostalgia when selling Superman products. Investigating a character who is equally an icon of American culture, fan culture, and consumer culture, Superman thus offers a provocative analysis of mythmaking in the modern era.

This compilation of essential information on 100 superheroes from comic book issues, various print and online references, and scholarly analyses provides readers all of the relevant material on superheroes in one place. The American Superhero: Encyclopedia of Caped Crusaders in History covers the history of superheroes and superheroines in America from approximately 1938–2010 in an intentionally inclusive manner. The book features a chronology of important dates in superhero history, five thematic essays covering the overall history of superheroes, and 100 A–Z entries on various superheroes. Complementing the entries are sidebars of important figures or events and a glossary of terms in superhero research. Designed for anyone beginning to research superheroes and superheroines, The American Superhero contains a wide variety of facts, figures, and features about caped crusaders and shows their importance in American history. Further, it collects and verifies information that otherwise would require hours of looking through multiple books and websites to find.

The reimagining of Aquaman in The New 52 transformed the character from a joke to an important figure of ecological justice. In Aquaman and the War against Oceans, Ryan Poll argues that in this twenty-first-century iteration, Aquaman becomes an accessible figure for charting environmental violences endemic to global capitalism and for developing a progressive and popular ecological imagination. Poll contends that The New 52 Aquaman should be read as an allegory that responds to the crises of the Anthropocene, in which the oceans have become sites of warfare and mass death. The Aquaman series, which works to bridge the terrestrial and watery worlds, can be understood as a form of comics activism by its visualizing and verbalizing how the oceans are beyond the projects of the "human" and "humanism" and, simultaneously, are all-too-human geographies that are inextricable from the violent structures of capitalism, white supremacy, and patriarchy. The New 52 Aquaman, Poll demonstrates, proves an important form of ocean literacy in particular and ecological literacy more generally.

Hollywood’s live-action superhero films currently dominate the worldwide box-office, with the characters enjoying more notoriety through their feature film and television depictions than they have ever before. This book argues that this immense popularity reveals deep cultural concerns about politics, gender, ethnicity, patriotism and consumerism after the events of 9/11. Superheroes have long been agents of hegemony, fighting for abstract ideals of justice while overall perpetuating the American status quo. Yet at the same time, the book explores how the genre has also been utilized to question and critique these dominant cultural assumptions.