Thirty-two-year-old Rebecca Fine, despairing of her beauty columnist job at a London magazine, finds herself juggling three adventures: a burgeoning relationship with her gorgeous new coworker; the arrival of her young future stepmother--an enemy from her high school days; and a quest to expose a company's plans to release a dangerous skin cream.

If he always has the headache, why should you suffer? In the bestselling tradition of Bridget Jones's Diary comes this outrageous, hilarious look at love, marriage, and sex, introducing Anna Shapiro, who believes that surely there must be more to married life.... Tabloid reporter Anna Shapiro can pinpoint the day, three years ago, that she and her husband, Dan, last had great sex. Anna would be grateful if something as ordinary as a mere headache was her husband's excuse; Dan's hypochondriac terrors include brain tumors, tropical diseases, and spontaneous combustion. While she loves her husband, she's not ready to give up on sex at age thirty-seven--so what can she do? It's the perfect time for the distraction of a freelance assignment. But what her editor has in mind is a story on the explosive new feminist manifesto that prescribes no-strings-attached affairs for women. Anna's assignment is to interview three women who've had extramarital affairs purely for sexual pleasure--but she's inclined to take her research a bit further.... Can a woman have an uncomplicated affair purely for sexual pleasure--or do her emotions invariably interfere? Anna's determined to find out. And despite her worries about her middle-aged body, potential research assistants prove to be plentiful. Going where no journalist has gone before, Anna delves into a world she'd never considered until now. What is, after all, the perfect outfit for committing adultery in? Is it truly beyond the pale to pick up a man--no matter how sexy he is--at a funeral? And what can be done about that single horrifying gray hair? The answers are more hilarious than Anna could ever have predicted. But soon Anna finds herself facing the question that she never thought she'd have to answer: Is she willing to give up her marriage and her children for what may be the biggest gamble of her life? A novel for every woman who's ever wondered--and every woman who hasn't--Neurotica will have you roaring with laughter as it takes you on a wickedly delightful journey of sheer indulgence.

This book studies the role of subterranean spaces in literary works about Mexico City. It analyzes how underground spaces such as the subway, the sewage system, tunnels, crypts, and the subsoil itself relate to the whole of the city in a body of works published after 1985, the year of the deadliest earthquake in the capital’s history. The texts belong to the most important genres in urban literature (the novel, the short story, and the crónica) and demonstrate the crucial role played by the underground in contemporary imaginings of the megalopolis, as it condenses and confronts the tensions that run through them. This central idea is developed through four analytical chapters focusing on the political, ecological, historical, and aesthetic dimension of subterranean imaginaries.

Life is bad after the apocalypse...the undead just made it worse. Jenna should be having the time of her life at college. Instead, her one desire is survival. She lives in a world gone insane after a virus kills most of the population. Being alive after the apocalypse is bad, but when the undead return, hungry for humans, times turn darker. For Jenna and a small group of survivors, the goal is to reach the High Point Inn. At the inn, Jenna develops feelings for Caleb, who, while exotic and intoxicating, is not quite human. Will this new utopia last?

Following the metaphor of “the world upside-down,” this essay collection highlights the importance of the humanities in addressing, along with the sciences, pressing challenges in today’s rapidly changing world. Crossing across a variety of disciplines, historical periods, and regions in the world, this volume represents a useful tool for humanities scholars and students exploring the key role of our disciplines in public debates about pressing issues, such as the refugee crisis, climate change denialism, environmental justice, racism, and the current worldwide crisis of democracy. It provides practical examples of how societies throughout the world have historically coped with unexpected and distressing changes in government, core values, axiomatic systems, assumptions, beliefs, ideology, or cultural constructions. The feeling of topsy-turvy consternation as a result of sudden, harrowing change, as is shown here, is not new; rather, it has simply evolved throughout time and space.

As she looks into a competing coffee shop, barista, freelance reporter and single mom Amy finds herself falling for the architect of the very business she is investigating and is determined to get the inside scoop, while also chasing his heart. By the author of Forget Me Knot. Original.

The rewritings of the Mexican colonia discussed in this book question a present reality of marginalities and inequality, of imposed political domination, and of hybrid subjectivities. In their examination of the novels, films, poetry, and chronicles produced in and outside of Mexico since 2000, the critics included in Colonial Itineraries of Contemporary Mexico produce new interpretations, alternative readings, and different angles of analysis that extend far beyond the theories of the new historical novel of the eighties and nineties, and well beyond the limits of the novel as re-creative genre. Through a transformative interdisciplinary lens, this book studies the ultra-contemporary chronicles of Carlos Monsiváis, the poetry of Carmen Boullosa and Luis Felipe Fabre, and the novels of Enrique Serna, Héctor de Mauleón, Mónica Lavín, and Pablo Soler Frost, among others. The book also pays close attention to a good sample of recent children’s literature that revisit Mexico’s colonia. It includes the transatlantic perspective of Spanish novelist Inma Chacón, and a detailed analysis of the strategies employed by Laura Esquivel in the creation of a best seller. Other chapters are devoted to the study of transnational film productions, a play by Flavio González Mello, and a set of novels set in the nineteenth-century colonia that problematize static notions of both personal and national identity within specific cultural palimpsests. Taken together, these incisive readings open broader conversations about Mexican coloniality as it continues well into the twenty-first century.

Struggling with a stalled career and the challenges of single motherhood, London singer Stephanie Glassman faces apprehension in the wake of an audition and the return of her son's father, who promises passion and stability.

From the acclaimed author of Breakfast at Stephanie’s comes a hilarious new novel about falling in love, breaking the rules, and other sinful pleasures. A junior copywriter at a London ad agency, Cynthia Fishbein is the original good girl. She works hard, never complains, and takes care of everyone around her. Even Cyn’s therapist tells her she’s too nice. But all that’s about to change when a catty co-worker steals one of her ideas. So Cyn goes her one better: She steals the woman’s identity. Suddenly she’s breaking out of her shell, concocting a wickedly brilliant scheme to salvage her career–and maybe get a little revenge in the process. And once Cyn gets started, she just can’t stop. Soon she’s breaking the #1 rule of group therapy by dating Joe Dillon, the group’s sexy commitment-phobe. Leading a thrilling but terrifying double life, embroiled in a deliciously forbidden affair, she is having the time of her life–until her scheme starts to backfire in a major way. And unexpectedly Cyn is faced with a crisis that threatens her career, her relationship–and just might finish off her sterling reputation for good.

The acclaimed author of Original Cyn finds fertile ground for her wicked wit in this ferociously funny new novel about babies, sex, celebrity...and daring to date a gynecologist. Ruby (still single at thirty-two) Silverman has made a name for herself at Les Sprogs, her exclusive baby boutique where trust-fund mothers swaddle their infants in the hottest designer wear. But all those bumps and babes can’t prepare Ruby for the bombshell her fifty-year-old mother drops on her: Ruby’s about to get…a baby brother or sister! When Ruby recovers from the shock of her mother’s pregnancy, she can’t help but question her own baby-making future. Is catering to celebrity moms and cooing over her friends’ kids all she has to look forward to? Sam Epstien would passionately disagree. He’s the gorgeous Jewish gynecologist who has set his amorous sights on her. Soon they’re seriously involved, and life seems to be looking up for Ruby. Until she stumbles upon a shady baby-brokering business that could erupt into a major scandal, derail her career, and maybe even force her to toss the supposedly perfect man out with the bathwater.