It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.

Seventy-two stunning findings about Alexander the Great and the assassin of Alexander the Great is finally identified. Who killed Alexander the Great? After over two thousand years of speculation, the assassin of Alexander is finally identified. To verify the truth, this historical narrative searches through a mass of conflicting records, including Indian and Greek classical texts. By assimilating new information from multiple sources, Ajith Kumar stitches together this scattered history with 72 pieces of fresh evidence to solve the perplexing murder mystery. Alexander’s destiny, it seems, was determined the moment he stepped into Taxila in India in 326 BC, as he was helplessly trapped in a different world, where an invisible enemy was leading a secret war against him. The Arthasastra of Chanakya, an epic treatise on statecraft and warfare, presents the multiple strategies of the 'secret war' which diverted and decimated the Greek army, and killed its supreme commander. In The Murder of Alexander the Great, Book 2: The Secret war, Ajith Kumar presents a new version of ancient history that still remains hidden in ancient Indian texts. The puzzling mystery behind Alexander's premature death is documented in Chanakya's 'Arthasastra,' a military manual of ancient India, which reveals devastating effects of the Secret War strategy employed by the Indians during the Greek invasion in 326 BC. The exotic weapon that killed Alexander is named as the 'Destroyer of time' in the Arthashastra, a military manual, and the Sanskrit Puranas. The Puranas also hold untold chapters of hidden history, which reveal how the Indians decisively destroyed the worldwide empire of Alexander the Great and changed the world for ever. The two-millennium-old murder mystery takes us back in time to the farthest corners of the primitive world, only to end in a stunning climax that lays bare the elusive assassin of Alexander.

The interest of this book lies at the very center of a recent deployment of homosexual liberation on a larger scale. The reader will be able to understand how each of the traditions studied articulates its own regulatory mechanisms of male sexuality in general, and homosexuality.

The Mahabharta : A Summary For Beginners

A succinct, approachable guide to the origins, development, key texts, concepts, and practices of yoga. Yoga is practiced by many millions of people worldwide and is celebrated for its mental, physical, and spiritual benefits. And yet, as Daniel Simpson reveals in The Truth of Yoga, much of what is said about yoga is misleading. For example, the word “yoga” does not always mean union. In fact, in perhaps the discipline’s most famous text—the Yoga Sutra of Patanjali—its aim is described as separation: isolating consciousness from everything else. And yoga is not five thousand years old, as is commonly claimed; the earliest evidence of practice dates back about twenty-five hundred years. (Yoga may well be older, but no one can prove it.) The Truth of Yoga is a clear, concise, and accessible handbook for the lay reader that draws upon abundant recent scholarship. It outlines these new findings with practitioners in mind, highlighting ways to keep traditions alive in the twenty-first century.

Intended to be a treatise on life itself, this epic poem embraces religion and ethics, polity and government, philosophy and the pursuit of salvation. This collection of more than 4,000 verses is supplemented by a glossary, genealogical tables, and an index correlating the verses with the original Sanskrit text.

The beautiful rock-cut Siva temple on Elephanta Island in Bombay Harbor is one of the finest monuments of Indian religion and art. Until now, interpretation of its magnificent sculptured scenes has been neglected. In this book, Collins systematically surveys the pertinent Vedic, Epic, and early Puranic literature as well as the contributions of India's foremost poet and dramatist, Kalidasa, to reveal sources for and interpretations of the subjects of the relief sculptures. This survey shows strong associations with areas formerly controlled by the classical Gupta dynasty in northern India. This book provides the first detailing of this link, intimated by others before, which helps to explain the grandeur of style found in the colossal reliefs. By applying certain aspects of ritual texts of the Lakulisa-Pasupata, the sect that probably used Elephanta originally, exceptional clarity is revealed for the worship of the sculptures in a counterclockwise sequence, quite unusual in India, but appropriate to this particular sect. Lakulisa-Pasupata texts are invoked in Collins' theory of how the cave-temple at Elephanta was used. This area of investigation has been virtually untouched by other scholars for any early Hindu shrine in India.