​This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies. Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

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A uniquely prismatic representation of total solar eclipses, this volume invites us to imagine a liberated mode of discovery, perception, creativity, and knowledge-production across the traditional academic divisions.

Much of what is known about the universe came from the study of celestial shadows. This book looks in detail at the way eclipses and other celestial shadows have given us amazing insights into the nature of the objects in our solar system and how they are even helping us discover and analyze planets that orbit stars other than our Sun. A variety of eclipses, transits, and occultations of the mooons of Jupiter and Saturn, Pluto and its satellite Charon, asteroids and stars have helped astronomers to work out their dimensions, structures, and shapes - even the existence of atmospheres and structures of exoplanets. Long before Columbus set out to reach the Far East by sailing West, the curved shadow of the Earth on the Moon during a lunar eclipse revealed that we inhabit a round world, a globe. More recently, comparisons of the sunlit and Earthlit parts of the Moon have been used to determine changes in the Earth's brightness as a way of monitoring possible effects in cloud coverage which may be related to global warming. Shadows were used by the Greek mathematician Eratosthenes to work out the first estimate of the circumference of the Earth, by Galileo to measure the heights of the lunar mountains and by eighteenth century astronomers to determine the scale of the Solar System itself. Some of the rarest and most wonderful shadows of all are those cast onto Earth by the lovely "Evening Star" Venus as it goes between the Earth and the Sun. These majestic transits of Venus occur at most two in a century; after the 2012 transit, there is not a chance to observe this phenomenon until 2117, while the more common sweep of a total solar eclipse creates one of the most dramatic and awe-inspiring events of nature. Though it may have once been a source of consternation or dread, solar eclipses now lead thousands of amateur astronomers and "eclipse-chasers" to travel the globe in order to experience the dramatic view under "totality." These phenomena are among the most spectacular available to observers and are given their full due in Westfall and Sheehan's comprehensive study.

This book is a sequel to Heaven and Earth in Ancient Greek Cosmology (Springer 2011). With the help of many pictures, the reader is introduced into the way of thinking of ancient believers in a flat earth. The first part offers new interpretations of several Presocratic cosmologists and a critical discussion of Aristotle’s proofs that the earth is spherical. The second part explains and discusses the ancient Chinese system called gai tian. The last chapter shows that, inadvertently, ancient arguments and ideas return in the curious modern flat earth cosmologies.

"A fun thriller that will have readers rooting for the assassins, ..." — Kirkus Reviews "In an innovative plot from a skilled storyteller, Cherry conjures up a secret society based on a highly intricate, tightly woven system flanked on all sides by anonymity devoted to ridding the world of serial offenders. ... "Cherry reveals an obvious knowledge of the ways of crime and law enforcement—not just Google-given material, but a deeper familiarity. Each 'assignment' the girls go on is an opportunity for the author to explore the ugly depths evil will slink to. The plot lends itself to the gyrations of Cherry's creative mind, and he doesn't disappoint. ... "I enjoyed the read tremendously. I suspect discerning readers will feel the same." — Valerie Brooks is a writer, editor, and book reviewer and the owner oj www.TheWriteEdit.com.

A Flash of Light is an intriguing book that starts at the beginning of time itself and then winds its way through a host of fascinating light related topics including the hues of aliens sunsets, the psychology of colour, and the chemistry of LCD screens. Written as part of a novel experiment, editors Mark Lorch and Andy Miah hatched a plan to collect a critical mass of academics in a room and charged them with writing a popular science book, under the watchful eye of the general public at the Manchester Science Festival. The result is an enlightening look into the science behind colour and light, encompassing biology, chemistry and physics and including simple and fun “try this at home” ideas to illustrate the concepts covered. Drawing on the experience of some of the UK’s best science communicators, this book will appeal to anyone with an interest in science. Its pacey, witty and engaging tone provides illuminating insight into how and why we see the universe the way we do.