English speakers have 12 centuries of Christian poetry to draw upon. The examples in this anthology come from all Christian sources including Anglican, Roman Catholic, Protestant, Orthodox and modern evangelical and reform traditions.

"Pool's behind-the-scenes look at the institution of book reviewing analyzes how it works and why it often fails, describes how editors choose books for review and assign them to reviewers, examines the additional roles played by publishers, authors, and readers and contrasts traditional reviewing with newer, alternative book coverage"--Provided by publisher.

Rodney Gómez's Arsenal With Praise Song somehow manages to yoke together lament and celebration, reproach and veneration across the borders of eras and nations. Set in the stark desert landscape of the México-U.S. border all too familiar to so many refugees and migrants, these poems scrutinize human bodies and the body of the earth as the sites of great injustices and violences-political, social, and spiritual-and as the vehicles that carry our collective legacy generation to generation.

An expansive, moving poetry anthology, representing 20 years of poetry from students and alumni of Chicago's Oak Park River Forest High School Spoken Word Club. "Poets I know sometimes joke that the poetry club at Oak Park River Forest High School is the best MFA program in the Chicagoland area. Like all great jokes, this one is dead serious." -Eve L. Ewing, award-winning poet, playwright, scholar, and sociologist For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, "It's a call of pride and history and tradition and hope." This vivid new collection of poetry and prose -- curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan "Sully" Sullivan -- illuminates just that, uplifting the incredible legacy this community has cultivated. Among the dozens of current students and alumni, Respect the Mic features work by NBA champion Iman Shumpert, National Youth Poet Laureate Kara Jackson, National Youth Poet Laureate Kara Jackson, National Student Poet Natalie Richardson, comedian Langston Kerman, and more. In its pages, you hear the sprawling echoes of students, siblings, lovers, new parents, athletes, entertainers, scientists, and more --all sharing a deep appreciation for the power of storytelling. A celebration of the past, a balm for the present, and a blueprint for the future, Respect the Mic offers a tender, intimate portrait of American life, and conveys how in a world increasingly defined by separation, poetry has the capacity to bind us together.

Provides an ongoing narrative of the sailor's life at sea in the late nineteenth and early twentieth centuries

In her first new book of poetry since Jaguar of Sweet Laughter, poet and naturalist Diane Ackerman combines her deep understanding of the world with her immense passion for language to craft richly sensual poems that "honor all life/wherever and in whatever form/it may deal." Imbued with ravishing imagery, these exuberant and lyrical explorations of aging, longing, and death demonstrate Ackerman's full engagement with every aspect of life's process. Ackerman muses on the confines of therapy sessions, where she intersects "twice a week/in a painstaking hide-and-seek/making do with half-light, half-speak"; relishes the succulent pleasure of eating an apricot, with its "gush of taboo sweetness"; and imagines the "unupholstered voice, a life in outline" in her stunning elegy to C. S. Lewis. Whimsical, organic, and wise, the poems in I Praise My Destroyer affirm Ackerman's place as one of the most enchanting poets writing today.

Arising out of a devotional and enthusiastic religious movement that swept across most of northern and eastern India in the period from the fourteenth through the seventeenth centuries, the powerful and moving lyrics collected and elegantly translated here depict the love of Radha for the god Krishna—a love whose intensity and range of emotions trace the course of all true love between man and woman and between man and God. Intermingling physical and metaphysical imagery, the spiritual yearning for the divine is articulated in the passionate language of intense sensual desire for an irresistible but ultimately unpossessable lover, thus touching a resonant chord in our humanity.

Jane Hirshfield, the award-winning author of THE OCTOBER PALACE and editor of WOMEN IN PRAISE OF THE SACRED, presents a scintillating new volume of poems to be published to coincide with the hardcover release of NINE GATES, the author's primer on the reading and writing of poetry.

Praise Song for My Children celebrates twenty-one years of poetry by one of the most significant African poets of this century. Patricia Jabbeh Wesley guides us through the complex and intertwined highs and lows of motherhood and all the roles that it encompasses: parent, woman, wife, sister, friend. Her work is deeply personal, drawing from her own life and surroundings to convey grief, the bleakness of war, humor, deep devotion, and the hope of possibility. These poems lend an international voice to the tales of motherhood, as Wesley speaks both to the African and to the Western experience of motherhood, particularly black motherhood. She pulls from African motifs and proverbs, utilizing the poetics of both the West and Africa to enrich her striking emotional range. Leading us to the depths of mourning and the heights of tender love, she responds to American police brutality, writing "To be a black woman is to be a woman, / ready to mourn," and remembers a dear friend who is at once "mother and wife and friend and pillar / and warrior woman all in one." Wesley writes poetry that moves with her through life, land, and love, seeing with eyes that have witnessed both national and personal tragedy and redemption. Born in Tugbakeh, Liberia and raised in Monrovia, Wesley emigrated to the United States in 1991 to escape the Liberian civil war. In this moving collection, she invites us to join her as she buries loved ones, explores long-distance connection through social media, and sings bittersweet praises of the women around her, of mothers, and of Africa.

Around the world and throughout time, people have spoken treasured words to make them feel better when they are sad, brave when they are afraid, befriended when they are alone - or simply to express their joy at being alive on this earth. Here are seventy-seven poems and prayers from many cultures, faiths and traditions. The book is arranged in four sections, each illustrated by a major contemporary artist from a different country.