Echoes from the Mountain. New and Selected Poems by Mazisi Kunene

“A blistering thriller that follows a group of teenagers on an adventure through an apocalyptic America much like our own.” ―Entertainment Weekly Bestselling author of Before the Fall and Emmy Award-winning screenwriter Noah Hawley (FX’s Fargo) returns with a chilling and prophetic allegory of America as it is now and as it could be. It begins with a Song... In a country divided by pandemic, climate change, and incendiary rhetoric, a new plague infects American teens via social media: a contagious new meme spreading chaos and fear. Desperate parents look for something, anything to stop the madness. At the Float Anxiety Abasement Center, in a suburb of Chicago, Simon Oliver is trying to recover from his sister’s tragic passing. He breaks out to join a woman named Louise and a man called the Prophet on a quest as urgent as it is enigmatic. Who lies at the end of the road? A man known as the Wizard, whose past encounter with Louise sparked her own collapse. Their quest becomes a rescue mission as those most in danger race to save one life – and the country’s future. Anthem is rich with unforgettably vivid characters, as fast and bright as pop cinema. Noah Hawley takes readers along for a leap into the idiosyncratic pulse of the American heart, written with the playfulness, biting wit, literary power, and foresight that have made him one of our most essential writers.

From two-time National Book Award finalist Deborah Wiles, the remarkable story of two cousins who must take a road trip across America in 1969 in order to let a teen know he's been drafted to fight in Vietnam. Full of photos, music, and figures of the time, this is the masterful story of what it's like to be young and American in troubled times. It's 1969.Molly is a girl who's not sure she can feel anything anymore, because life sometimes hurts way too much. Her brother Barry ran away after having a fight with their father over the war in Vietnam. Now Barry's been drafted into that war - and Molly's mother tells her she has to travel across the country in an old schoolbus to find Barry and bring him home.Norman is Molly's slightly older cousin, who drives the old schoolbus. He's a drummer who wants to find his own music out in the world - because then he might not be the "normal Norman" that he fears he's become. He's not sure about this trip across the country . . . but his own mother makes it clear he doesn't have a choice.Molly and Norman get on the bus - and end up seeing a lot more of America that they'd ever imagined. From protests and parades to roaring races and rock n' roll, the cousins make their way to Barry in San Francisco, not really knowing what they'll find when they get there.As she did in her other epic novels Countdown and Revolution, two-time National Book Award finalist Deborah Wiles takes the pulse of an era . . . and finds the multitude of heartbeats that lie beneath it.

This picture book of Dee Snider's classic song of empowerment and self-determination will strike a chord with kids everywhere. Oh we're not gonna take it No, we ain't gonna take it Oh we're not gonna take it anymore We're Not Gonna Take It is a playful picture book echoing 1980s hair band Twisted Sister's most popular antiestablishment anthem. As part of their triple-platinum album Stay Hungry, "We're Not Gonna Take It" spent fifteen weeks on the Billboard Hot 100 chart, reaching number twenty-one. With lyrics by Dee Snider and illustrations by Margaret McCartney, this picture book follows three toddlers on a mission to defy their parents, whether it be lunchtime, bath time, or bedtime. We're Not Gonna Take It is a story both parents and children can relate to, and a song they can enjoy together. Released in 1984, "We're Not Gonna Take It" is a signature rock anthem of the 1980s The song was a Hot 100 top forty hit and reached the top ten on the Billboard Mainstream Rock chart The album it appeared on, Stay Hungry, was the band's breakthrough and a US top twenty hit Its anthemic quality has propelled the song to become a US pop culture touchstone The song has an iconic music video "'We're Not Gonna Take It' was a watershed moment in hard rock. It delivered a defiant song that originally shook up the establishment." --Christa Titus, Billboard "'We're Not Gonna Take It' is an indelible hit, whose instantly recognizable hook practically invites the listener to shout along." --Rachel Martin and Phil Harrell, NPR

Time Out of Mind is one of the most ambitious, complex, and provocative albums of Bob Dylan’s distinguished artistic career. The present book interprets the songs recorded for Time Out of Mind as a series of dreams by a single singer/dreamer. These dreams overlap and intermingle, but three primary levels of meaning emerge. On one level, the singer/dreamer envisions himself as a killer awaiting execution for killing his lover. On another level, the song-cycle functions as religious allegory, dramatizing the protagonist’s relentless struggles with his lover as a battle between spirit and flesh, earth and heaven, salvation and damnation. On still another level, Time Out of Mind is a meditation on American slavery and racism, Dylan’s most personal encounter with the subject, but one tangled up in associations with the minstrelsy tradition and debates surrounding cultural appropriation. Time Out of Mind marks the culmination of several recurring themes that have preoccupied Dylan for decades, and it serves as a pivotal turning point toward his late renaissance in terms of both subject matter and intertextual approach.

The world that created modern industry, pioneered in the West, is in decline. It is being transformed by a global green shift, creating new industries based on clean energy, clean water and clean food – all produced in a safe, clean and sustainable way, in abundance, at low (and diminishing) cost and without making further inroads into nature. This twenty-first century world is being driven by newly emerging industrial giants like China and India – just as the twentieth-century infrastructure of oil, automobiles and highways was created by the United States. It is China and India that are feeling the worst effects of industrializing along conventional ‘business as usual’ lines, and which have the greatest incentive to drive their own green shift. But the old world order based on a linear economy and fossil fuels is resisting bitterly, and will not give up without a fight. John A. Mathews explains how these trends and counter-trends are creating a new world order where an industrial system based on the Ceres (Circular Economy and Renewable Energy System) is seeking to take over from the world of fossil fuels, and provide scope for Gaia to become her wild self again. The outcome of this struggle is far from determined. It is the central issue to be resolved in the twenty-first century.

About this Edition This 2021-2022 Digital Student Edition of Ayn Rand's Anthem was created for teachers and students receiving free novels from the Ayn Rand Institute, and includes a historic Q&A with Ayn Rand that cannot be found in any other edition of Anthem. In this Q&A from 1979, Rand responds to questions about Anthem sent to her by a high school classroom. About Anthem Anthem is Ayn Rand’s “hymn to man’s ego.” It is the story of one man’s rebellion against a totalitarian, collectivist society. Equality 7-2521 is a young man who yearns to understand “the Science of Things.” But he lives in a bleak, dystopian future where independent thought is a crime and where science and technology have regressed to primitive levels. All expressions of individualism have been suppressed in the world of Anthem; personal possessions are nonexistent, individual preferences are condemned as sinful and romantic love is forbidden. Obedience to the collective is so deeply ingrained that the very word “I” has been erased from the language. In pursuit of his quest for knowledge, Equality 7-2521 struggles to answer the questions that burn within him — questions that ultimately lead him to uncover the mystery behind his society’s downfall and to find the key to a future of freedom and progress. Anthem anticipates the theme of Rand’s first best seller, The Fountainhead, which she stated as “individualism versus collectivism, not in politics, but in man’s soul.”