Can human beings be free and responsible if there is a God? Anselm of Canterbury, the first Christian philosopher to propose that human beings have a really robust free will, offers viable answers to questions which have plagued religious people for at least two thousand years: If divine grace cannot be merited and is necessary to save fallen humanity, how can there be any decisive role for individual free choice to play? If God knows today what you are going to choose tomorrow, then when tomorrow comes you have to choose what God foreknew, so how can your choice be free? If human beings must have the option to choose between good and evil in order to be morally responsible, must God be able to choose evil? Anselm answers these questions with a sophisticated theory of free will which defends both human freedom and the sovereignty and goodness of God.

Can human beings be free and responsible if there is an all-powerful God? Anselm of Canterbury (1033-1109) offers viable answers to questions which have plagued religious people for at least two thousand years. Katherin Rogers examines Anselm's reconciliation of human free will and divine omnipotence in the context of current philosophical debates.

In these three dialogues, renowned for their dialectical structure and linguistic precision, Anselm sets out his classic account of the relationship between freedom and sin--its linchpin his definition of freedom of choice as the power to preserve rectitude of will for its own sake. In doing so, Anselm explores the fascinating implications for God, human beings, and angels (good and bad) of his conclusion that freedom of choice neither is nor entails the power to sin. In addition to an Introduction, notes, and a glossary, Thomas Williams brings to the translation of these important dialogues the same precision and clarity that distinguish his previous translation of Anselm's Proslogion and Monologion, which Professor Paul Spade of Indiana University called "scrupulously faithful and accurate without being slavishly literal, yet lively and graceful to both the eye and ear.

Publisher Description

Katherin A. Rogers presents a new theory of free will, based on the thought of Anselm of Canterbury. We did not originally produce ourselves. Yet, according to Anselm, we can engage in self-creation, freely and responsibly forming our characters by choosing 'from ourselves' (a se) between open options. Anselm introduces a new, agent-causal libertarianism which is parsimonious in that, unlike other agent-causal theories, it does not appeal to any unique and mysterious powers to explain how the free agent chooses. After setting out Anselm's original theory, Rogers defends and develops it by addressing a series of standard problems levelled against libertarianism. These include the problem of 'internalism--in that an agent is not the source of his original motivations, how can the structure of his choice ground his responsibility?; the problem of Frankfurt-style counterexamples--Do we really need open options to choose freely?; and the problem of luck--If nothing about an agent before he chooses explains his choice, then isn't the choice just dumb luck? (The Anselmian answer to this perennial criticism is especially innovative, proposing that the critic has the relationship between choices and character exactly backwards.) Finally, as a theory about self-creation, Anselmian Libertarianism must defend the tracing thesis, the claim that an agent can be responsible for character-determined choices, if he, himself, formed his character through earlier a se choices. Throughout, the book defends and exemplifies a new methodological suggestion: someone debating free will ought to make his background world view explicit. In the on-going debate over the possibility of human freedom and responsibility, Anselmian Libertarianism constitutes a new and plausible approach.

The Neoplatonists have a perfectionist view of freedom: an entity is free to the extent that it succeeds in making itself good. Free entities are wholly in control of themselves—they are self-determining, self-constituting, and self-knowing. Neoplatonist philosophers argue that such freedom is only possible for non-bodily things. The human soul is free insofar as it rises above bodily things and engages in intellection, but when it turns its desires to bodily things, it is drawn under the sway of fate and becomes enslaved. Ursula Coope discusses this notion of freedom and its relation to questions about responsibility. She explains the important role of notions of self-reflexivity in Neoplatonist accounts of both freedom and responsibility. In Part I, Coope sets out the puzzles Neoplatonist philosophers face about freedom and responsibility and explains how these puzzles arise from earlier discussions. Part II explores the metaphysical underpinnings of the Neoplatonist notion of freedom (concentrating especially on the views of Plotinus and Proclus). In what sense, if any, is the ultimate first principle of everything (the One) free? If everything else is under this ultimate first principle, how can anything other than the One be free? What is the connection between freedom and nonbodiliness? Finally, Coope considers in Part III questions about responsibility, arising from this perfectionist view of freedom. Why are human beings responsible for their behaviour, in a way that other animals are not? If we are enslaved when we act viciously, how can we be to blame for our vicious actions and choices?

The articles in the present collection deal with the religious dimension of the problem of free will. Together they provide a historical and contemporary overview of problems in the theology of freedom, along with recent work by some important philosophers in the field aimed at resolving those problems.

An examination of the use of modernism in the twentieth-century battle for US hegemony, through the activities of the CIA-funded Congress for Cultural Freedom. Parapolitics confronts the contemporary fate of intellectual autonomy and artistic freedom by revisiting the use of modernism in the twentieth-century battle for US hegemony. It builds on a major exhibition at Haus der Kulturen der Welt (2017–18) that took as its starting point the Congress for Cultural Freedom (CCF)—an organization covertly funded by the Central Intelligence Agency in order to steer the Left away from its remaining commitment to communism. Paying particular attention to CCF activities in the non-European world during a period of decolonization and the Civil Rights Movement, Parapolitics assembles archival documentation from five continents alongside a selection of historical artworks to explore the context in which artists negotiated the framing and meaning of their work. A rich reference book for future researchers and everybody interested in the legacy of modernism, the publication also presents more than thirty newly commissioned contributions by contemporary artists and scholars.

Sweeney's study offers a comprehensive picture of Anselm's thought and its development, from the early, intimate, monastically based meditations to the later, public, proto-scholastic disputations

A vigorous and wide-ranging defense of Hartshorne’s “neoclassical metaphysics” of creative freedom.