Step-by-step instructions for painting icons, from original drawings through finished product. This is the sequel to the authors previous work, A Brush with God, for advanced beginners, intermediate, and advanced iconographers. It presents greater detail and instructions for creating entirely new icons. One major feature of this book is the full-page sketches that artists can photocopy and use as the basis of their own icons, providing a unique and much-requested resource. Includes eight full-color plates of the author's original icons. Chapters and topics include: Introduction and contemporary reflections on iconography, spirituality, and technique. Highlighting folds on full-length figures, including black and white renderings of draped legs, arms, and torsos. Architectural and landscape renderings in Byzantine iconography, including background shadow and highlighting techniques, plus inverse perspective. Festal icons, involving multiple figures, landscapes, architecture, furniture, vegetation, and animals. Construction of heads, figures, and analysis of whole compositions, sacred geometry and proportion.

Step-by-step instructions for painting icons, from original drawings through finished product. For more than a thousand years, Eastern Christians have used their hands and hearts to create icons, proclaiming God’s reality in a visible–and breathtakingly beautiful–way. This ancient art is enjoying a renewed interest in the West, as people of faith create icons and use them to meditate on mysteries for which there are no words. A Brush with God is a guide to painting icons and using them in prayer. Written with warmth and energy, it describes the history of icons and examines why they’ve been a spiritual tool for so many centuries. Written from a uniquely Western perspective, the book guides artists–from novices to professionals–through the process of icon painting, using traditional techniques but employing contemporary materials. Included are eight full-color plates of the artist’s icons.

Children speak about God in ways that are different from adults. They ask many questions about God, questions that can be startlingly direct. Oftentimes adults-parents, grandparents, and teachers-feel uncomfortable answering them. Through fantasy, involvement, and the imagination, Sandy Sasso and Annette Compton invite children of all faiths and backgrounds to encounter God openly through moments in their own lives-and help the adults who love them to be a part of that encounter. This book provides a gift of images that nurtures and encourages children in making meaning of their world. With over 100,000 copies in print, God's Paintbrush remains one of the most popular spiritual books for children of all faiths, all backgrounds. This special anniversary edition includes new ideas for interaction between adults and children, and an important new message from the author.

"Is God listening? "Can he be trusted?" In this book, Yancey tackles the questions caused by a God who doesn't always do what we think he's supposed to do.

Examines the apparent contradictions in the world and explains how the invisible, natural, and supernatural worlds might interact and affect people's daily lives.

This is the most comprehensive book to date on the techniques of icon and wall painting. Illustrated with over 450 colour photos and 180 drawings, it will be a source of pleasure and inspiration for the general reader as well as for the practising icon painter. The book is more than just a technical manual; it sets artistic practice in the context of the Church's spirituality and liturgy, with chapters on the theology and history of the icon, the role and symbolism of the iconostasis, and the principles behind the positioning of wall paintings within churches. The wealth of information in this book makes it an indispensable reference text, not only for iconographers but also for any painter working in egg tempera, fresco or secco. All the necessary processes are covered, including the making gessoing of wooden panels, gilding, preparing pigments, lime plastering and fresco, the various techniques for painting in tempera, right through to photographing the finished artwork. -- from dust jacket.

Gold Medallion Book Award Winner. Over a million copies sold. An inspirational classic for more than thirty years,?Where Is God When It Hurts??honestly explores pain—from physical wounds to emotional and spiritual pain—and sheds new light on God's presence in our suffering. "How can a loving God allow this to happen? God is either all-loving or all-powerful, but he can't be both." You've heard that question, and perhaps you've even asked it yourself. When a loved one dies, we receive a terminal diagnosis, or natural disasters strike, people often wonder whether God is the?cause?of suffering and why he doesn't immediately take away the pain or fix the situation. As a result, we become angry at the once-beloved God who betrayed us. Bestselling author Philip Yancey uses examples from the Bible and from his own experiences to show us how we can learn to accept—without blame, anger, or fear—what we don't understand. Along the way, he answers questions such as: Why is there such a thing as pain? Is pain a message from God? How should we respond to suffering? How can we learn to cope with pain? Where Is God When It Hurts??speaks to everyone who thinks that suffering doesn't make sense. With compassion and clarity, Yancey brings us one step closer to finding an answer when our pain, or the pain of those we love, is real and we are left wondering,?where is God when it hurts? "One of the most helpful treatments of the problem of evil that I've ever read. If I were looking around for something to give to individuals who are going through travail or difficulty, this is the book I'd recommend." —Dr. Vernon Grounds, former Chancellor of Denver Seminar

In this searing meditation on the bonds of family and the allure of extremist faith, one of today’s most celebrated Christian writers recounts his unexpected journey from a strict fundamentalist upbringing to a life of compassion and grace—a revelatory memoir that “invites comparison to Hillbilly Elegy” (Publishers Weekly, starred review). “Searing, heartrending . . . This stunning tale reminds us that the only way to keep living is to ask God for the impossible: love, forgiveness, and hope.”—Kate Bowler, New York Times bestselling author of Everything Happens for a Reason Raised by an impoverished widow who earned room and board as a Bible teacher in 1950s Atlanta, Philip Yancey and his brother, Marshall, found ways to venture out beyond the confines of their eight-foot-wide trailer. But when Yancey was in college, he uncovered a shocking secret about his father’s death—a secret that began to illuminate the motivations that drove his mother to extreme, often hostile religious convictions and a belief that her sons had been ordained for a divine cause. Searching for answers, Yancey dives into his family origins, taking us on an evocative journey from the backwoods of the Bible Belt to the bustling streets of Philadelphia; from trailer parks to church sanctuaries; from family oddballs to fire-and-brimstone preachers and childhood awakenings through nature, music, and literature. In time, the weight of religious and family pressure sent both sons on opposite paths—one toward healing from the impact of what he calls a “toxic faith,” the other into a self-destructive spiral. Where the Light Fell is a gripping family narrative set against a turbulent time in post–World War II America, shaped by the collision of Southern fundamentalism with the mounting pressures of the civil rights movement and Sixties-era forces of social change. In piecing together his fragmented personal history and his search for redemption, Yancey gives testament to the enduring power of our hunger for truth and the possibility of faith rooted in grace instead of fear. “I truly believe this is the one book I was put on earth to write,” says Yancey. “So many of the strands from my childhood—racial hostility, political division, culture wars—have resurfaced in modern form. Looking back points me forward.”