When in 1925 the initiative was taken by the Kern Institute Leiden to start the publica tion of an Annual Bibliography of Indian Archaeology, the Board of the Institute could do so with confidence, as it was sure of the assistance of scholars all over the world as to the supply of publications as well as of information. With the help of this material a bibliography could be compiled by a small team of highly skilled archaeologists who could devote part of their time and attention to such a task for the benefit of their colleagues in all parts of the world. Times since then have changed, and circumstances have become less and less favourable. To find classified labour for the compilation and editing of such a bibliography has become extremely difficult, and this the more so as this work cannot be paid in accordance with the standards for this branch of classified documentation. The work has to be done as a part of the daily routine work even a scholar in today's time is expected to perform, and which he cannot but consider as being detrimental to the performing of those parts of his work, that demand the use of those qualifications that actually make him the expert.

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A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.

The Karma Tantricism of Kashmir is intended as a ground work of the Karma system, an almost neglected area of Kashmir Saivism. The author has very ably reconstructed the history and metaphysics of the system after rummaging through relevant literature, both in print and manuscript form. The krama philosophy, Sakta esotricism and the Tantric synoptic view are seen. In this first of the two volumes, the author has given a general and historical survey in seven chapters-Karma as a distinct system, mutual exchange from allied system, different traditions and sub-schools, sources and literature and karma`s place in Kashmir Saivism. Contains chronological table of Karma author`s classified Bibliography and indexes.

It is a pioneer attempt of its kind to study Indian Buddhism in its entirety as a system of rational philosophy, profound faith, and as a historical matrix of creative human culture and civilized institution during the 7th and 8th centuries the brilliant epoch of the University of Nalanda, the mere name of which spells the great wonder that was Buddhism in Ancient India.A chapter on the contribution of Buddhism to Indian Civilization has also been added. The treatment of the subject is critical and integral though not traditional.