As one of the most capped Springboks ever, Victor Matfield is a national hero who transcends rugby provincialism and has fans across the world. His rugby exploits and achievements are numerous: he was an instrumental part of the team that won the 2007 Rugby World Cup, he helped win two Tri Nations tournaments for the Boks, he has lifted the Super 14 trophy three times with the Bulls and he has enjoyed Currie Cup glory. In his much-anticipated autobiography, he opens up about his life, from growing up as a shy boy in Pietersburg to moving to Pretoria, where he had to learn the hard way about dealing with the pleasures of life as a talented young rugby player. He talks frankly about his issues with coaches, including his mentor Heyneke Meyer, Pieter de Villiers and former Bok coach Jake White, who once tried to physically attack him. Victor also discusses Kamp Staaldraad, the Bulls’ lack of form in his final season, the controversial refereeing decisions that led to the Boks’ quarter-final departure from the Rugby World Cup in 2011 and his retirement from rugby. This is undoubtedly the one book every rugby fan will want to read.

Rassie Erasmus has been called a genius. He’s been called reckless. All his life, he’s done things differently. Now, with his trademark candour, Rassie talks openly about his adventures and misadventures. He reveals the turmoil of living with an alcoholic father and growing up in the conservative town of Despatch. He looks back on an exemplary career as a player, whose innate rugby instincts, ability to read a game differently, and appetite for hard work set him apart. While his teammates relaxed, he preferred to watch hours of video to devise winning strategies. When given the opportunity to lead his country as Springbok captain, he refused the honour. Rassie recalls how he became an important cog in Nick Mallett’s record-breaking Springbok team of the late 1990s. He remembers the anguish of the 1999 World Cup and the devastating injuries that cut short his playing career. He discusses his revolutionary coaching methods, which were initially laughed off and then eagerly adopted, how he fought the rugby establishment at the Stormers and earned the respect of Irish fans at Munster. Rassie talks about his greatest contribution to South African rugby, appointing its first black captain, Siya Kolisi, without much fanfare or controversy, as his bold plans for effective racial transformation of the national team achieved immediate success, culminating in triumph at the 2019 Rugby World Cup. Readers will enjoy the behind-the-scenes information about interactions and controversies and previously untold stories from a truly maverick life.

The leaping Springbok on the green jersey of South Africa is one of the most iconic emblems in world rugby. At the same time, no symbol in world sport has ever done so much to divide – and then unite – a nation. Respected by opponents and supported passionately by South Africans, the Springboks have been a powerhouse rugby nation for over a century, yet the emblem that now sits alongside the Protea on the chests of the players was once a symbol of violent oppression in apartheid South Africa, the epitome of the white man's dominance over people of colour in the Republic. Told in the words of Springboks past and present, Our Blood is Green explores what it means to play for South Africa – from schoolboy dreams to the sacrifices required to make it to the very top – as well as the myriad difficulties the players have faced over the years, from the horrors of apartheid through to the emerging rainbow nation in the 1990s and the multi-cultural World Cup-winning team of today. It is a fascinating, powerful and poignant read that explores the unity of a brotherhood that fights to transcend race, culture and class while simultaneously striving to become the best team on the planet. Our Blood is Green examines what it truly means to be a Springbok and it is told the only way it can be – by the players themselves.

Throughout his tenure as the first black Springbok coach, Peter de Villiers was in the news, and not always for the right reasons. His battle to be accepted and respected by the rugby fraternity started from the moment his appointment was announced, when his new boss admitted that De Villiers had got the job for reasons ‘other than only rugby’. In his four years as Bok coach, De Villiers experienced huge successes – a series win over the British & Irish Lions and a Tri Nations trophy – but he also suffered the ignominy of coming last in the Tri Nations and seeing his World Cup dream shattered by the controversial officiating of referee Bryce Lawrence. In addition, his outspoken nature and colourful application of the metaphor alternately amused and horrified South African rugby fans, and his close relationship with his senior players begged the question: Who was coaching whom? Now, in his autobiography, De Villiers answers this question and addresses many more: How he managed to progress from the dusty streets of Paarl as a rugby-mad youngster to the highest job in South African rugby; why his employers tried to manipulate him but failed; why he stuck with John Smit as captain in the 2011 Rugby World Cup; and where his passion for rugby will lead him next. If rugby fans thought they knew Peter de Villiers before reading this book, they will think differently afterwards.

'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.

By integrating complementary and alternative medicine (CAM) with traditional medical treatment, this volume represents the next generation in the evolving field of integrative medicine. Features a unique approach and case studies immediately applicable to clinical practice. Far more than a review of CAM modalities, this is an evidence-based and clinically authoritative guide for family medicine and primary care providers.

This "gorgeously written" National Book Award finalist is a dazzling, heart-rending story of an oil rig worker whose closest friend goes missing, plunging him into isolation and forcing him to confront his past (NPR, One of the Best Books of the Year). One night aboard an oil drilling platform in the Atlantic, Waclaw returns to his cabin to find that his bunkmate and companion, Mátyás, has gone missing. A search of the rig confirms his fear that Mátyás has fallen into the sea. Grief-stricken, he embarks on an epic emotional and physical journey that takes him to Morocco, to Budapest and Mátyás's hometown in Hungary, to Malta, Italy, and finally to the mining town of his childhood in Germany. Waclaw's encounters along the way with other lost and yearning souls—Mátyás's angry, grieving half-sister; lonely rig workers on shore leave; a truck driver who watches the world change from his driver's seat—bring us closer to his origins while also revealing the problems of a globalized economy dependent on waning natural resources. High as the Waters Rise is a stirring exploration of male intimacy, the nature of memory and grief, and the cost of freedom—the story of a man who stands at the margins of a society from which he has profited little, though its functioning depends on his labor.

Provides insights and advice that supervisors can use to advance their support of their research students' writing and, at the same time, survive increasing supervisory demands. Book parts are framed by empirical supervisor and doctoral student experiences and chapters within each part provide multiple approaches. The carefully chosen contributors are specialists on research writing and doctoral pedagogy, who guide the reader through the key stages of providing feedback. Split into nine key parts the book covers: starting a new supervision with writing in focus; making use of other resources along the way; encouraging style through control of language; writing feedback on English as an Additional Language (EAL) writing; Master's and Honours smaller projects' writing feedback; thesis by publication or performance-based writing; maintaining and gathering momentum; keeping the examiner happy; writing feedback as nudging through identity transition. The parts cohere into a go-to handbook for developing the supervision process. Drawing on research, literature and experience, Developing Research Writing offers well-theorized, yet practical and grounded advice conducive to good practices.