The books in Bob Books Set 2 - Advancing Beginners provide your new reader with more material at the beginning level. These twelve stories in mostly three-letter words build confidence for the very youngest readers. Simple text combined with slightly longer stories builds reading stamina. Elements of humor and surprise keep childrenÕs interest high. Add Bob Books Set 2 to your collection for invaluable beginning reading practice. Reading this foundation set help children master basic phonics before they advance to consonant blends. Inside this eBook youÕll find: - 12 easy-to-read books, 16 pages each - Mostly two and three letter words (C-V-C words) - Can be "sounded out" (phonics based) - Limited sight words - 20 to 30 words per book

Animal Texts examines critical works of American Environmental Literature for how they portray, discuss, and represent animals. By interweaving animal studies, literary animal studies, animal science, and close readings, the author establishes critical animal concepts for environmental literature that expand the understanding and knowledge of animal lives to promote conservation and meaningful reflection on current human-animal relationships. Lauren E. Perry-Rummel demonstrates the grave importance and promise these writers saw in the animals alongside them by examining the textual proof of how America's great environmental writers viewed animals. The author’s tracing of animal texts begins with late nineteenth century American texts from Sarah Orne Jewett, Jack London, into the mid-early twentieth century, ecologically focused works of Aldo Leopold and Rachel Carson, into the later twentieth century with the musings of Edward Abbey and the devastating memoir of Terry Tempest Williams, and ending with the contemporary species-centric works of Nate Blakeslee and Dan Flores.

A new cross-genre collection that engages historical and personal explorations of gender and self

Sue Coe’s advocacy of animal rights is unmatched in its eloquence, forcefulness, and lasting impact. She does so with a combination of extraordinary images and few words. In her unstinting insistence on tolerance and love, Coe brings us to a life-affirming philosophy that values compassion over greed, community over self, and life over capital. In 115 black-and-white woodcut illustrations for The Animals’ Vegan Manifesto, Sue Coe unleashes an outraged cry for action that takes its rightful place alongside the other great manifestoes of history. As a prize-winning artist, she bears witness to unspeakable crimes, and has long advocated that we human beings must take more responsibility for ourselves, our fellow species, and the planet. Her illustrations, in the tradition of Goya, Kollwitz, and Grosz, will be familiar to many; her paintings, drawings and prints have been exhibited in galleries and museum around the world, including New York’s Museum of Modern Art.

A redefinition of the animal's relationship to sound and language in French texts from medieval England. The barks, hoots and howls of animals and birds pierce through the experience of medieval texts. In captivating episodes of communication between species, a mandrake shrieks when uprooted from the ground, a saint preaches to the animals, and a cuckoo causes turmoil at the parliament of birds with his familiar call. This book considers a range of such episodes in Old French verse texts, including bestiaries, treatises on language, the Life of Saint Francis of Assisi and the Fables by Marie de France, aiming to reconceptualize and reinterpret animal soundscapes. It argues that they draw on sound to produce competing perspectives, forms of life, and linguistic subjectivities, suggesting that humans owe more to animal sounds than we are disposed to believe. Texts inviting readers to listen and learn animal noises, to seek spiritual consolation in the jargon of birds, or to identify with the speaking wolf, create the conditions for an assertion of human exceptionalism even as they simultaneously invite readers to question such forms of control. By asking what it means for an animal to cry, make noise, or speak in French, this book provides an important resource for theorizing sound and animality in multilingual medieval contexts, and for understanding the animal's role in the interpretation of the natural world.

Reading the animal text in the landscape of the damned looks at the diverse texts of our everyday world relating to nonhuman animals and examines the meanings we imbibe from them. It describes ways in which we can explore such artefacts, especially from the perspective of groups and individuals with little or no power. This work understands the oppression of nonhuman animals as being part of a spectrum incorporating sexism, racism, xenophobia, economic exploitation and other forms of oppression. The enquiry includes, physical landscapes, the law, women’s rights, history, slavery, language use, economic coercion, farming, animal experimentation and much more. Reading the animal text in the landscape of the damned is an academic work but is accessible, theoretically based but robustly practical and it encourages the reader to take this enquiry further for both themselves and for others.

Based on the approach laid out in the 1950s by Nobel laureate Nikolaas Tinbergen, this book looks at animal communication from the four perspectives of mechanisms, ontogeny, function, and phylogeny.

Different farm animals make different noises.

"A book of lectures by Dorothea Lasky, the author of Milk, Rome, Thunderbird, Black Life, and AWE"--

"Animal Internet is a most important book. This excellent work could be a strong catalyst for people to rewild, to reconnect and become re-enchanted with all sorts of mysterious and fascinating animals, both local and distant. By shrinking the world it will bring humans and other animals together in a multitude of ways that only a few years ago were unimaginable." —Marc Bekoff, University of Colorado, author of Rewilding Our Hearts: Building Pathways of Compassion and Coexistence "An original book that goes against the trend to stubbornly keep nature and technology divided from one another."—Der Spiegel "Animal Internet is one of the most interesting books that I've read in recent years."—Bavarian Radio "What Pschera describes sounds futuristic but it's already widespread reality . . . Pschera's book is not just popular science: he describes not only the status quo, but also thinks about an ongoing transformation."—Wired.de Some fifty thousand creatures around the globe—including whales, leopards, flamingoes, bats, and snails—are being equipped with digital tracking devices. The data gathered and studied by major scientific institutes about their behavior will warn us about tsunamis, earthquakes and volcanic eruptions, but also radically transform our relationship to the natural world. With a broad cultural and historical perspective, this book examines human ties with animals, from domestic pets to the soaring popularity of bird watching and kitten images on the web. Will millennia of exploration soon be reduced to experiencing wilderness via smartphone? Contrary to pessimistic fears, author Alexander Pschera sees the Internet as creating a historic opportunity for a new dialogue between man and nature. Foreword by Martin Wikelski, Director, Max Planck Institute for Ornithology Alexander Pschera, born in 1964, has published several books on the internet and media. He studied German, music, and philosophy at Heidelberg University. He lives near Munich where he writes for the German magazine Cicero as well as for German radio.