"A father’s verbal and physical abuses ruin a son’s personality, relations, character and life. He turns to be an abuser to all he comes across. “A beater’s son will be a beater.” Hope Francis will be excused by the readers for all his rebellions and revolts. Can anyone find excuses for Stephen?!!. How do you assess Lucy the mediator?. This story is a mixture of reality and imagination that throws light on parenting. The facts about Ethiopia, its culture and tradition as well as descriptions of historical monuments of India are educative and informative."

Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, drama, and theology. These images have been interpreted as signs of a new emphasis on the humanity of Jesus. To others they indicate a fascination with a terrifying God of vengeance and a morbid obsession with death. In The Grief of God, however, Ellen Ross offers a different understanding of the purpose of this imagery and its meaning to the people of the time. Analyzing a wide range of textual and pictorial evidence, the author finds that the bleeding flesh of the wounded Savior manifests divine presence; in the intensified corporeality of the suffering Jesus whose flesh not only condemns, but also nurtures, heals, and feeds, believers meet a trinitarian God of mercy. Ross explores the rhetoric of transformation common to English medieval artistic, literary, and devotional sources. The extravagant depictions of pain and anguish, the author shows, constitute an urgent appeal to respond to Jesus' expression of love. She also explains how the inscribing of Christ's pain on the bodies of believers at times erased the boundaries between human and divine so that holy persons, and in particular, holy women, participated in the transformative power of Christ. In analyzing the dialects of mercy and justice; the construction of sacred space and time; sacraments and ritual celebration, social action, and divine judgment; and the dynamics of women's public religious authority, this study of religion and culture explores the meaning of the late medieval Christian affirmation that God bled and wept and suffered on the cross to draw persons to Godself. This interdisciplinary study of sermon literature, manuscript illuminations and church wall paintings, drama, hagiographic narratives, and spiritual treaties illuminates the religious sensibilities, practices, and beliefs that constellate around the late medieval fascination with the bleeding body of the suffering Jesus Christ.

By the turn of the twentieth century, Japan’s military and economic successes made it the dominant power in East Asia, drawing hundreds of thousands of Chinese, Korean, and Taiwanese students to the metropole and sending thousands of Japanese to other parts of East Asia. The constant movement of peoples, ideas, and texts in the Japanese empire created numerous literary contact nebulae, fluid spaces of diminished hierarchies where writers grapple with and transculturate one another’s creative output. Drawing extensively on vernacular sources in Japanese, Chinese, and Korean, this book analyzes the most active of these contact nebulae: semicolonial Chinese, occupied Manchurian, and colonial Korean and Taiwanese transculturations of Japanese literature. It explores how colonial and semicolonial writers discussed, adapted, translated, and recast thousands of Japanese creative works, both affirming and challenging Japan’s cultural authority. Such efforts not only blurred distinctions among resistance, acquiescence, and collaboration but also shattered cultural and national barriers central to the discourse of empire. In this context, twentieth-century East Asian literatures can no longer be understood in isolation from one another, linked only by their encounters with the West, but instead must be seen in constant interaction throughout the Japanese empire and beyond.

- Do you know that humans are not the first dwellers on earth?- Have you wondered why less than 10 percent of humans ever actualise their heart desires?- Do you know why good people suffer?Whether you realise it or not, you have been drafted into an age-old war immediately you were born, and the direction of your life and your final destiny are determined by your knowledge of this war and how to fight through.This book unveils this age-old warfare, the Great Conflict. It takes you on an exciting journey down through history, tracing the origin of the war, its progressive battles, and the interplaying forces. These are not mere fictions but the reality of our existence as you discover this truth vividly captured in the Holy Scriptures of the Bible with scientific proofs.

This collection of seven essays, like the carefully linked collection of vignettes within Tim O’Brien’s most popular book The Things They Carried, contains multiple critical and biographical angles with recurring threads of life events, themes, characters, creative techniques, and references to all of O’Brien’s books. Grounded in through research, Herzog’s work illustrates how O’Brien merges his life experiences with his creative production; he rarely misses an opportunity to introduce these critical life events into his writing.

Contour drawings and poetry: 1977-1982

The inspiring book Rabboni is a collection of poetry featuring a variety of themes. It deals with love, hatred, nature, culture, war, and worship. The poems are a compendium of dream-adventures of a young man who assumes and acts as different characters. There is a need to highlight the joy, love, and beauty of different societies with the prevalent woes, wars, and hatreds that often mar them. The poetry is mostly based on thoughts of survival and conquest…