Shearjashub Spooner's 'Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art' is a captivating exploration of the lives and works of various artists throughout history. As the second volume in a series of three, this book delves into the personal stories behind some of the most iconic pieces of art, offering a unique perspective on the creative processes of these individuals. Spooner's literary style is both informative and engaging, providing readers with a comprehensive look at the world of art. Set in the context of the 19th century, this book is a valuable resource for art history enthusiasts. As a renowned art historian and educator, Shearjashub Spooner's passion for the subject shines through in this meticulously researched volume. His expertise in the field of art allows him to offer readers a deep insight into the lives of these artists, making this book a must-read for anyone interested in the intersection of art and history. Spooner's own background as a scholar adds credibility to the narrative, further enhancing the reader's understanding of the material. I highly recommend 'Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art' to art lovers and history buffs alike. Spooner's detailed accounts and thoughtful analysis make this book a valuable addition to any collection, providing a glimpse into the fascinating world of art and the individuals who shape it.

This book is a delightful collection of anecdotes and stories about the lives and works of famous artists and architects. The author provides a fascinating glimpse into the world of art and creativity, with tales of triumphs and tragedies, eccentricities and obsessions, and all the quirks and foibles of artistic genius. The book is a must-read for anyone who loves art and wants to gain a deeper understanding of the human side of creativity. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Reproduction of the original: Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) by S. Spooner

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

'My revenge is just begun! I spread it over centuries, and time is on my side,' warns Dracula. This statement is descriptive of the Gothic genre. Like the Count, the Gothic encompasses and has manifested itself in many forms. Bram Stoker and the Gothic demonstrates how Dracula marks a key moment in the transformation of the Gothic. Harking back to early Gothic's preoccupation with the supernatural, decayed aristocracy and incarceration in gloomy castles, the novel speaks to its own time, but has also transformed the genre, a revitalization that continues to sustain the Gothic today. This collection explores the formations of the Gothic, the relationship between Stoker's work and some of his Gothic predecessors, such as Poe and Wollstonecraft, presents new readings of Stoker's fiction and probes the influences of his cultural circle, before concluding by examining aspects of Gothic transformation from Daphne du Maurier to Stoker's own 'reincarnation' in fiction and biography. Bram Stoker and the Gothic testifies to Stoker's centrality to the Gothic genre. Like Dracula, Stoker's 'revenge' shows no sign of abating.

Reproduction of the original: Anecdotes of Painters, Engravers, Sculptors by Shearjashub Spooner