How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Andersonville A Story of Rebel Military Prisons by John McElroy For men who endured the horrors of the Civil War, Andersonville Prison represented an even more terrifying level of hell. The prisoners starved while disease ran rampant. John McElroy was captured in battle and transferred to Andersonville. This is his eye-opening, bestselling account of his imprisonment in a place where one of every four men died.

Madison & Adams Press presents the Civil War Memories Series. This meticulous selection of the firsthand accounts, memoirs and diaries is specially comprised for Civil War enthusiasts and all people curious about the personal accounts and true life stories of the unknown soldiers, the well known commanders, politicians, nurses and civilians amidst the war. "Andersonville: A Story of Rebel Military Prisons" is one of the best accounts about the Civil War. McElroy, the author, vividly tells his story about the time he spent as a prisoner of Andersonville and a few other Confederate prisons he was kept at. The book is full of interesting stories and amazing facts about the Confederate prison system and the way prisoners were treated in the South!

THE TRUE STORY OF ANDERSONVILLE MILITARY PRISON, AS TOLD IN THE PERSONAL RECOLLECTIONS OF JOHN MCELROY, SOMETIME PRIVATE, CO. L, 16TH ILLINOIS CAVALRY Aged only 16 years old in 1863, John McElroy enlisted with the Union Army as a private in Company L of the 16th Illinois Cavalry regiment, and was captured the following year near Jonesville, Virginia, by Confederate cavalrymen. McElroy was first sent to Richmond, then to Andersonville in February 1864. In October 1864 he was moved to Savannah and within about six weeks was sent to the new prison in Millen, Georgia (Camp Lawton); thence to several other camps before the war ended and his release from captivity. In 1879, John McElroy wrote Andersonville: A Story of Rebel Military Prisons, a non-fiction work based on his experiences during his fifteen-month incarceration. It quickly became a bestseller. This is the edited 1957 version by Roy Meredith, richly illustrated throughout by Arthur C. Butts IV.

The years of 1864-65 were a season of desperate battles, but in that time many more Union soldiers were slain behind the Rebel army lines by starvation and exposure than were killed by cannon and rifle. This is McElroy's account of the horrible spectacle of Andersonville prison, where 70,000 young Union soldiers died under appalling conditions. 150 illustrations.

The fifth part of a century almost has sped with the flight of time since the outbreak of the Slaveholder's Rebellion against the United States. The young men of to-day were then babes in their cradles, or, if more than that, too young to be appalled by the terror of the times. Those now graduating from our schools of learning to be teachers of youth and leaders of public thought, if they are ever prepared to teach the history of the war for the Union so as to render adequate honor to its martyrs and heroes, and at the same time impress the obvious moral to be drawn from it, must derive their knowledge from authors who can each one say of the thrilling story he is spared to tell: "All of which I saw, and part of which I was." The writer is honored with the privilege of introducing to the reader a volume written by an author who was an actor and a sufferer in the scenes he has so vividly and faithfully described, and sent forth to the public by a publisher whose literary contributions in support of the loyal cause entitle him to the highest appreciation. Both author and publisher have had an honorable and efficient part in the great struggle, and are therefore worthy to hand down to the future a record of the perils encountered and the sufferings endured by patriotic soldiers in the prisons of the enemy. The publisher, at the beginning of the war, entered, with zeal and ardor upon the work of raising a company of men, intending to lead them to the field. Prevented from carrying out this design, his energies were directed to a more effective service. His famous "Nasby Letters" exposed the absurd and sophistical argumentations of rebels and their sympathisers, in such broad, attractive and admirable burlesque, as to direct against them the "loud, long laughter of a world!" The unique and telling satire of these papers became a power and inspiration to our armies in the field and to their anxious friends at home, more than equal to the might of whole battalions poured in upon the enemy. An athlete in logic may lay an error writhing at his feet, and after all it may recover to do great mischief. But the sharp wit of the humorist drives it before the world's derision into shame and everlasting contempt. These letters were read and shouted over gleefully at every camp-fire in the Union Army, and eagerly devoured by crowds of listeners when mails were opened at country post-offices. Other humorists were content when they simply amused the reader, but "Nasby's" jests were arguments—they had a meaningthey were suggested by the necessities and emergencies of the Nation's peril, and written to support, with all earnestness, a most sacred cause. The author, when very young, engaged in journalistic work, until the drum of the recruiting officer called him to join the ranks of his country's defenders. As the reader is told, he was made a prisoner. He took with him into the terrible prison enclosure not only a brave, vigorous, youthful spirit, but invaluable habits of mind and thought for storing up the incidents and experiences of his prison life. As a journalist he had acquired the habit of noticing and memorizing every striking or thrilling incident, and the experiences of his prison life were adapted to enstamp themselves indelibly on both feeling and memory. He speaks from personal experience and from the stand-paint of tender and complete sympathy with those of his comrades who suffered more than he did himself. Of his qualifications, the writer of these introductory words need not speak. The sketches themselves testify to his ability with such force that no commendation is required.