EXCLUSIVE: CARVILLE RESPONDS TO THE STARR REPORT ...And the Horse He Rode In On gives the first full accounting of what's really behind the longest-running, most expensive dirty trick in politics: Ken Starr's investigation.

Ever get so lonely that you dial your own phone number and leave yourself messages on your answering machine? Have you and your buddy ever dressed as Gandhi and Buddha, respectively, for Halloween, and proceeded to celebrate the day by trading insults? Have you and your attaché case become indistinguishable from each other? Or perhaps you've had it stolen by an elevator? Ever attempted to skip a day's work as a human test subject for toxic substances, by making up a story that your pet tabby died? If you've answered no to these questions, then step into the unruly purlieus of L. D. Brodsky's . . . And the Horse You Rode In On, and revel in the experiences of those who've said yes.

Other Stories and the Horse You Rode in On is a collection of Dakota McFadzean's comics. Short stories filled with yawning skies, dark humour, and quiet ruminations on memory, aging, and time. Drunken gnomes, sensitive teenagers, and a meditative cowboy all wander toward a sprawling, ghost-ridden horizon. McFadzean's stories have been featured in the Best American Comics anthology for 2012 and in Regina's Prairie Dog Magazine. His minicomic Ghost Rabbit won a Shuster Award and The Dailies was shortlisted for Slate magazine's Cartoonist Studio Prize for Best Web Comic of 2012.

The object of my book is to help couples escape from the stresses of daily life by taking some private time alone to focus on each other and connect physically in a fun and playful way. Once the bedtime stories are read to the kids, it is time to retreat to the master bedroom for some adult bedtime stories of your own. Thought provoking, stimulating short stories read to each other are sure to take your minds to places of pleasure, and your bodies turned on and in the mood to find your own sexual experiences. So pick an evening and one of these stories of an unexpected encounter between two that quickly turn from innocent to erotic that is sure to stir up some of your own desires and needs as well.

NATIONAL BESTSELLER • The triumphant true story of a woman who rode her horse across America in the 1950s, fulfilling her dying wish to see the Pacific Ocean, from the #1 New York Times bestselling author of The Perfect Horse and The Eighty-Dollar Champion “The gift Elizabeth Letts has is that she makes you feel you are the one taking this trip. This is a book we can enjoy always but especially need now.”—Elizabeth Berg, author of The Story of Arthur Truluv In 1954, sixty-three-year-old Maine farmer Annie Wilkins embarked on an impossible journey. She had no money and no family, she had just lost her farm, and her doctor had given her only two years to live. But Annie wanted to see the Pacific Ocean before she died. She ignored her doctor’s advice to move into the county charity home. Instead, she bought a cast-off brown gelding named Tarzan, donned men’s dungarees, and headed south in mid-November, hoping to beat the snow. Annie had little idea what to expect beyond her rural crossroads; she didn’t even have a map. But she did have her ex-racehorse, her faithful mutt, and her own unfailing belief that Americans would treat a stranger with kindness. Annie, Tarzan, and her dog, Depeche Toi, rode straight into a world transformed by the rapid construction of modern highways. Between 1954 and 1956, the three travelers pushed through blizzards, forded rivers, climbed mountains, and clung to the narrow shoulder as cars whipped by them at terrifying speeds. Annie rode more than four thousand miles, through America’s big cities and small towns. Along the way, she met ordinary people and celebrities—from Andrew Wyeth (who sketched Tarzan) to Art Linkletter and Groucho Marx. She received many offers—a permanent home at a riding stable in New Jersey, a job at a gas station in rural Kentucky, even a marriage proposal from a Wyoming rancher. In a decade when car ownership nearly tripled, when television’s influence was expanding fast, when homeowners began locking their doors, Annie and her four-footed companions inspired an outpouring of neighborliness in a rapidly changing world.

Midway through Sid Gustafson's new novel, Horses They Rode, I found myself put in mind of all the second chances I have had. His take on the reknitting of family, friendship, and one man's tumultuous life is such a story-a tale of second chances where hope effervesces across a storyscape of high country, horse corrals, drunkenness, and regret that seems, at moments, irresolvable. It's a wholly American novel, for of course, America is a land forgiving of first mistakes-where a shot at trying again is fair and right.Wendel Ingraham, Gustafson's protagonist, is a ranch hand who has roamed Washington State's Inland Empire, Idaho's panhandle, and Big Sky Country on a multi-year binge, leaving a daughter and a broken marriage in his wake. A series of experiences, including encounters with a high-school sweetheart and with mentor, companion, and part-time Blackfoot medicine man Bubbles Ground Owl, leads to his sobriety and amends.Wendel and Bubbles take jobs as hands on a ranch where they worked as youths. And this is where the novel cries its message in earnest. The protagonist is never so competent as when he's reunited with his beloved horse. The symbiosis that is rediscovered between them, a language of faithfulness and trust, portends atonements awaiting Wendel. A gathering of horsemen and their mounts prompts language from Gustafson that is a gorgeous but gritty admixture of potential: "Whoever they were, whatever breed of horsemen, they brought horses and they brought hope, hope that horses could revive a manifest heart."At the ranch there are additional reconciliations required of Ingraham. In their execution, he emerges whole, ". . . grateful for all the people who'd gathered to live the life they knew best, everything and everyone connected, men and animals, fishes and birds, grass, trees and stars."As in his first novel, Prisoners of Flight, Gustafson often joyfully eschews writing conventions. By turns, his forms are starkly tangible or cloaked in mythology. His prose is exuberant and accessible. Rhythmic, he often reads like a long poem: "Parents want their children with them, children of the land, something about having your children with you on the land, native children on native land."Horses They Rode is a one-sitting book. And it's the kind of book about something important in a world full of books about unimportant things. Readers of classic Montana fiction will like it.Reviewed by Brian Ames '85Washington State Magazine Steeped in Native American spirituality and stories, Horses They Rode is a compelling tribute to contemporary ranch culture. Like his debut novel, Prisoner's of Flight, Gustafson's latest is thick with metaphor, weaving together both inner and outer journeys. By rail, by horse, and by mountain highway, Gustafson paints a magical landscape as his protagonist recreates his life and connections with others, the land and himself. Annahttp: //wsm.wsu.edu/r/index.php?id=37#.Wamzv62ZNE5http: //www.outsidebozeman.com/fall-2006/horses-they-r

Max's wife, Deborah, is about to have her baby, and the Saddle Club girls are keeping her company before she goes to the hospital. Stevie, Carole, and Lisa all recount—in their own words—what their lives were like before horses, and how they've never been the same since. When the last tale has wound down, Deborah realizes that the baby is about to arrive.

C. S. Lewis was a British author, lay theologian, and contemporary of J.R.R. Tolkien. The Horse and His Boy is the fifth book in The Chronicles of Narnia series of seven books.

More than three decades of serious study, research and teaching are brought to light in this book.The work I show here is the direct result of those experiences and my love of the horse.I have been very fortunate in having some excellent tuition and coaching from many world-class teachers in many different disciplines. Throughout all I will often refer to my time with Tom Dorrance, who despite never having taken a lesson from a human in his life about horses, still accomplished more than any man I know with regard to understanding how a horse thinks and behaves.Tom once said "A lot of people ask me to teach them how to do something. I say, I can't teach you anything. I might be able to help you learn to do something, if you want to learn it, but it has to come from you."I hope this book will shine a light in the right direction.JSR