Stone inscriptions are the most important written source for 5th-7th century western-British history. Against a background for Old World prehistory and the classical civilizations, this book focuses on the inscribed memorial stones of Demetia (south-west Wales, modern-day Dyfed) and Dumnonia (Devon, Cornwall and part of Somerset). The author looks at cultural change after AD 400 by analyzing the evidence or "messages" left on memorial stones. The invention of the ogam script in Ireland and its use, with implications for both paganism and Christianity, on such stones is examined. A group of chapters is devoted to a praticular reconstruction of events in south-west Wales between AD 400 and 600 - the establishment of an Irish-decended kingdom of Dementia. The author demonstrates that the Dementians adopted first Latinity (use of Roman names, ets) and only then Christinity, influenced by sub-Roman native kingdoms to the east. The author then traces a remarkable "venture to the interior" - the foundation of a small Dementian kingdom in the upper Usk valley, and examines documentary evidence for the first settler-king - Brychan - and, as monk and saint, his connection with Lundy Island (in the Bristol Channel) and north Devon. Evidence for a post-Roman native kingdom in Cornwall, Devon and part of Somerset is next considered, as is minor Irish settlement in west Cornwall around the year 400, and an isolated introduction of Christianity from 5th-century Gaul. Inscribed stones show that the conversion of Dumnonia to Christianity - though field-work has revealed that, far from being a Land of Saints, the deep south-west did not become Christian until well into the 6th century.

A major contribution to the study and understanding of Early Medieval Ireland, which offers radical interpretations of new evidence.

"The Mute Stones Speak" by Paul Lachlan MacKendrick. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.

The eighteen studies included here reflect three particular aspects of Leonard Boyle's remarkable impact on teaching and scholarship. His abiding interest in the early history and architecture of the basilica of San Clemente in Rome forms the focus of Part I; his profound contribution to the theory and practice of palaeography is reflected in Part II; and his creative work on clerical education, pastoral care, and the Dominican Order, inspires Part III. In all these areas, Fr Boyle combined remarkable attention to detail with the humane ability to bring clarity to complex issues. This book commemorates his inspiration, but also reflects his favourite maxim, derived from the twelfth-century teacher-theologian, Hugh of St-Victor, to 'Learn everything', for 'afterwards you will find that nothing is superfluous.' The fourth section is devoted to Fr Leonard as friend, scholar, and Prefect of the Vatican Library, and it ends, fittingly, with what may be regarded as his own scholarly valediction, 'St Thomas Aquinas and the Third Millennium'.

Much of our knowledge of early medieval Ireland comes from a rich literature written in a variety of genres and in two languages, Irish and Latin. Who wrote this literature and what role did they play within society? What did the introduction and expansion of literacy mean in a culture where the vast majority of the population continued to be non-literate? How did literacy operate in and intersect with the oral world? Was literacy a key element in the formation and articulation of communal and elite senses of identity? This book addresses these issues in the first full, inter-disciplinary examination of the Irish literate elite and their social contexts between ca. 400-1000 AD. It considers the role played by Hiberno-Latin authors, the expansion of vernacular literacy and the key place of monasteries within the literate landscape. Also examined are the crucial intersections between literacy and orality, which underpin the importance played by the literate elite in giving voice to aristocratic and communal identities.

"An investigation of the process by which large parts of Europe accepted the Christian faith between the fourth and the fourteenth centuries and of some of the cultural consequences that flowed therefrom." In a work of splendid scholarship that reflects both a firm mastery of difficult sources and a keen intuition, one of Britain's foremost medievalists tells the story of the Christianization of Europe. It is a very large story, for conversion encompassed much more than religious belief. With it came enormous cultural change: Latin literacy and books, Roman notions of law and property, and the concept of town life, as well as new tastes in food, drink, and dress. Whether from faith or by force, from self-interest or by revelation, conversion had an immense impact that is with us even today.

This book offers a new assessment of early Christianity in south-west Britain from the fourth to the tenth centuries, a rich period which includes the transition from Roman to native British to Saxon models of church. The book will be based on evidence from archaeological excavations, early texts and recent critical scholarship and cover Wessex, Devon and Cornwall. In the south-west, Wessex provides the greatest evidence of Roman Christianity. The fifth-century Dorset villas of Frampton and Hinton St Mary, with their complex baptistery mosaics, indicate the presence of sophisticated Christian house churches. The fact that these two Roman villas are only 15 miles apart suggests a network of small Christian communities in this region. The author uses evidence from St Patrick’s fifth-century ‘Confessions’ to describe how members of a villa house church lived. Wessex was slowly Christianised: in Gloucestershire, the pagan healing sanctuary at Chedworth provides evidence of later use as a Christian baptistery; at Bradford on Avon in Wiltshire, a baptistery was dug into the mosaic floor of an imposing villa, which may by then have been owned by a bishop. In Somerset a number of recently excavated sites demonstrate the transition from a pagan temple to a Christian church. Beside the pagan temple at Lamyatt, later female burials suggest, unusually, a small monastic group of women. Wells cathedral grew beside the site of a Roman villa’s funeral chapel. In Street, a large oval enclosure indicates the probable site of a ‘Celtic’ monastery. Early Christian cemeteries have been excavated at Shepton Mallet and elsewhere. Lundy Island, off the Devon coast, provides evidence of a Celtic monastery, with its inscribed stones that commemorate early monks. At Exeter, a Saxon anthology includes numerous riddles, one of which describes in detail the production of an illuminated manuscript in a south-western monastery. Oliver Padel’s meticulous documentation of Cornish place-names has demonstrated that, of all the Celtic regions, Cornwall has by far the highest number of dedications to a single, otherwise unknown individual, typically consisting of a small church and a farm by the sea. These small monastic ‘cells’ have hitherto received little attention as a model of church in early British Christianity, and the latter part of the text focuses on various aspects of this model, as lived out in coastal and in upland settlements, on islands, and in relation to larger Breton monasteries. Study of 60 Breton sites has demonstrated possible connections between larger Breton monasteries and smaller Cornish cells.

Why would the thirteenth-century French prose Lancelot-Grail Cycle have been attributed to Walter Map, a twelfth-century writer from the Anglo-Welsh borderlands? Joshua Byron Smith sets out to answer this and other questions and offers a new explanation for how narratives about the pre-Saxon inhabitants of Britain circulated in England.

Rachel Bromwich's magisterial edition of Trioedd Ynys Prydein has long won its place as a classic of Celtic studies. This revised edition shows the author's continued mastery of the subject, including a new preface by Morfydd Owen, and will be essential reading for Celticists and for those interested in early British history and literature and in Arthurian studies.