An investigation of the multiple meanings and functions of sacrifice in diverse religious texts and practices from the late Hellenistic and Roman imperial periods.

The first general critique of the interpretations of animal sacrifice established by Walter Burkert, the late J.-P. Vernant, and Marcel Detienne.

An investigation of the multiple meanings and functions of sacrifice in diverse religious texts and practices from the late Hellenistic and Roman imperial periods.

A study of animal sacrifice within Greek paganism, Judaism, and Christianity between 100 BC and AD 200. After a vivid account of the realities of sacrifice in the Greek East and in the Jerusalem Temple, Maria-Zoe Petropoulou explores the attitudes of early Christians towards this practice, and the reasons why they ultimately rejected it.

Animal sacrifice has been critical to the study of ancient Mediterranean religions since the 18th century. Two leading views on sacrifice have dominated the subject: the psychological approach of Walter Burkert and the sociological one by Jean-Pierre Vernant and Marcel Detienne. These two perspectives have argued that the main feature of sacrifice is allaying feelings of guilt at the slaughter of sacrificial animals. Naiden redresses the omission of these salient features to show that animal sacrifice is an attempt to make contact with a divine being, and that it is so important for the worshippers that it becomes subject to regulations of unequaled extent and complexity.

This volume brings together studies on Greek animal sacrifice by foremost experts in Greek language, literature and material culture. Readers will benefit from the synthesis of new evidence and approaches with a re-evaluation of twentieth-century theories on sacrifice. The chapters range across the whole of antiquity and go beyond the Greek world to consider possible influences in Hittite Anatolia and Egypt, while an introduction to the burgeoning science of osteo-archaeology is provided. The twentieth-century emphasis on sacrifice as part of the Classical Greek polis system is challenged through consideration of various ancient perspectives on sacrifice as distinct from specific political or even Greek contexts. Many previously unexplored topics are covered, particularly the type of animals sacrificed and the spectrum of sacrificial ritual, from libations to lasting memorials of the ritual in art.

This volume brings together scholars in religion, archaeology, philology, and history to explore case studies and theoretical models of converging religions. The twenty-four essays offered in this volume, which derive from Hittite, Cilician, Lydian, Phoenician, Greek, and Roman cultural settings, focus on encounters at the boundaries of cultures, landscapes, chronologies, social class and status, the imaginary, and the materially operative. Broad patterns ultimately emerge that reach across these boundaries, and suggest the state of the question on the study of convergence, and the potential fruitfulness for comparative and interdisciplinary studies as models continue to evolve.

Sacrifice dominated the religious landscape of the ancient Mediterranean world for millennia, but its role and meaning changed dramatically with the rise of Christianity. Ullucci explores this transformation, in the process demonstrating the complexity of the concept of sacrifice in Roman, Greek, and Jewish religion.

Provides an introduction to the major religions of the ancient Mediterranean and explores current research regarding the similarities and differences among them.

Twenty-four experts from the fields of Ancient History, Semitic philology, Assyriology, Classical Archaeology, and Classical Philology come together in this volume to explore the role of textiles in ancient religion in Greece, Italy, The Levant and the Near East. Recent scholarship has illustrated how textiles played a large and very important role in the ancient Mediterranean sanctuaries. In Greece, the so-called temple inventories testify to the use of textiles as votive offerings, in particular to female divinities. Furthermore, in several cults, textiles were used to dress the images of different deities. Textiles played an important role in the dress of priests and priestesses, who often wore specific garments designated by particular colours. Clothing regulations in order to enter or participate in certain rituals from several Greek sanctuaries also testify to the importance of dress of ordinary visitors. Textiles were used for the furnishings of the temples, for example in the form of curtains, draperies, wall-hangings, sun-shields, and carpets. This illustrates how the sanctuaries were potential major consumers of textiles; nevertheless, this particular topic has so far not received much attention in modern scholarship. Furthermore, our knowledge of where the textiles consumed in the sanctuaries came from, where they were produced, and by who is extremely limited. Textiles and Cult in the Ancient Mediterranean examines the topics of textile production in sanctuaries, the use of textiles as votive offerings and ritual dress using epigraphy, literary sources, iconography and the archaeological material itself.