The Bronze Age in China spans a period of nearly 2,000 years from the 21st to the 3rd century BC. Its

In contrast to the West, where diamonds, gold and silver have usually been highly valued, in China bronzes and jades were chosen early on for the societyâe(tm)s most valued artefacts, and retained this very high status over millennia. Bronze and jades were used in China for ritual and burial, and were thus associated with the sacred worlds of the ancestors and spirits. In later China, these precious relics of the past were collected by rulers and scholars as routes to understanding a distant golden age. These ancient objects, some dating from the neolithic period, set the artistic standard for all time; this is where Chinese art begins. Chinese bronzes, in particular, are one of the worldâe(tm)s major art forms. Few if any other ancient cultures achieved the artistic excellence and technical virtuosity in bronze attained in China. Using a unique casting method involving multiple ceramic section moulds, the Chinese cast vessels, weapons and ornaments of great beauty and elegance. Jade, too, is central to Chinaâe(tm)s culture. This tough translucent stone has been worked to produce the most prized ornaments and ceremonial implements from the Neolithic period to the present day. The jades featured in this catalogue, carved by some of the groups of ancient inhabitants in the Shanghai area. They include wonderful, decorated ritual jades, cong, bi discs, weapons and ornaments. This catalogue not only celebrates an important collection, but highlights the extraordinary skills of the craftsmen of very early cultures, placing the objects in their historical and archaeological context. Here are exquisite objects made for the ancient Chinese elite and subsequently revered by emperors and collectors alike.

A lavishly illustrated book that offers an in-depth look at the cultural practices surrounding the tradition of collecting ancient bronzes in China during the 18th and 19th centuries In ancient China (2000–221 b.c.) elaborate bronze vessels were used for rituals involving cooking, drinking, and serving food. This fascinating book not only examines the cultural practices surrounding these objects in their original context, but it also provides the first in-depth study tracing the tradition of collecting these bronzes in China. Essays by international experts delve into the concerns of the specialized culture that developed around the vessels and the significant influence this culture, with its emphasis on the concept of antiquity, had on broader Chinese society. While focusing especially on bronze collections of the 18th and 19th centuries, this wide-ranging catalogue also touches on the ways in which contemporary artists continue to respond to the complex legacy of these objects. Packed with stunning photographs of exquisitely crafted vessels, Mirroring China’s Past is an enlightening investigation into how the role of ancient bronzes has evolved throughout Chinese history.

An examination of museums in China, surveying their development from the nineteenth century, and looking in particular at their incredible recent proliferation. Museums in China have undergone tremendous transformations since they first appeared in the country in the late nineteenth century. Futuristic, state-of-the-art museums have today become symbols of China's global cultural, economic and technological prominence, and over the last two decades, the number of Chinese museums has increased at an unprecedented rate, with China set to become the country with the highest number of museums in the world. But why have museums become so important? This book, based on extensive research in a number of the museums themselves, examines recent changes in their display methods, narratives, actors and architectural style. It also considers their representations of Chinese national identity, millenarian history and extraordinary cultural diversity. Through an analysis of the changes affecting not only what we observe through museums, but also the very medium of observation (i.e. museums themselves), this book provides a unique, original and timely exploration of the ongoing changes affecting Chinese society, and an evaluation of their consequences. Dr Marzia Varutti is apost-doctoral fellow at the Centre for Museum Studies, Department of Culture Studies and Oriental Languages, University of Oslo.

This catalog focuses on the casting techniques of archiac bronzes.