It was a long journey—in more ways than mere geography—from a childhood in Northern Ireland to becoming the most influential foreigner in 19th-century China. This historical novel follows the life of Robert Hart, whose career in China spanned more than half a century during the turbulent last decades of the Qing dynasty. As the Qing government's Inspector General of the Maritime Customs Service, Hart was involved in many major events of late Imperial China. While negotiating his way through civil dissent and foreign conflicts, he played an instrumental role in the country's modernization. A rare foreigner who learned the language and developed a deep interest in and sensitivity to the culture, Hart had a passion for his adopted country but continually struggled in his dual role as British subject and employee of the Chinese government. Hart's personal life was not without its own challenges as he grappled with his relationship with his Chinese lover and the children he had with her, as well as his British wife and their family together. Long periods of conflict, loneliness and doubt lurked behind the professional triumphs for which he became world-renowned. Based on exhaustive historical research, the story is enlivened by dialogue and plot elements suggested by the author's deep knowledge of Hart and the country and times in which he lived. The reader will be rewarded with insight into this pivotal period in Chinese history through the lens of the life of one fascinating individual.

This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation.

In 1793, George Macartney introduced two of the leading empires of his age, and set off one of the greatest power shifts in history. Kowtow: Georgian Britain, Imperial China and the Irishman who Introduced Them tells the story of Macartney, Britain's first Ambassador to China, and his career that spanned the globe, from the Caribbean to India, from Brazil to Indonesia, and then finally through China to Peking. Kowtow explains why Macartney s embassy was needed, and examines the nature and personalities of the Ambassador and his imperial host, the Emperor Qianlong. The reader will journey with Macartney across the world into Peking s Summer Palace, before crossing over the Great Wall to Qianlong s summer hunting grounds in Rehe. The story of the Macartney mission provides significant lessons for modern diplomatic engagements and trade relations, and still causes great reverberations today. As a result, his mission represents one of the major missed opportunities in history and the challenges faced by Macartney still finds echoes in relations between China and the West.

Mark Twain (Samuel Langhorne Clemens, 1835–1910) has had an intriguing relationship with China that is not as widely known as it should be. Although he never visited the country, he played a significant role in speaking for the Chinese people both at home and abroad. After his death, his Chinese adventures did not come to an end, for his body of works continued to travel through China in translation throughout the twentieth century. Were Twain alive today, he would be elated to know that he is widely studied and admired there, and that Adventures of Huckleberry Finn alone has gone through no less than ninety different Chinese translations, traversing China, Taiwan, and Hong Kong. Looking at Twain in various Chinese contexts—his response to events involving the American Chinese community and to the Chinese across the Pacific, his posthumous journey through translation, and China's reception of the author and his work, Mark Twain in China points to the repercussions of Twain in a global theater. It highlights the cultural specificity of concepts such as "race," "nation," and "empire," and helps us rethink their alternative legacies in countries with dramatically different racial and cultural dynamics from the United States.

Robert Hart was one of those empire builders of the Victorian age who had a long and nearly uninterrupted experience in China, from 1854, when as a young Irishman from Belfast he landed in Ningpo, until 1908, when as a man in his seventies he finally retired to England. His years as the Ch'ing government's Inspector General of the Maritime Customs Service have been copiously recorded in letters to his London agent, beginning in 1868, published as a 2-volume collection, The IG. in Peking (Harvard, Belknap Press, 1975). In 1970, a second lode of Hart materials came to light, the 77 volumes of his journals, begun on the day of his arrival in China in 1854 and ending at his departure in 1908, with two short but significant gaps in the first decade where he himself destroyed entries of too personal a nature. Entering China's Service presents a complete and annotated transcript of the surviving journals through 1863, alternating with chapters devoted to Hart's North Ireland background, the China he encountered, the Ch'ing officials who trusted him, and the unfolding of his career. His reactions to the Chinese as well as to his fellow Westerners cast an invaluable light on nineteenth-century China.

An exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world. Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets' work by incorporating the writers' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.

The open access publication of this book has been published with the support of the Swiss National Science Foundation. This book examines the European commercial landscape of the early China trade, c.1700–1750. It looks at the foundational period of Sino-European commerce and explores a world of private enterprise beneath the surface of the official East India Company structures. Using rich private trade records, it analyses the making of pan-European markets, distribution networks and patterns of investment that together reveal a new geography of a trading system previously studied mostly at Canton. By considering the interloping activities of British-born merchants working for the smaller East India Companies, the book uncovers the commercial practices and cross-Company collaborations, both legal and illicit, that sustained the growth of the China trade: smuggling, wholesale trading, private commissions and the manipulation of Company auctions.

The China Relief Expedition, an eight-nation military effort, was organized to rescue foreign nationals in the country during the Boxer Uprising (1899–1901). In Thirteen Months in China, Thakur Gadadhar Singh, a British Indian soldier of the 7th Rajput Regiment, recounts his experiences as he set sail along with his men for Beijing in the summer of 1900. Written shortly after his return to India in 1901, he details several aspects of China and its people he met over the course of thirteen months. Part travelogue, part history, Singh’s eyewitness account offers a first-hand view of the tumultuous events of the Boxer Uprising and its aftermath, as also of Chinese society, culture, politics, religion, and art and architecture, often in a comparative perspective. It is a rare historical source of an Indian subaltern’s outlook on the history of China, and its customs and practices.