With over 140 million copies in print, and serving as the principal proselytizing tool of one of the world's fastest growing faiths, the Book of Mormon is undoubtedly one of the most influential religious texts produced in the western world. Written by Terryl Givens, a leading authority on Mormonism, this compact volume offers the only concise, accessible introduction to this extraordinary work. Givens examines the Book of Mormon first and foremost in terms of the claims that its narrators make for its historical genesis, its purpose as a sacred text, and its meaning for an audience which shifts over the course of the history it unfolds. The author traces five governing themes in particular--revelation, Christ, Zion, scripture, and covenant--and analyzes the Book's central doctrines and teachings. Some of these resonate with familiar nineteenth-century religious preoccupations; others consist of radical and unexpected takes on topics from the fall of Man to Christ's mortal ministries and the meaning of atonement. Givens also provides samples of a cast of characters that number in the hundreds, and analyzes representative passages from a work that encompasses tragedy, poetry, sermons, visions, family histories and military chronicles. Finally, this introduction surveys the contested origins and production of a work held by millions to be scripture, and reviews the scholarly debates that address questions of the record's historicity. Here then is an accessible guide to what is, by any measure, an indispensable key to understanding Mormonism. But it is also an introduction to a compelling and complex text that is too often overshadowed by the controversies that surround it. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Available for the first time fifty years after the author's death, Studies of the Book of Mormon presents this respected church leader's investigation into Mormonism's founding scripture. Reflecting his talent for combining history and theology, B. H. Roberts considered the evident parallels between the Book of Mormon and Ethan Smith's View of the Hebrews, a book that predated the Mormon scripture by seven years. If the Book of Mormon is not historical, but rather a reflection of the misconceptions current in Joseph Smith's day regarding Indian origins, then its theological claims are suspect as well, Roberts asserted. In this and other research, it was Roberts's proclivity to go wherever the evidence took him, in this case anticipating and defending against potential future problems. Yet the manuscript was so poorly received by fellow church leaders that it was left to Roberts alone to decide whether he had overlooked some important piece of the puzzle or whether the Mormon scripture's claims were, in fact, illegitimate. Clearly for most of his colleagues, institutional priorities overshadowed epistemological integrity. But Roberts's pathbreaking work has been judged by the editor to be methodologically sound-still relevant today. It shows the work of a keen mind, and illustrates why Roberts was one of the most influential Mormon thinkers of his day. The manuscript is accompanied by a preface and introduction, a history of the documents' provenances, a biographical essay, correspondence to and from Roberts relating to the manuscript, a bibliography, and an afterword-all of which put the information into perspective.

Mark Twain once derided the Book of Mormon as "chloroform in print." Long and complicated, written in the language of the King James version of the Bible, it boggles the minds of many. Yet it is unquestionably one of the most influential books ever written. With over 140 million copies in print, it is a central text of one of the largest and fastest-growing faiths in the world. And, Grant Hardy shows, it's far from the coma-inducing doorstop caricatured by Twain. In Understanding the Book of Mormon, Hardy offers the first comprehensive analysis of the work's narrative structure in its 180 year history. Unlike virtually all other recent world scriptures, the Book of Mormon presents itself as an integrated narrative rather than a series of doctrinal expositions, moral injunctions, or devotional hymns. Hardy takes readers through its characters, events, and ideas, as he explores the story and its messages. He identifies the book's literary techniques, such as characterization, embedded documents, allusions, and parallel narratives. Whether Joseph Smith is regarded as author or translator, it's noteworthy that he never speaks in his own voice; rather, he mediates nearly everything through the narrators Nephi, Mormon, and Moroni. Hardy shows how each has a distinctive voice, and all are woven into an integral whole. As with any scripture, the contending views of the Book of Mormon can seem irreconcilable. For believers, it is an actual historical document, transmitted from ancient America. For nonbelievers, it is the work of a nineteenth-century farmer from upstate New York. Hardy transcends this intractable conflict by offering a literary approach, one appropriate to both history and fiction. Regardless of whether readers are interested in American history, literature, comparative religion, or even salvation, he writes, the book can best be read if we examine the text on its own terms.

Finally, in exploring what Martin Marty refers to as the Book of Mormon's "revelatory appeal," Givens highlights the Book's role as the engine behind what may become the next world religion."--BOOK JACKET.

This collection of essays examines interactions of war, peace and religion in the United States, a country where religious faith was, and still is, often deeply felt and widely held, where faith has provided a set of values to uphold with fervor or to transgress in protest, and where religion has been used to legitimize both armed violence and passive resistance. These essays analyze the mythos of America as a place of religious freedom, yet one imbued with a socially-imposed civil religion and underpinned by a heavy presumption of Protestant dominance. With subjects ranging from the War of Independence to the early 21st century, the contributions to this volume focus on a variety of historical and chronological circumstances in order to consider what concrete, tangible outcomes, what artifacts, were produced by the interface of war, peace and religion – the swords and ploughshares of the title. This volume thus presents a variety of often multifaceted responses that reflect its interdisciplinary scope. Some contributions refer to fine art pieces, including statues, paintings, and murals, and others to works of literature, theology, or public speaking. Some of these interfaces were performed on stage or in film, while yet others were heard on the radio or read in newspapers or journals. Some of the essays gathered here concern individuals working through the meaning of armed conflict in terms of their own, personal faith, while others examine the impact of such conflicts on a larger scale, as with whole faith communities or in the shaping of national or foreign policy. The first part, Communities, looks at interfaces that served to structure a whole community. The second, Margins, examines instances where the relationship between religion and war and peace has occupied a more marginal space within a faith community. The final section turns this interface Outward, situating it away from American soil or noting how foreign war shaped the spirituality of those returning.