Index of themes in 12c French Arthurian verse romances from literary themes to everyday motifs. There has long been a need for an index of the themes in the French Arthurian verse romances. E.H. Ruck's analysis includes not only therecognised literary themes - the Unspelling Quest, the FaithlessWife -of the verse romances from Wace's Brut to Froissart'sMeliador, but also the other, less obvious, motifs of equalsignificance to the researcher, hawthorns, for example, and weaponry. Dr Ruck's index encompasses the Arthurian part of Wace's Brut; all of the works of Chrétien de Troyes; all four Tristan poems together with Marie de France's Chevrefoil and Lanval; the lais of Tyolet, Melion, Cor and Mantel; Renaut de Beaujeu's Le Bel Inconnu; La Mule sans frein and Le Chevalier à l'épée. As the index is intended first and foremost for the use of Arthurian scholars, the non-Arthurian parts of the Brut and the Laisof Marie de France have not been included, although reference is made to them in the notes. E.H. RUCK studied at the universities of Exeter, Lancaster, and Reading, where she worked for her PhD.

Concerned principally to situate Hartmann's works in their social and cultural historical context, Jackson's carefully constructed and lucidly written book will be required and compelling reaading at every level of interest, from undergraduate student to specialist scholar. It expounds knighthood as the major theme of Hartmann's varied oeuvre, reflected and refracted through the prism of different genres, fictional material and narrative positions. Jackson's unrivalled grasp of the historical evidence for the material, social and ideological dimensions of chivalry in the twelfth century is brought to bear on the texts in a way which never reduces these to mere functions of an extra-literary reality, but brings out the subtle and dynamic interplay of their aesthetic patterns and documentary correlatives... The book also builds up a persuasive framework for understanding Hartmann's literary production as a whole and for grasping it as an evolving reflection of and on knighthood as the key mode and model of social self-realisation for his chivalric audience.' FORUM FOR MODERN LANGUAGE STUDIES Hartmann von Aue is a major figure in medieval German literature, and his works document key features of the history of chivalry in an important phase of transition and consolidation. This book is the first full-scale enquiry undertaken of the presentation of the role of knighthood across the full range of Hartmann's works, considering the social, ideological and literary dimensions of chivalry and fruitfully combining literary, linguistic and historical approaches. The opening chapters place Hartmann's works in the broader perspective of Arthurian literature and of kingship and chivalry in western Europe, and in the context of the changing historical reality of knighthood as a military and a social order in twelfth-century Germany. Further chapters are devoted to each of his works, Erec, Gregorius, the Klage and his lyrics, Der arme Heinrich and Dwein, which are interpreted both with a historical

The focus of this book is medieval vernacular literature in Western Europe. Chapters are written by experts in the area and present the current scholarship at the time this book was originally published in 1996. Each chapter has a bibliography of important works in that area as well. This is a thorough and reliable guide to trends in research on medieval Arthuriana.

How do we experience poetry as readers? What is it in the text that provokes particular reactions, and how can we methodologically reveal these effects? Introducing an evidence-based approach to poetics, this book explores the psychological effects of poetic form and content, with an emphasis on how real readers respond to and experience poetry. Engaging with texts from diverse cultural and historical settings, it covers the basics of stylistic theory while at the same time outlining the specific methods required to categorize readers' cognitive, emotional and attitudinal reactions. Chapters guide you through engaging experiments, covering key concepts such as significance, averages, deviation, outliers and reliability, and bring poetry to life by drawing on YouTube performances and musical renditions of the texts. With further readings, a glossary of key terms and ancillary resources providing an overview of research methodology, this book equips you with all the linguistic and analytical tools needed to uncover the psychological workings of poetry.

Analysis of how emotion is pictured in Arthurian legend.

In this study of vernacular French narrative from the twelfth century through the later Middle Ages, first published in 2000, Donald Maddox considers the construction of identity in a wide range of fictions. He focuses on crucial encounters, widespread in medieval literature, in which characters are informed about fundamental aspects of their own circumstances and selfhood. These always arresting and highly significant moments of 'specular' encounter are examined in numerous Old and Middle French romances, hagiographic texts, epics and brief narratives. Maddox discloses the key role of identity in an original reading of the Lais of Marie de France as a unified collection, as well as in Arthurian literature, fictions of the courtly tryst, genealogies and medieval family romance. The study offers many new perspectives on the poetic and cultural implications of identity as an imaginary construct during the long formative period of French literature.

The Grail legends have in modern times been appropriated by a number of different scholarly schools of thought; their approaches are analysed here.

This fourth volume of entries, culled in the main from BBSIA, covers the years 1933 to 1998 inclusive. The cumulative volumes of the Bibliography offer an exhaustive author and title database of the burgeoning scholarship in this field.

The first in-depth study of Arthurian places in late medieval and early modern England and Wales. Places have the power to suspend disbelief, even concerning unbelievable subjects. The many locations associated with King Arthur show this to be true, from Tintagel in Cornwall to Caerleon in Wales. But how and why did Arthurian sites come to proliferate across the English and Welsh landscape? What role did the medieval custodians of Arthurian abbeys, churches, cathedrals, and castles play in "placing" Arthur? How did visitors experience Arthur in situ, and how did their experiences permeate into wider Arthurian tradition? And why, in history and even today, have particular places proven so powerful in defending the impression of Arthur's reality? This book, the first in-depth study of Arthurian places in late medieval and early modern England and Wales, provides an answer to these questions. Beginning with an examination of on-site experiences of Arthur, at locations including Glastonbury, York, Dover, and Cirencester, it traces the impact that they had on visitors, among them John Hardyng, John Leland, William Camden, who subsequently used them as justification for the existence of Arthur in their writings. It shows how the local Arthur was manifested through textual and material culture: in chronicles, notebooks, and antiquarian works; in stained glass windows, earthworks, and display tablets. Via a careful piecing together of the evidence, the volume argues that a new history of Arthur begins to emerge: a local history.

Eleven essays bring Arthurian studies into the 21st century, including film and black popular culture. Eleven essays by leading Arthurians lead off with an overview of the field suggesting directions that Arthurian studies must take to remain vital. Other essays contain innovative approaches, overviews of specific areas of Arthurian studies, and suggestions for new ways to approach Arthurian material; they range over Malory, Latin Arthurian literature, Gawain and the Green Knight, Merlin in the twenty-first century, Tennyson's Idylls, Arthur in African-American culture, current trends in criticism, Arthurian fiction, and Arthurian film. Contributors: ROBERT BLANCH, DEREK BREWER, P.J.C. FIELD, SIAN ECHARD, PETER GOODRICH, KEVIN HARTY, NORRIS J. LACY, BARBARATEPA LUPACK, DAVID STAINES, RAYMOND THOMPSON, JULIAN WASSERMAN, BONNIE WHEELER.