Excerpt from An Exposition of the Apocalypse The Apocalypse is more eminently marked than any other part of the sacred writings, by the peculiarities which distinguish the works of inspiration from those of men; - a truth and wisdom of thought, a suitableness to the attributes and prerogatives of God, a greatness and majesty, that could proceed only from the Omniscient. I. These characteristics are seen in the annunciation of himself, which the Redeemer employed both in the first and the last vision, to raise the apostle to a sense of his deity. Like a shaft of lightning from a midnight cloud, shedding illumination over a landscape, and raising the forms and relations of its objects into distinctness, it flashes on us a gleam that reveals the ground within us on which the government of God is built, which is fully known only to him, and which men either fail to discover, or disown and wrap in darkness. "I am the Alpha and the Omega, First and Last, the Beginning and the End;" - embracing in himself therefore all duration, and anteceding all other existences; their creator then, owner and ruler; and therefore almighty, all-wise, and all-good; - the characteristics - self-existence, eternity, omnipotence, rectitude, and the relations of creator - ascribed to him by the living creatures, chap. iv. 8, and that, on the one hand, are peculiar to him, and distinguish him above all others, alike from imaginary deities and from creatures; and that on the other, irresistibly impress the heart with the feeling of his rightful authority over it, and title to its homage. Our nature is such, that no one could hear an utterance like that from heaven, without an instinctive conviction that the Being whom it announces is God, and has the right of dominion. They arc attributes and relations that, by the law of our constitution, awaken in us a sense of subordination and responsibility. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from An Exposition of the Prophecies of the Apocalypse The author having in the course of a ministry of more than twenty years made prophecy a subject of frequent reading and study, at length found time to write the following discourses. He ventures to present them to the public in the hope that they will be found to throw some additional light on the hidden sense of the apocalypse, and be in some degree instrumental in promoting attention and respect to the teachings and admonitions of that wonderful book. St. John has declared them blessed who read and hear the words of his prophecy and keep the sayings written therein. The author asks of those to whom these pages may come, that they will not prejudge them as fanciful and obscure, but give them a candid investigation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

We inhabit a time of crisis—totalitarianism, environmental collapse, and the unquestioned rule of neoliberal capitalism. Philosopher Jean Vioulac is invested in and worried by all of this, but his main concern lies with how these phenomena all represent a crisis within—and a threat to—thinking itself. In his first book to be translated into English, Vioulac radicalizes Heidegger’s understanding of truth as disclosure through the notion of truth as apocalypse. This “apocalypse of truth” works as an unveiling that reveals both the finitude and mystery of truth, allowing a full confrontation with truth-as-absence. Engaging with Heidegger, Marx, and St. Paul, as well as contemporary figures including Giorgio Agamben, Alain Badiou, and Slavoj Žižek, Vioulac’s book presents a subtle, masterful exposition of his analysis before culminating in a powerful vision of “the abyss of the deity.” Here, Vioulac articulates a portrait of Christianity as a religion of mourning, waiting for a god who has already passed by, a form of ever-present eschatology whose end has always already taken place. With a preface by Jean-Luc Marion, Apocalypse of Truth presents a major contemporary French thinker to English-speaking audiences for the first time.

In her first novel since the Pulitzer Prize–nominated The Quick and the Dead, the legendary writer takes us into an uncertain landscape after an environmental apocalypse, a world in which only the man-made has value, but some still wish to salvage the authentic. "She practices ... camouflage, except that instead of adapting to its environment, Williams’s imagination, by remaining true to itself, reveals new colorations in the ecology around her.” —A.O. Scott, The New York Times Book Review Khristen is a teenager who, her mother believes, was marked by greatness as a baby when she died for a moment and then came back to life. After Khristen’s failing boarding school for gifted teens closes its doors, and she finds that her mother has disappeared, she ranges across the dead landscape and washes up at a “resort” on the shores of a mysterious, putrid lake the elderly residents there call “Big Girl.” In a rotting honeycomb of rooms, these old ones plot actions to punish corporations and people they consider culpable in the destruction of the final scraps of nature’s beauty. What will Khristen and Jeffrey, the precocious ten-year-old boy she meets there, learn from this “gabby seditious lot, in the worst of health but with kamikaze hearts, an army of the aged and ill, determined to refresh, through crackpot violence, a plundered earth”? Rivetingly strange and beautiful, and delivered with Williams’s searing, deadpan wit, Harrow is their intertwined tale of paradise lost and of their reasons—against all reasonableness—to try and recover something of it.

We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.

New in the Eerdmans Classic Biblical Commentaries collection In this now-classic exposition of Revelation, first published in 1972, George Eldon Ladd offers a clear, engaging, and insightful reading of the Apocalypse that is ideal for the pulpit, classroom, or personal study. In a brief introduction Ladd discusses the subject of authorship, the date and historical setting of Revelation, and the various methods of interpretation (preterist, historical, idealist, and futurist) that have been applied to the book throughout history. He then offers an analytical outline of Revelation’s structure and his verse-by-verse commentary, which reflects a historic premillennial perspective. The entire work is marked by Ladd’s sensitivity to the needs of both scholars and general readers and by his concern for proclaiming the message of Revelation for our time.

In a nightmarish, post-holocaust world, an ancient evil roams a devastated America, gathering the forces of human greed and madness, searching for a child named Swan who possesses the gift of life.

American agent Harry Latham has penetrated the fortresslike mountain hideaway of the Brotherhood of the Watch, a neo-Nazi organization that was born in the days after the fall of the Third Reich. But on the eve of his most spectacular success, after three years in deep cover, Harry disappears. Drew Latham, Special Officer for Consular Operations in Paris, is frantic to discover his older brother’s fate. But when Drew receives the good news that Harry has surfaced, gut-twisting doubts arise. For Harry has emerged with an explosive document: a list of secret supporters of the Brotherhood, among them high-ranking officials of the United States and its allies. But is it legitimate? The search for the truth about Harry and the growing Nazi threat will plunge Drew into a labyrinth of deceit and death. And whoever makes it out alive will hold the fate of the free world in his hands. Praise for Robert Ludlum and The Apocalypse Watch “A powerful, exploding novel . . . vintage Ludlum in fine form.”—Booklist “If a Pulitzer Prize were awarded for escapist fiction, Robert Ludlum undoubtedly would have won it. Ten times over.”—Mobile Register “Bloody great fun.”—Kirkus Reviews