Something has gone foul in the Black Hills … something gravely unnatural. Leave it to Violet Parker to stumble into the middle of it. A creepy phone call. A dead body. Two meddling detectives. A glut of trouble-making ex-partners. Can things get any worse? Violet swears to keep her nose out of police business this time. But when her son is linked to the victim, she returns to the scene of the crime. More than just a mystery to solve, now her son might be in mortal danger.

Someone is spreading rumors around Deadwood that Violet Parker likes to chat with dead folks. With her reputation endangered, her bank account on the verge of extinction, and her career at risk of going up in flames, Violet is desperate. When the opportunity to sell another vintage home materializes, she grabs it, even though this “haunted” house was recently the stage for a two-act, murder-suicide tragedy. Ghost or no ghost, Violet knows this can’t be as bad as the last house of horrors she tried to sell, but sexy Doc Nyce has serious doubts. Her only hope of hanging on to her job is to prove that the so-called, ghostly sightings are merely the eccentric owner’s optical delusions. But someone—or something—in the house wants Violet stopped...dead.

"The first time I came to Deadwood, I got shot in the ass."--Violet Parker Little girls are vanishing from Deadwood, South Dakota, and Violet Parker's daughter could be next. She's desperate to find the monster behind the abductions. But if she's not careful, Violet just might end up as one of Deadwood's dearly departed

One dead body. One century-old haunted opera house. One zombie musical. One pissed-off detective. Will Violet “Spooky” Parker keep her tail out of trouble or will she end up as one of Deadwood’s walking dead?

“Nothing good ever happens at the butt-crack of dawn. No doubt, the headless corpse on the autopsy table in front of me would agree.”—Violet Parker Real estate agent, Violet “Spooky” Parker stumbles upon a body-part theft ring at the local funeral parlor and suspects her caustic coworker has a hand in it—or maybe a foot. Can Violet discover what’s in the crates the crooks are sneaking out of the mortuary in the dark of night? Or will she end up in one of them herself … in pieces?

“Hell is empty and all the devils are here.” ~William Shakespeare Violet Parker knows better than to play with devils. They always cheat, especially when lives are at stake. Deadwood’s charming, troublemaking, and soul-sucking devils are no different, and they’re biting at her heels. But the clock is ticking and Violet has no choice—she must risk her life to save her treasured Aunt Zoe. With any luck, she might be able to trick the devils and beat the old terrors at their own game. If not, Deadwood could end up short one Executioner. “Executioners don't duck, they swing.” ~Violet Parker

"Trespassers will be gutted and hung!" --Slagton's unofficial town motto spray-painted on the old company store. Normally, not even drunk on a bet would Violet Parker go to Slagton, a creepy ghost town inhabited by those too stubborn--or deranged--to leave. But a certain bullheaded Deadwood detective has a problem--his informant from Slagton has gone missing. When Violet is shanghaied into taking a hunting trip to the ghost town to search for the missing snitch, she stumbles into trouble that will take more than a double-barreled shotgun to escape. Will Violet survive this new Hell that haunts her, or will she end up on Slagton's growing list of those "gutted and hung"?

All Violet Parker wants is a day off. Better yet, just a “normal” day. But things never go as planned, especially in Deadwood. Someone—or rather something—broke into the local taxidermy shop and took bites out of the critter displays before racing off into the dark. But this is no random crime and Violet knows it. With a bounty on her head and troublemakers zeroing in on her, she soon goes from being the hunter to the hunted. “Burly muscled and rawhide tough don’t matter. Never tangle with a Scharfrichter!” ~Violet Parker

From an insider, the forty-year saga of the rise and fall of Digital Equipment Corporation, one of the pioneering companies of the computer age. Digital Equipment Corporation created the minicomputer, networking, the concept of distributed computing, speech recognition, and other major innovations. It was the number-two computer maker behind IBM. Yet it ultimately failed as a business and was sold to Compaq Corporation. What happened? Edgar Schein consulted to DEC throughout its history and so had unparalleled access to all the major players, and an inside view of all the major events. He shows how the unique organizational culture established by DEC's founder, Ken Olsen, gave the company important competitive advantages in its early years, but later became a hindrance and ultimately led to its downfall. Coauthors Schein, Kampas, DeLisi, and Sonduck explain in detail how a particular culture can become so embedded that an organization is unable to adapt to changing circumstances even though it sees the need very clearly. The essential elements of DEC’s culture are still visible in many other organizations today, and most former employees are so positive about their days at DEC that they attempt to reproduce its culture in their current work situations. In the era of post-dotcom meltdown, raging debate about companies “built to last” vs. “built to sell,” and more entrepreneurial startups than ever, the rise and fall of DEC is the ultimate case study.