“The majority is never right...Who are the people that make up the biggest proportion of the population -- the intelligent ones or the fools?” – Henrik Ibsen Widely regarded as one of the foremost dramatists of the nineteenth century, Norwegian playwright Henrik Ibsen (1828–1906), created realistic plays bringing the social problems of his day to center stage. His dramas portrayed psychological conflict that emphasized character over devious plots, and over critical objection, he deemed the individual more important than the group. In this powerful work, Ibsen does just that, as his main character, Dr. Thomas Stockman, is an enlightened and persecuted minority of one confronting an ignorant, powerful majority. When Dr. Stockman learns that the financially successful baths in his hometown are contaminated, he insists that this popular complex be shut down for expensive repairs. At first, he is thanked, but the next morning, even his brother, who is the town’s mayor, and his closest friends, tell him to retract his statement because the baths are crucial to the town’s economy. When he refuses, Stockman’s home is vandalized, he and his daughter are fired, and he is ridiculed, persecuted, and declared an “enemy of the people” by the townspeople. The doctor stands up to it all, believing that the strongest man is the man who stands alone. In response to the public outcry against him and his play, Ghosts, which openly discussed adultery and syphilis, Ibsen faced accusations of being "scandalous," "degenerate," and "immoral."

A Penguin Classic When Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann's good deed has the potential to ruin the town's reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. Arthur Miller's adaptation of Henrik Ibsen's classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. This edition includes Arthur Miller’s preface and an introduction by John Guare. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A New York Times bestseller. From CNN’s veteran Chief White House Correspondent Jim Acosta, an explosive, first-hand account of the dangers he faces reporting on the current White House while fighting on the front lines in President Trump’s war on truth, featuring new material exclusive to the paperback edition. In Mr. Trump’s campaign against what he calls “Fake News,” CNN Chief White House Correspondent, Jim Acosta, is public enemy number one. From the moment Mr. Trump announced his candidacy in 2015, he has attacked the media, calling journalists “the enemy of the people.” Acosta presents a damning examination of bureaucratic dysfunction, deception, and the unprecedented threat the rhetoric Mr. Trump is directing has on our democracy. When the leader of the free world incites hate and violence, Acosta doesn’t back down, and he urges his fellow citizens to do the same. At Mr. Trump’s most hated network, CNN, Acosta offers a never-before-reported account of what it’s like to be the President’s most hated correspondent. Acosta goes head-to-head with the White House, even after Trump supporters have threatened his life with words as well as physical violence. From the hazy denials and accusations meant to discredit the Mueller investigation, to the president’s scurrilous tweets, Jim Acosta is in the eye of the storm while reporting live to millions of people across the world. After spending hundreds of hours with the revolving door of White House personnel, Acosta paints portraits of the personalities of Sarah Huckabee Sanders, Stephen Miller, Steve Bannon, Sean Spicer, Hope Hicks, Jared Kushner and more. Acosta is tenacious and unyielding in his public battle to preserve the First Amendment and #RealNews.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Enemy of the People is the first definitive account of Zuma's catastrophic misrule, offering eyewitness descriptions and cogent analysis of how South Africa was brought to its knees – and how a people fought back. When Jacob Zuma took over the leadership of the ANC one muggy Polokwane evening in December 2007, he inherited a country where GDP was growing by more than 6% per annum, a party enjoying the support of two-thirds of the electorate, and a unified tripartite alliance. Today, South Africa is caught in the grip of a patronage network, the economy is floundering and the ANC is staring down the barrel of a defeat at the 2019 general elections. How did we get here? Zuma first brought to heel his party, Africa's oldest and most revered liberation movement, subduing and isolating dissidents associated with his predecessor Thabo Mbeki. Then saw the emergence of the tenderpreneur and those attempting to capture the state, as well as a network of family, friends and business associates that has become so deeply embedded that it has, in effect, replaced many parts of government. Zuma opened up the state to industrial-scale levels of corruption, causing irreparable damage to state enterprises, institutions of democracy, and the ANC itself. But it hasn't all gone Zuma's way. Former allies have peeled away. A new era of activism has arisen and outspoken civil servants have stepped forward to join a cross-section of civil society and a robust media. As a divided ANC square off for the elective conference in December, where there is everything to gain or to lose, award-winning journalists Adriaan Basson and Pieter du Toit offer a brilliant and up-to-date account of the Zuma era.

A revolutionary leads the overthrow of a repressive government.

A Penguin Classic When Dr. Stockmann discovers that the water in the small Norwegian town in which he is the resident physician has been contaminated, he does what any responsible citizen would do: reports it to the authorities. But Stockmann's good deed has the potential to ruin the town's reputation as a popular spa destination, and instead of being hailed as a hero, Stockmann is labeled an enemy of the people. Arthur Miller's adaptation of Henrik Ibsen's classic drama is a classic in itself, a penetrating exploration of what happens when the truth comes up against the will of the majority. This edition includes Arthur Miller’s preface and an introduction by John Guare. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Does Jesus’ call to love our enemies mean that we should remain silent in the face of injustice? Jesus called us to love our enemies. But to befriend an enemy, we first have to acknowledge their existence, understand who they are, and recognize the ways they are acting in opposition to God’s good news. In How to Have an Enemy: Righteous Anger and the Work of Peace, Melissa Florer-Bixler looks closely at what the Bible says about enemies—who they are, what they do, and how Jesus and his followers responded to them. The result is a theology that allows us to name our enemies as a form of truth-telling about ourselves, our communities, and the histories in which our lives are embedded. Only then can we grapple with the power of the acts of destruction carried out by our enemies, and invite them to lay down their enmity, opening a path for healing, reconciliation, and unity. ​ Jesus named and confronted his enemies as an essential part to loving them. In this provocative book, Florer-Bixler calls us to do the same.