Gardening, more than most outdoor activities, has always attracted a cult of devotedly literate practitioners; people who like to dig, it would appear, also like to write. And many of them write exceedingly well. In this thoughtful, personal, and embracing consideration of garden writing, garden historian Elizabeth Barlow Rogers selects and discusses the best of these writers. She makes her case by picking delightful examples that span two centuries, arranging the writers by what they did and how they saw themselves: nurserymen, foragers, conversationalists, philosophers, humorists, etc. Her discussions and appreciations of these diverse personalities are enhanced and supported by informed appraisals of their talents, obsessions, and idiosyncrasies, and by extensive extracts from their writings. Rogers provides historical background, anecdotal material, and insight into how these garden writers worked. And wherever appropriate, she illustrates her story with images from their books, so you can not only read what they wrote but also see what they were describing. Since gardens are by their very nature ephemeral, these visual clues from the pages of their books, many reproduced in color, are as close as we will come to the originals. What makes Writing the Garden such a joy to read is that it is not simply a collection of extracts, but real discussions and examinations of the personalities who made their mark on how we design, how we plant, and how we think about what is for many one of life's lasting pleasures. Starting with "Women in the Garden" (Jane Loudon, Frana-ces Garnet Wolseley, and Gertrude Jekyll) and concluding with "Philosophers in the Garden" (Henry David Thoa-reau, Michael Pollan, and Allen Lacy), this is a book that encompasses the full sweep of the best garden writing in the English language. Writing the Garden is co-published by the New York Society Library and the Foundation for Landscape Studies in association with David R. Godine, Publisher.

A mix of fact and fiction, fantasy and experience, the Bedside Companion for Gardeners is a treasure trove of green-fingered inspiration where practical advice blends seamlessly with poetry and prose from intrepid gardeners past and present. Dip in and out of this collection with an entry for every night of the year that draws on writing through the ages and from across the globe. The Bedside Companion for Gardeners incorporates practical advice from the 17th-century gardening diarist John Evelyn; inspiring prose from Elizabeth von Arnim and John Milton; astute commentary from Horace Walpole on William Kent and Nancy Mitford on the vulgarity of a Surrey garden. Kipling offers practical advice, while Tennyson waxes lyrical on an Arabian night garden. The perfect gift for any gardener, this magical book is an invaluable source of inspiration and guidance to revisit throughout the year.

Show me a person without any prejudice of any kind on any subject and I'll show you someone who may be admirably virtuous but is surely no gardener.--Allen Lacy. Idiosyncratic, determined, and occasionally obsessed, gardeners have a lot to say about their outdoor passion. THE WRITER IN THE GARDEN brings together a host of writing gardeners and gardening writers reveling in their quirks, confessing their shortcomings, and sharing their experiences. Combing through a hundred years of garden writing, editor Jane Garmey has discovered some great contemporary works and rediscovered many classics: "I am strongly of the opinion," declares Gertrude Jekyll, "that the possession of a quantity of plants, however good the plants may be themselves and however ample their number, does not make a garden." "It isn't that I don't like sweet disorder, but it has to be judiciously arranged," writes Vita Sackville-West. "Gardeners are--let's face it--control freaks," Abby Adams admits. "Who else would willingly spend his leisure hours wrestling weeds out of the ground, blithely making life or death decisions about living beings, moving earth from here to there, changing the course of waterways?" Drawing on the work of more than fifty writers, THE WRITER IN THE GARDEN covers subjects ranging from the beauty of the garden to ornery weeds, the hazards of rare plant collecting, and the tribulations of inclement weather. The collection includes a range of authors from both sides of the Atlantic: from Edith Wharton, who insists that we could all learn a thing or two about design from the Italians, to Stephen Lacey, who reveals that his most exciting gardening moments are spent in the bath. Some of the other writers in the collection are: E. B. White, Beverly Nichols, Ken Druse, Eleanor Perenyi, W. S. Merwin, Mirabel Osler, Henry Mitchell, Jamaica Kincaid, Robert Dash, Sara B. Stein, Michael Pollan, M.F.K. Fisher, Anne Raver, Patti Hagan, Paula Deitz.

A companion to The RHS Treasury of Garden Verse, this anthology presents a selection of garden writing spanning the globe and the centuries. Writers from Francis Bacon to Thoreau have been inspired by gardens and gardening, and here there is something for everyone: classic pieces and perennial favorites, and some surprising finds.

An anthology of the best garden writing from the pages of The Garden, the magazine of the Royal Horticultural Society. As well as revealing key moment from a time of intense change, this anthology paints a rich and intriguing picture of what gardening means today.The writers tell of plant-hunting and new gardening practices, fashion and growing food, whilst shedding light on the inner landscape of the thoughtful gardener. Collected and curated by Ursula Buchan, herself an anthologist, The Garden Anthology presents a narrative of thoughts and opinions for keen gardeners to help navigate the gardening year, and comprises the best writing from more than the last 100 years. This 320-page reading book includes short essays, opinions, thoughts and excerpts from 80 garden writers and designers including James Wong, Sir Roy Strong, Helen Dillon, Anna Pavord, E A Bowles, Gertrude Jekyll, John Brookes, Tim Richardson, Joy Larkcom, Hugh Johnson, Nigel Slater, Lia Leendertz, Ursula Buchan, Nigel Colborne and Mary Keen under the universally-appealing subjects of: the kitchen garden; wildlife and wildflowers; gardens; garden design; the environment; plants; people; seasons and the weather.

This collection of classic garden writing presents the garden as place of solace in our busy world, a retreat for lovers, and even an earthly paradise. Bringing together a wide range of voices from across the centuries and around the globe—from Pliny in first-century Italy to Robert Louis Stevenson in nineteenth-century Hawaii—Pleasures of the Garden features fiction and poetry, memoirs and letters, all in celebration of gardens. The gardens themselves vary widely, too, including the stately landscaped parks of Georgian England, the exquisitely managed gardens of Japan, and the painterly gardens of the Arts and Crafts movement. At times lyrical and light-hearted, at others analytic or inspirational, the works compiled here from such authors as Jane Austen, Rudyard Kipling, Charlotte Brontë, Alexander Pope, D. H. Lawrence, and many more reveal that gardens have long nurtured much more than the plants they contain—their peace, order, and seclusion also have a long tradition of inspiring the pen and fueling the soul. Our backyard gardens may not compare with the long-lost Hanging Gardens of Babylon, but Pleasures of the Garden reminds us that they are nonetheless part of a long and storied tradition. No green thumb should be without it.

In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.

A delightful compendium of writing on plants. The passion for gardening and the passion for words come together in this inspired anthology, a collection of essays on topics as diverse as beans and roses, by writers who garden and by gardeners who write. Among the contributors are Christopher Lloyd, on poppies; Marina Warner, who remembers the Guinée rose; and Henri Cole, who offers poems on the bearded iris and on peonies. There is also an explanation of the sexiness of castor beans from Michael Pollan and an essay from Maxine Kumin on how, as Henry David Thoreau put it, one "[makes] the earth say beans instead of grass." Most of the essays are new in print, but Colette, Katharine S. White, D. H. Lawrence, and several other old favorites make appearances. Jamaica Kincaid, the much-admired writer and a passionate gardener herself, rounds up this diverse crew. A wonderful gift for green thumbs, My Favorite Plant is a happy collection of fresh takes on old friends. Other contributors include: Hilton Als Mary Keen Ken Druse Duane Michals Michael Fox David Raffeld Ian Frazier Graham Stuart Thomas Daniel Hinkley Wayne Winterrowd