Reprint of the original, first published in 1875.

Considers the problem of stylistic change in art, arguing that art is not reducible to external political, social, or economic determinants

What is life? What is water? What is sound? In Sounding the Limits of Life, anthropologist Stefan Helmreich investigates how contemporary scientists—biologists, oceanographers, and audio engineers—are redefining these crucial concepts. Life, water, and sound are phenomena at once empirical and abstract, material and formal, scientific and social. In the age of synthetic biology, rising sea levels, and new technologies of listening, these phenomena stretch toward their conceptual snapping points, breaching the boundaries between the natural, cultural, and virtual. Through examinations of the computational life sciences, marine biology, astrobiology, acoustics, and more, Helmreich follows scientists to the limits of these categories. Along the way, he offers critical accounts of such other-than-human entities as digital life forms, microbes, coral reefs, whales, seawater, extraterrestrials, tsunamis, seashells, and bionic cochlea. He develops a new notion of "sounding"—as investigating, fathoming, listening—to describe the form of inquiry appropriate for tracking meanings and practices of the biological, aquatic, and sonic in a time of global change and climate crisis. Sounding the Limits of Life shows that life, water, and sound no longer mean what they once did, and that what count as their essential natures are under dynamic revision.

To speak about art is to evoke the hand of the creator who produced the work. It is to confer to its gestures the importance of thoughts and to explore their point of convergence on the canvas or the stone. With this text, Henri Focillon delivers one of the most beautiful odes to the hand and, simultaneously, to the talent of artists, studying Hokusai, Cézanne, and even Rodin. What do artists such as Rembrandt, David, Gauguin, and Hokusai have in common? A virtuosity of the hand, replies Henri Focillon. The viewer often forgets that behind the works, it is first and foremost a hand and its fingers which guide the paintbrush, the pen, or the stylus. Focillon’s text recalls the importance of this part of the body, in which the artist’s talent comes to life. Within his text, he grants the hand the recognition that it deserves.

This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement’s significance to art history today. In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude the world outside. But through careful attention to early twentieth-century connoisseurship, aesthetics, art education, design, and art in colonial Nigeria and India, Rose builds an expanded account of form based on its engagement with the social world. Art and Form thus opens discussions on a range of urgent topics in art writing, from its history and the constructions of high and low culture to the idea of global modernism. Rose demonstrates the true breadth of formalism and shows how it lends a new richness to thought about art and visual culture in the early to mid-twentieth century. Accessibly written and analytically sophisticated, Art and Form opens exciting new paths of inquiry into the meaning and lasting importance of formalism and its ties to modernism. It will be invaluable for scholars and enthusiasts of art history and visual culture.

"Publications of the Academy of Natural Sciences of Philadelphia": v. 53, 1901, p. 788-794.

This volume contains a translation of four early manuscripts by Alfred Schutz, unpublished at the time, written between 1924 and 1928. The publication of these four essays adds much to our knowledge and appreciation of the wide range of Schutz’s phenomenological and sociological interests. Originally published in 1987. The essays consist of: a challenging presentation of a phenomenology of cognition and a treatment of Bergson’s conceptions of images, duration, space time and memory; a discussion of the meanings connected with the grammatical forms of language in general; a consideration of the relation between meaning-contents and literary forms in poetry, literary prose narration and dramatic presentation; and an examination of resemblances and differences in the inner forms and characteristics of the major theatrical art forms.

Native American Studies: History Books, Mythology, Culture & Linguistic Studies is an ambitious anthology that encapsulates the rich tapestry of Native American life, encapsulating its mythology, linguistic diversity, cultural practices, and historical narratives. This collection is characterized by its variety of literary styles, ranging from firsthand accounts and scholarly studies to comprehensive historical analyses and mythological explorations. The assortment of works within this anthology not only highlights the breadth and depth of Native American history and culture but also underscores the significance of these narratives in the broader context of American history. Significant for its diversity and scholarly merit, this anthology serves as a testament to the complex legacy of Native American communities and their enduring influence on the fabric of American society. The contributing authors and editors, including pivotal figures such as Lewis Spence, Cyrus Thomas, and Franz Boas, bring a wealth of knowledge and expertise to the exploration of these themes. Their collective backgrounds, spanning anthropology, linguistics, history, and ethnography, align with various cultural and literary movements that have sought to preserve and understand Native American heritage. The anthology provides a platform for these diverse voices, each contributing to a more nuanced and comprehensive understanding of Native American societies and their legacy. Their works collectively navigate the intersections of cultural identity, historical continuity, and the dynamic changes faced by Native American communities through time. This collection offers readers a unique opportunity to delve into the complexities of Native American history, mythology, culture, and linguistics through a curated selection of influential works. It is an invaluable resource for scholars, students, and anyone interested in understanding the multifaceted narrative of Native American communities. By engaging with these texts, readers are invited to explore a vast array of perspectives and themes, fostering a deeper appreciation for the richness of Native American traditions and the significance of their continued study. The anthology beckons readers to embark on a scholarly journey that bridges the past with the present, contributing to a greater appreciation and understanding of America's indigenous heritage.