The captivating third book in Kiera Cass’s #1 New York Times bestselling Selection series America Singer searches for her happily ever after in this swoon-worthy YA dystopian romance, perfect for readers who loved Veronica Roth’s Divergent, Lauren Oliver’s Delirium, or Renée Ahdieh’s The Wrath & the Dawn. Entering the Selection changed America Singer's life in ways she never could have imagined. Since she arrived at the palace, America has struggled with her feelings for her first love, Aspen—and her growing attraction to Prince Maxon. Now she's made her choice . . . and she's prepared to fight for the future she wants. Don’t miss The Betrothed, a glittering royal romance sure to captivate Kiera Cass’s legion of loyal readers and lovers of courtly intrigue alike!

Beginning with a brief history of the breed, this book offers detailed advice on locating and selecting a horse, as well as stabling, feeding, grooming, and otherwise taking responsible care of the animal. Also explained are the American Quarter Horse's many uses: from informal trial riding to barrel racing, cutting, and reining; from Western horsemanship to show jumping, dressage, and racing. The American Quarter Horse is the indispensable guide for anyone interested in owning and riding America's favorite horse.

Transcendentalism was the name given to the New England movement of the 1830s and 1840s that brought together Romanticism in literature and social reform in politics. Its partisans argued for the rights of women, the abolition of slavery, and, in some cases, the socialization of labor and equal distribution of profits. They were America’s first avant-garde. This volume presents substantial selections from the writings of key American Transcendentalists, such as George Ripley, Margaret Fuller, Orestes Brownson, Theodore Parker, and Bronson Alcott. Included are sermons and diary entries, essays on labor, religion, education, and literature, on German metaphysics and Coleridge’s philosophy of mind. Many are expressive of the movement’s over-arching project: to define the innermost meanings of democracy--the nature of man, his place in the world, and his relation to the divine. First published in 1966, the book has been updated and expanded for this edition.

"Outside the palace of Versailles, it's modern day. Inside, the people dress, eat, and act like it's the eighteenth century. The palace has every indulgence, but for one pretty young thing, it's about to become a very beautiful prison. When Danica witnesses an act of murder by the young king, her mother makes a cruel power play...blackmailing the king into making Dani his queen on her eighteenth birthday. That gives Dani six months to escape her terrifying destiny."--Page [4] of cover.

Transcendentalism was the name given to the New England movement of the 1830s and 1840s that brought together Romanticism in literature and social reform in politics. Its partisans argued for the rights of women, the abolition of slavery, and, in some cases, the socialization of labor and equal distribution of profits. They were America’s first avant-garde. This volume presents substantial selections from the writings of key American Transcendentalists, such as George Ripley, Margaret Fuller, Orestes Brownson, Theodore Parker, and Bronson Alcott. Included are sermons and diary entries, essays on labor, religion, education, and literature, on German metaphysics and Coleridge’s philosophy of mind. Many are expressive of the movement’s over-arching project: to define the innermost meanings of democracy--the nature of man, his place in the world, and his relation to the divine. First published in 1966, the book has been updated and expanded for this edition.

The term American Renaissance designates a period in our nation's history when the literary "classics" appeared—works "original" enough to mark a beginning for America's literary history. But the American Renaissance, Donald Pease argues in his introduction, does not belong to the nation's secular history so much as it denotes a rebirth from it: "Independent of the time kept by secular history, the American Renaissance keeps what we could call global Renaissance time—the sacred time a nation claims to renew, when it claims its cultural place as a great nation existing within a world of great nations. Providing each nation with the terms for cultural greatness denied to secular history, the 'renaissance' is not an occasion occurring within any specific historical time or place so much as it is a moment of cultural achievement that repeatedly demands to be reborn." The American Renaissance Reconsidered examines this demand for rebirth in terms other than those ordained by the American Renaissance itself. In the seven pieces collected here it is reborn, not outside of, but within America's secular history, as the authors examine anew the period of the American Renaissance—and the period in which its history was written. Contributing authors are Eric J. Sundquist, Jane P. Tompkins, Louis A. Renza, Jonathan Arac, Donald E. Pease, Walter Benn Michaels, and Allen Grossman.