Ladies of London star Marissa Hermer grew up in southern California picking avocados from her grandmother’s tree. Weekends meant trips to the Newport Beach pier for fresh fish and bowls of granola baked in the sunny family kitchen. But everything changed when Marissa moved to London to be with the love of her life, a British restaurateur who prefers meat and potatoes to guacamole. A classic Sunday roast replaced her beachside BBQ, and sticky toffee pudding elbowed out the s’mores. But as she made her home in England and started a family of her own, Marissa didn’t want to lose her roots. She began incorporating a bit of California into her recipes, creating homey British favorites with a brighter twist. Drawing inspiration from both her American upbringing and British cuisine, the 120 recipes in An American Girl in London show you how to cook delicious, nourishing, family-friendly fare that earns raves on both sides of the pond. From a flavorful sourdough bread and butter pudding to a rich mushroom and tarragon pie, Marissa shows you how to amp up the flavors of home to keep you, your family, and friends feeling fit, loved, and completely nourished. While her home kitchen might not be the most traditional, it’s a match made in transatlantic heaven.

The travelog 'An American Girl in London' was written by Sara Jeannette Duncan, a Canadian author and journalist who wrote under various pseudonyms, including Mrs. Everard Cotes and Garth Grafton. After initially training as a teacher, she pursued a career in writing, working as a travel writer for Canadian newspapers and a columnist for the Toronto Globe. She later wrote for the Washington Post and was in charge of the current literature section. Duncan also traveled to India, where she married an Anglo-Indian civil servant, and subsequently divided her time between England and India.

'I relish every second of my sexual encounters: the good, the bad, the bizarre. Most of my serious relationships have started out as one-night stands.' Catherine Townsend describes herself as 'part slut, part hopeless romantic'. Her quest is to have her cake and eat it - an intelligent dinner date followed by a passionate one-night stand; to combine sleeping around with finding a soul mate. Sex and the City meets Girl With a One Track Mind in this candid, sexy, funny take on looking for love in unexpected places and how to find Mr Right - or at least Mr Right Now.

"A tween's foreign exchange experience lands her in London luxury--and some hot water as well!"--Information from amazon.com, viewed Oct. 21, 2013.

When a fifteen-year-old American girl finds herself living outside of London because of her father's job transfer and becomes a columnist for her British school's newspaper, she uses Bible truths to dole out wise advice to her classmates, but soon finds it hard to follow her own advice.

For use in schools and libraries only. A compassionate and practical reference for older adolescent girls shares advice for managing physical and emotional challenges, covering topics ranging from menstruation and body changes to personal care and peer pressure.

Our image of nineteenth-century American women is generally divided into two broad classifications: victims and revolutionaries. This divide has served the purposes of modern feminists well, allowing them to claim feminism as the only viable role model for women of the nineteenth century. In All-American Girl, however, Frances B. Cogan identifies amid these extremes a third ideal of femininity: the “Real Woman.” Cogan's Real Woman exists in advice books and manuals, as well as in magazine short stories whose characters did not dedicate their lives to passivity or demand the vote. Appearing in the popular reading of middle-class America from 1842 to 1880, these women embodied qualities that neither the “True Women”—conventional ladies of leisure—nor the early feminists fully advocated, such as intelligence, physical fitness, self sufficiency, economic self-reliance, judicious marriage, and a balance between self and family. Cogan's All-American Girl reveals a system of feminine values that demanded women be neither idle nor militant.

*No.1 bestseller* From a storyteller who combines the warmth of Maeve Binchy with the elegance of Maggie O'Farrell comes an unforgettable novel . . . Boston 1968. Rose Moroney is seventeen, smart, spirited - and pregnant. She wants to marry her boyfriend. Her ambitious parents have other plans. She is sent to Ireland, their birthplace, to deliver her daughter in a Mother and Baby home - and part with her against her will. Dublin 2013. Martha Sheeran's life has come undone. Her marriage is over, and her husband has moved on with unsettling speed. Under pressure from her teenage daughter, she starts looking for the woman who gave her up for adoption more than forty years before. As her search leads her to the heart of long-buried family secrets, old flame Paudie Carmody - now a well-known broadcaster - re-enters the frame. From Boston to rural Ireland; from Dublin back to Boston, The American Girl is a heart-warming and enthralling story of mothers and daughters, love and cruelty and, ultimately, the embrace of new horizons.

Nine-year-old Grace likes having a plan but she must find a way to be flexible and open to new ideas when she goes to Paris with her mother and has trouble getting along with her cousin, while at home her friends start the business she proposed witho

With the fierce emotional and intellectual power of such classics as Jean Rhys's Good Morning, Midnight, Sylvia Plath's The Bell Jar, and Clarice Lispector's The Hour of the Star, Kate Zambreno's novel Green Girl is a provocative, sharply etched portrait of a young woman navigating the spectrum between anomie and epiphany. First published in 2011 in a small press edition, Green Girl was named one of the best books of the year by critics including Dennis Cooper and Roxane Gay. In Bookforum, James Greer called it "ambitious in a way few works of fiction are." This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno. Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.