An exquisite seaside resort, an eccentric group of British aristrocrats on holiday, and rich 1930's detail lay the setting for this stupendous debut mystery of manners by a young librarian

“More completely than any author before him, Richard Amory explores the tormented world of love for man by man . . . a happy amalgam of James Fenimore Cooper, Jean Genet and Hudson’s Green Mansions.”—from the cover copy of the 1969 edition Published well ahead of its time, in 1966 by Greenleaf Classics, Song of the Loon is a romantic novel that tells the story of Ephraim MacIver and his travels through the wilderness. Along his journey, he meets a number of characters who share with him stories, wisdom and homosexual encounters. The most popular erotic gay book of the 1960s and 1970s, Song of the Loon was the inspiration for two sequels, a 1970 film of the same name, at least one porn movie and a parody novel called Fruit of the Loon. Unique among pulp novels of the time, the gay characters in Song of the Loon are strong and romantically drawn, which has earned the book a place in the canon of gay American literature. With an introduction by Michael Bronski, editor of Pulp Friction and author of The Pleasure Principle. Little Sister’s Classics is a new series of books from Arsenal Pulp Press, reviving lost and out-of-print gay and lesbian classic books, both fiction and nonfiction. The books in the series are produced in conjunction with Little Sister’s Book and Art Emporium, the heroic Vancouver bookstore well-known for its anti-censorship efforts.

A Dangerous Engagement is the stylish, charming sixth novel in the Edgar-nominated Amory Ames mystery series by Ashley Weaver, set in 1930s New York. As they travel by ship to New York for her childhood friend Tabitha’s wedding, Amory Ames gazes out at the city’s iconic skyline, excited by the prospect of being a bridesmaid. Her husband Milo, however, is convinced their trip will be deadly dull, since Prohibition is in full swing. But when a member of the wedding party is found murdered on the front steps of the bride’s home, the happy plans take a darker twist. Amory discovers that the dead groomsman has links to the notorious—and notoriously handsome—gangster Leon De Lora, and soon she and Milo find themselves drawn into another mystery. While the police seem to think that New York’s criminal underworld is at play, Amory feels they can’t ignore the wedding party either. Tabitha’s fiancé Tom Smith appears to be a good man, but he has secrets of his own, and the others in the group seem strangely unaffected by the death of their friend . . . In an unfamiliar city, not knowing who they can trust, Milo and Amory are drawn into the glamorous, dangerous world of nightclubs and bootleggers. But as they draw closer to unraveling the web of lies and half-truths the murdered man has left in his wake, the killer is weaving a web of his own.

The locater lists in alphabetical order every name in all the Social registers and indicates the family's head under which it may be found and the city in which the name appears.

Examining the ways F. Scott Fitzgerald portrayed spectator sports as working to help structure ideologies of class, community and nationhood, this book shows how narratives of attending sports and being a 'fan' cultivate communities of spectatorship

He was like no other hermit she had ever seen. He was young, strong, dark and vowed to silence. His name was Keren, but he was always called the Hermit. And as he touched her arm, and healed it, a bond was forged between them – a hopeless bond, for she was Joanna of Leybourne, ward of the Count, and he was a man sentenced to build a church with his bare hands, as expiation for the crime of murdering his wife. . . This title was originally published under the pseudonym Victoria Thorne.

The Great Gatsby and its criticism of American society during the 1920s, F. Scott Fitzgerald claimed the distinction of writing what many consider to be the "great American novel." Critical Companion to F.