As one of the most influential writers in comics history, Alan Moore has penned such important and acclaimed titles as 2003's biggest selling graphic novel, The League of Extraordinary Gentlemen, part of Moore's own America's Best Comics imprint.

Alan Moore and thirty-two other writers/illustrators contributed to this collection of comics, featuring Jack B. Quick, Promethea, and Tom Strong and his daughter Tesla, as well as a sketchbook of artwork by the various artists.

Jillian Tamaki, co-author of This One Summer, picks the best graphic pieces of the year. "The pieces I chose were those that stuck with me, represented something important about comics in this moment, and exemplified excellence of the craft. Surveying the final collection, I'm moved by the variety of individual approaches. There are so many ways to make us care about little marks on a page."--Jillian Tamaki, from the introduction The Best American Comics 2019 showcases the work of established and up-and-coming artists, collecting work found in the pages of graphic novels, comic books, periodicals, zines, online, in galleries, and more, highlighting the kaleidoscopic diversity of the comics form today. Featuring Vera Brosgol, Eleanor Davis, Nick Drnaso, Margot Ferrick, Ben Passmore, John Porcellino, Joe Sacco, Lauren Weinstein, Lale Westvind, and others.

Written by alan moore and STEVE MOORE - Art by ARTHUR ADAMS, ALAN WEISS, CHRIS WESTON, SHAWN MCMANUS, BRUCE TIMM, JASON PEARSON and others - Cover by ARTHUR ADAMS The hero of Millennium City shines in this title collecting TOM STRONG'S TERRIFIC TALES #7-12! This volume features thrilling stories about Tom's island youth, as well as the further adventures of science-fiction heroine Jonni Future and more!

Dive into this first issue featuring four fantastic stories from author Alan Moore! Meet inventor Jack B. Quick as he creates a galaxy in his ownhometown—terrorizing the family cow in the process! See a madman cornered and captured by Greyshirt...with a twist! The First American and U.S. Angel face off against an insidious enemy—daytime talk shows! And finally, meet sultry crimefighter The Cobweb. Will she be able to free captured beauties, even as she's turned into a doll?

The massive, multilayered city of Neopolis, built shortly after World War II, was designed as a home for the expanding population of science-heroes, heroines and villains that had ballooned into existence in the previous decade. Bringing these powered beings together solved some problems but created others, especially after the inevitable partnerships led to a surge in their numbers in the 1960s. By the 1980s, Neopolis had turned into a pressure cooker - under financed and overpopulated - that normal policing methods could never hope to contain. In 1985 the city accepted jurisdiction by a police force covering many alternate Earths, headquartered on the world known as Grand Central. Our own outpost of this network, Precinct Ten (known affectionately as Top 10), recruits its members from Neopolis and its environs, working much like Earth's other police precincts, with one major exception: Like the citizens of the city, the officers of Top 10 have the abilities needed to deal with Neopolis's exotic denizens. Rookie cop Robyn Slinger, alter ego "Toybox," hits the streets for the first time along with a colorful crew of fellow officers, each having the required training to deal with science-villains and super-crimes, as well as the common misdemeanors of city life. You'll never look at powers, or police work, the same way again!

Advance-solicited - On sale April 14 - 336 pg, 7.0625" x 10.875" FC, $39.99 US Written by Alan Moore, Leah Moore & Peter Hogan - Art by Chris Sprouse, Shawn McManus & others - Cover by Chris Sprouse & Karl Story In these tales from issues #13-24, Tom faces off against the ruthless Paul Saveen, the Nazi super-woman Ingrid Weiss and more!

Organized to police the city of Neopolis, which was built following World War II to house the world's growing number of superheroes, heroines, and villains, the members of Precinct Ten investigate a variety of bizarre events.

See the origin of Tom Strong through the eyes of one of his biggest fans! Includes the story of Tom Strong's birth and childhood on the island of Attabar Teru, and how he grew into Millennium City's beloved superhero, as well as a loving husband and father.

An immediate perennial, documenting the critical rise of the graphic novel. Conventional wisdom states that cartooning and graphic novels exist in a golden age of creativity, popularity, and critical acceptance. But why? Today, the signal is stronger than ever, but so is the noise. New York Times, Vanity Fair, and Bookforum critic Ben Schwartz assembles the greatest lineup of comics critics the world has yet seen to testify on behalf of this increasingly vital medium. The Best American Comics Writing is the first attempt to collate the best criticism to date of the graphic novel boom in a way that contextualizes and codifies one of the most important literary movements of the last 60 years. This collection begins in 2000, the game changing year that Pantheon released the graphic novels Jimmy Corrigan and David Boring. Originally serialized as “alternative” comics, they went on to confirm the critical and commercial viability of graphic literature. Via its various authors, this collection functions as a valuable readers’ guide for fans, academics, and librarians, tracing the current comics renaissance from its beginnings and creative growth to the cutting edge of today’s artists. This volume includes Daniel Clowes (Ghost World) in conversation with novelist Jonathan Lethem (Fortress of Solitude), Chris Ware, Jonathan Franzen (The Corrections), John Hodgman (The Daily Show, The Areas of My Expertise, The New York Times Book Review), David Hajdu (The 10-Cent Plague), Douglas Wolk (Publishers Weekly, author of the Eisner award-winning Reading Comics), Frank Miller (Sin City and The Spirit film director) in conversation with Will Eisner (The Spirit’s creator), Gerard Jones’ (Men of Tomorrow), Brian Doherty (author Radicals of Capitalism, This is Burning Man) and critics Ken Parille (Comic Art), Jeet Heer (The National Post), R.C. Harvey (biographer of Milton Caniff), and Donald Phelps (author of the landmark book of comics criticism,Reading the Funnies). Best American Comics Writing also features a cover by nationally known satirist Drew Friedman (The New York Observer, Old Jewish Comedians) in which Friedman asks, “tongue-in-cheek,” if cartoonists are the new literati, what must their critics look like?