A groundbreaking look at how America exported mass incarceration around the globe, from a rising young historian “American Purgatory will forever change how we understand the rise of mass incarceration. It will forever change how we understand this country.” —Clint Smith, bestselling author of How the Word Is Passed: A Reckoning with the History of Slavery Across America In this explosive new book, historian Benjamin Weber reveals how the story of American prisons is inextricably linked to the expansion of American power around the globe. A vivid work of hidden history that spans the wars to subjugate Native Americans in the mid-nineteenth century, the conquest of the western territories, and the creation of an American empire in Panama, Puerto Rico, and the Philippines, American Purgatory reveals how “prison imperialism”—the deliberate use of prisons to control restive, subject populations—is written into our national DNA, extending through to our modern era of mass incarceration. Weber also uncovers a surprisingly rich history of prison resistance, from the Seminole Chief Osceola to Assata Shakur—one that invites us to rethink the scope of America’s long freedom struggle. Weber’s brilliantly documented text is supplemented by original maps highlighting the global geography of prison imperialism, as well as illustrations of key figures in this history by the celebrated artist Ayo Scott. For readers of Michelle Alexander’s The New Jim Crow, here is a bold new effort to tell the full story of prisons and incarceration—at home and abroad—as well as a powerful future vision of a world without prisons.

American Purgatory is a story of the working class, a dystopia set in a near-future United States marked by severe drought, herbicidal warfare, and a totalitarian climate of poverty. This purgatory is populated by those who believe if that they work hard enough, they will be set free. Against this backdrop, three unlikely characters begin a journey that will take them away from work, belief, and even each other, until the protagonist uncovers the truth about this place and the people in it-a truth that indeed sets her free. Equal parts Dante and Cormac McCarthy, American Purgatory is a coming-of-age for capitalism written in the decade of tea-party terror.AN INDIE BEST-SELLER!Winner of the 2016 Sexton Prize, selected for publication by Don Share

"Part treatise, part memoir, part call to action, Tell Me How It Ends inspires not through a stiff stance of authority, but with the curiosity and humility Luiselli has long since established." —Annalia Luna, Brazos Bookstore "Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books "Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books "While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see." —Rick Simonson, Elliott Bay Book Company "Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt." —Brad Johnson, Diesel Bookstore "The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential." —Mark Haber, Brazos Bookstore "Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books

Purgatorio is Martínez's most moving, most autobiographical novel and yet it is also a ghost story, the ghost story which has been Argentina's history since 1973. It begins, 'Simón Cardoso had been dead for thirty years when Emilia Dupuy, his wife, found him at lunchtime in the dining room of Trudy Tuesday.' Simón, a cartographer like Emilia, had vanished during one of their trips to map an uncharted country road. Later testimonies had confirmed that he had been one of the thousands of victims of the military regime - arrested, tortured and executed for being a "subversive." Yet Emilia had refused to believe this account, and had spent her entire life waiting for him to reappear. Now in her sixties, the Simón she has found is identical to the man she lost three decades ago. While skirting around the mystery, Eloy Martínez masterfully peels away layer upon layer of history -both personal and political. Just as Simón's disappearance comes to represent the thousands of disappearances that became such a common occurrence during the dictatorship, so Emilia's refusal to accept his death mirror's the country's unwillingness to face its reality.

On their way to fight in the Mexican-American War, a group of American soldiers are swept away to a strange and deadly alternate Earth in this thrilling new adventure set in the world of the New York Times bestselling Destroyermen series. The United States, 1847. A disparate group of young American soldiers are bound to join General Winfield Scott's campaign against Santa Anna at Veracruz during the Mexican-American War. They never arrive. Or rather . . . they arrive somewhere else. The untried, idealistic soldiers are mostly replacements, really; a handful of infantry, artillery, dragoons, and a few mounted riflemen with no unified command. And they've been shipwrecked on a terrible, different Earth full of monsters and unimaginable enemies. Major Lewis Cayce, late of the 3rd US "Flying" Artillery, must unite these men to face their fears and myriad threats, armed with little more than flintlock muskets, a few pieces of artillery, and a worldview that spiritually and culturally rebels against virtually everything they encounter. It will take extraordinary leadership and a cadre of equally extraordinary men and women to mold frightened troops into an effective force, make friends with other peoples the evil Holy Dominion would eradicate, and reshape their "manifest destiny" into a cause they can all believe in and fight for. For only together will they have any hope of survival.

The numbers are staggering: One-third of America’s adult population has passed through the criminal justice system and now has a criminal record. Many more were never convicted, but are nonetheless subject to surveillance by the state. Never before has the American government maintained so vast a network of institutions dedicated solely to the control and confinement of its citizens. A provocative assessment of the contemporary carceral state for American democracy, Arresting Citizenship argues that the broad reach of the criminal justice system has fundamentally recast the relation between citizen and state, resulting in a sizable—and growing—group of second-class citizens. From police stops to court cases and incarceration, at each stage of the criminal justice system individuals belonging to this disempowered group come to experience a state-within-a-state that reflects few of the country’s core democratic values. Through scores of interviews, along with analyses of survey data, Amy E. Lerman and Vesla M. Weaver show how this contact with police, courts, and prisons decreases faith in the capacity of American political institutions to respond to citizens’ concerns and diminishes the sense of full and equal citizenship—even for those who have not been found guilty of any crime. The effects of this increasingly frequent contact with the criminal justice system are wide-ranging—and pernicious—and Lerman and Weaver go on to offer concrete proposals for reforms to reincorporate this large group of citizens as active participants in American civic and political life.

Richard K. Fenn focuses on the significance of time in modern society, and why we take it so seriously. He traces contemporary western attitudes toward time back to the doctrine and myth of Purgatory. Fenn makes a provocative case that especially for Americans the sense of the scarcity of time is a sign of social character, shaped by a 'purgatorial complex'. He demonstrates the impact of Purgatory on Protestant preachers such as Baxter and Channing, but also argues that Locke's views of religion, education and the nature of the state can only be understood in this context. Seriousness about time has become evidence of the good faith of the citizen. Novelists like Robbins, Mailer, Vonnegut and Brautigan portray a society that oppresses the individual through time constraints. For Dickens, America seemed a purgatorial wasteland: a place where time is always of the essence.

Democracy is a multigenerational project, a haven carved out of tyranny by the liberal and diligent application of the sharp-edge of social networks. Purgatory between Kentucky and Canada: African Americans in Ohio presents the work of several scholars who have researched the micro-tactics of ordinary people who attempted to create a little space of peace in a place that was less heavenly than some might suppose. We present histories of nineteenth- and twentieth-century Ohio African American individuals who fought for higher education, voting rights, the right to live where they chose and the right to â oesecure the blessings of libertyâ and equality for themselves and their children. Some were prosperous farmers. Others were masters of print and radio media. Still others dedicated themselves to freeing fellow citizens from the oppression of ignorance. We find that they all used social networks to secure the fulfillment of the promises made in the Declaration of Independence and the U.S. Constitution. We hope that these lessons in social networking and in perfecting democracy from Ohio African Americansâ (TM) experiences will inspire ordinary people everywhere, especially in the Mediterranean Rim where people are living through the hell fires of democratic revolutions that are popularly known as the Twitter Revolutions of 2010â "2013. While democratic popular uprisings create a tough row to hoe for patriotic demonstrators, the many people and families that you will meet in this volume teach that the fruits of democracy are worthy of diligent and brave efforts by demonstrators and their descendants.

Aquinas Saint Thomas' Summa Theologica, Part III (Tertia Pars). From the Complete American Edition is a monumental theological work that delves into various aspects of Christian doctrine and philosophy. Written in a scholastic style, the book explores topics such as the nature of God, the virtues, and the sacraments. Aquinas' meticulous approach to reasoning and argumentation sets this work apart as a cornerstone of medieval theology. The book is structured in a question-and-answer format, making it both comprehensive and accessible to readers. It serves as a valuable resource for students of theology, philosophy, and history. Aquinas Saint Thomas' Summa Theologica is a timeless classic that continues to influence theological thought to this day. Known as one of the greatest theologians in Christian history, Aquinas drew on his extensive knowledge of philosophy and theology to create this magnum opus. His dedication to the pursuit of truth and understanding is evident in every page of the Summa Theologica. This book is recommended for anyone seeking a deeper understanding of Christian theology and philosophy.