This title explores the collective memory and historical American myths like, for example, the myth of the innocent nation and the frontier myth, and shows how some of these nationally considered historical truths have not disappeared, but were indeed exhumed in the music produced post-9/11.

From television, film, and music to sports, comics, and everyday life, this book provides a comprehensive view of working-class culture in America. The terms "blue collar" and "working class" remain incredibly vague in the United States, especially in pop culture, where they are used to express and connote different things at different times. Interestingly, most Americans are, in reality, members of the working class, even if they do not necessarily think of themselves that way. Perhaps the popularity of many cultural phenomena focused on the working class can be explained in this way: we are endlessly fascinated by ourselves. Blue-Collar Pop Culture: From NASCAR to Jersey Shore provides a sophisticated, accessible, and entertaining examination of the intersection between American popular culture and working-class life in America. Covering topics as diverse as the attacks of September 11th, union loyalties, religion, trailer parks, professional wrestling, and Elvis Presley, the essays in this two-volume work will appeal to general readers and be valuable to scholars and students studying American popular culture.

9/11 Culture serves as a timely and accessible introduction to the complexities of American culture in the wake of the 9/11 attacks. Gives balanced examinations of a broad catalogue of artifacts from film, music, photography, literary fiction, and other popular arts Investigates the ways that 9/11 has exerted a shaping force on a wide range of practices, from the politics of femininity to the poetics of redemption Includes pedagogical material to assist understanding and teaching, including film and discographies, and a useful teachers' preface

Music in the Post-9/11 World addresses the varied and complex roles music has played in the wake of September 11, 2001. Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine a diverse array of musical responses to the terrorist attacks of that day, and reflect upon the altered social, economic, and political environment of "post-9/11" music production and consumption. Individual essays are devoted to the mass-mediated works of popular musicians such as Bruce Springsteen and Darryl Worley, as well as to lesser-known musical responses by artists in countries including Afghanistan, Egypt, Mexico, Morocco, Peru, and Senegal. Contributors also discuss a range of themes including the role played by Western classical music in rites of mourning and commemoration, "invisible" musical practices such as the creation of television news music, and implicit censorship in the mainstream media. Taken as a whole, this collection presents powerful evidence of the central role music has played in expressing, shaping, and contesting worldwide public attitudes toward the defining event of the early twenty-first century.

Music in the Post-9/11 World addresses the varied and complex roles music has played in the wake of September 11, 2001. Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine a diverse array of musical responses to the terrorist attacks of that day, and reflect upon the altered social, economic, and political environment of "post-9/11" music production and consumption. Individual essays are devoted to the mass-mediated works of popular musicians such as Bruce Springsteen and Darryl Worley, as well as to lesser-known musical responses by artists in countries including Afghanistan, Egypt, Mexico, Morocco, Peru, and Senegal. Contributors also discuss a range of themes including the role played by Western classical music in rites of mourning and commemoration, "invisible" musical practices such as the creation of television news music, and implicit censorship in the mainstream media. Taken as a whole, this collection presents powerful evidence of the central role music has played in expressing, shaping, and contesting worldwide public attitudes toward the defining event of the early twenty-first century.

Ellipsis is a disturbing thriller stemming from what is left unsaid, what bounces around in the mind and evaporates when trying to remember. Can there be a conclusion when no-one seems to know the truth? "Right on time," Daniel Mansen mouths to Alice as she pushes him to his death. Haunted by these words, Alice becomes obsessed with discovering how a man she didn't know could predict her actions. On the day of the funeral, Daniel's cousin, Thom, finds a piece of paper in Daniel's room detailing the exact time and place of his death. As Thom and Alice both search for answers, they become knotted together in a story of obsession, hidden truths and the gaps in everyday life that can destroy or save a person.Review'Ellipsis is a very stylish, compelling read that will stay with you for a long time, and Sparkling Books have very much lived up to their name in their presentation of this title. Nikki Dudley has a burgeoning literary career that should go on from strength to strength following the publication of the magnificent Ellipsis. I look forward to reading more works by this great writer.' Kevin Mahoney, Authortrek.com 'Exciting, psychologically complex, and disconcerting, it is a powerful tale of two misfits trying to uncover long hidden secrets about themselves and their pasts. Dudley has an often startling eye for description and her simple poetic prose will delight readers looking for something slightly different in the crime thriller genre.' Sam Ruddock, Writers' Centre, Norwich 'Tight, evocative gut-punches tempered by the desperate details of everyday life.' Shawn Kupfer, author of White Male, 34 'This is the type of story that keeps a reader up half the night.' Maureen Vincent-Northam, author of 'The Writer's ABC Checklist' and 'The Greatest Genealogy Tips in the World', Hereford 'I wouldn't have stopped reading if my house was on fire!' Cas Peace, author of 'For the Love of Daisy', North Hampshire.

Petronella moves to a cottage in a seemingly ideal village. But she soon comes into contact with its weird inhabitants, a tree-monster appears in her garden, she gets spooky night-time visits from a hooded horseman, and finds a ghost in her house. How do ghosts and monsters fit in with the invasion of spirits all over Fort Willow?

The unthinkable is happening in Lynnwood - a village with centuries of guilt on its conscience. Who wouldn’t want to live in an idyllic village in the English countryside like Lynnwood? With its charming pub, old dairy, friendly vicar, gurgling brooks, and its old paths with memories of simpler times. But behind the conventional appearance of Lynnwood’s villagers, only two sorts of people crawl out of the woodwork: those who hunt and those who are prey. Visitors are watched by an entity between the trees where the Dark Ages have endured to the twenty-first century. Families who have lived behind stone walls and twitching curtains know that the gusts of wind blowing through the nearby alluring Forest bring with them a stench of delightful hunger only Lynnwood can appease.

MURDER SPIES EXPLOSIONS REVENGE Peregrine Harker is about to learn you're never too young to die. London 1908: A secret society stalks the murky streets, a deadly assassin lurks in the shadows and a series of unexplained deaths are linked by a mystery symbol… When boy-detective Peregrine Harker stumbles across a gruesome murder he sparks a chain of events that drag him on a rip-roaring journey through a world of spluttering gas lamps, thick fog, deadly secrets and dastardly villains. Every step of Peregrine’s white-knuckle adventure brings him closer to the vile heart of a terrifying mystery – the true story behind the Brotherhood of the Black Death.

For ages 16+. At only 16 Clem's world is turned upside-down. His father, a travelling salesman and a loser, is transferred from Eastbourne to Glasgow and along with him go Clem and his meek accommodating mother. But Glasgow is rough and Clem's posh English accent is not well-accepted in the sink school he attends.