American Memory in Henry James is about the cultural, historical and moral dislocations at the heart of Henry James' explorations of American identity - between power and love; modernity and history; indeterminate social forms and enduring personal values. The text covers the power, and the limits, of the language of morality and interpretive imagination as James grapples with what America and Europe have in common; and also with what, because their contexts and sense of history are so profoundly different, they cannot have in common. Righter's great theme is the tensions that impelled James ultimately to stretch the novel, his beloved 'prodigious form', almost to breaking point, in search of an ultimately elusive synthesis. The American Scene - his account of an America, revisited after long absence, that was reinventing itself right down to the touchstones of its identity - is its entry point; The Golden Bowl is its primary testing ground. The questions raised transcend the historical moment and the specifically Jamesian sense of dislocation, to go to the heart of modern identity, and the nature of literary endeavour.

In New York Revisited, first published in Harper's Monthly Magazine in 1906, Henry James describes turn-of-the-century New York in vivid detail. Although written in 1904-1905, when James returned to the U.S. after living abroad for more than 20 years, the essay is as pertinent today as it was 100 years ago. The text appears as it was originally published and is enhanced with period illustrations and photographs. Beautifully bound and with a spectacular view of the Flatiron building on the cover, this book is a literary treasure.

As an American author who chose to live in Europe, Henry James frequentlywrote about cultural differences between the Old and New World. Theplight of bewildered Americans adrift on a sea of European sophisticationbecame a regular theme in his fiction.This collection of twenty-four papers from some of the world's leadingJames scholars offers a comprehensive picture of the author's crossculturalaesthetics. It provides detailed analyses of James's perception ofEurope - of its people and places, its history and culture, its artists andthinkers, its aesthetics and its ethics - which ultimately lead to a profoundreevaluation of his writing.With in-depth analysis of his works of fiction, his autobiographical andpersonal writings, and his critical works, the collection is a major contribution to current thinking about James, transtextuality and cultural appropriation.

A profile of the extraordinary nineteenth-century American family recounts their reactions to one another, to contemporary writers and thinkers, and to major issues in American cultural history, tracing the lives and careers of Henry James, Sr., philosopher William James, influential author Henry James, and Alice James.

Washington Square is a tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, unemotional father. The plot of the novel is based upon a true story told to James by his close friend, British actress Fanny Kemble. The book is often compared with Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. Dr. Austin Sloper, a wealthy and highly successful physician, lives in Washington Square, New York with his daughter Catherine. Catherine is a sweet-natured young woman who is a great disappointment to her father, being physically plain and, he believes, dull in terms of personality and intellect. His sister, Lavinia Penniman, a meddlesome woman with a weakness for romance and melodrama, is the only other member of the doctor's household. Henry James (1843–1916) was an American-British writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism.

Young Londoners Kate and Merton are engaged, but have no money to marry on. When the wealthy but terminally ill American heiress Milly arrives in London, Kate schemes for a way to inherit her fortune. But when Kate achieves all she had hoped for, she finds that the money and the gentle, beautiful Milly have changed everything.

Psychology in the Fiction of Henry James: Memory, Emotions, and Empathy focuses on the study of consciousness, also examines new ways to read fiction from a scientific perspective, one that draws upon early psychological theories and recent neuroscientific research. Freud and William James stand together as intellectual pioneers who contributed to our understanding of the revolutionary concept of consciousness. Meanwhile, Henry James devoted his life to the development of narrative methods that would extend the realm of Realism: a pursuit that led him to draw upon consciousness and experience alike. When examining these three figures, the key components of consciousness that they shared in common turn out to be memory, emotions, and empathy. This volume deals with theoretical works on those three concepts by the works of Freud, William James, and recent neuroscientists, as well as two narrative techniques Henry James devised to represent consciousness: ghosts and Free Indirect Discourse. Additionally, this book is an analysis of Henry’s major fictions to show how those scientific terms have been used to achieve a fresh reading of his novels. Overall, this volume demonstrates that the three components are elements in the dual-aspect monism that Freud proposed earlier.

After her parents� bitter divorce, young Maisie Farange finds herself shuttled between her selfish mother and vain father, who value her only as a means for provoking each other. Maisie � solitary, observant and wise beyond her years � is drawn into an increasingly entangled adult world of intrigue and sexual betrayal, until she is finally compelled to choose her own future. What Maisie Knew is a subtle yet devastating portrayal of an innocent adrift in a corrupt society. Part of a relaunch of three James titles.