American Imaginaries examines the diverse societies and nations of the Western hemisphere as they have emerged across the course of the nineteenth and twentieth centuries. Exploring cities, capitalism, nations, nationalism, and politics from both comparative and transnational perspectives, the book develops a unique approach based on the paradigms of civilizational analysis and social imaginaries. In addition to providing a fresh perspective on the Americas, American Imaginaries gives proper analysis of multinational and intra-national regions and, crucially, the civilizational force of resurgent indigenous nations. The book also covers regions often underemphasized in histories of the hemisphere, such as Central America and the Caribbean. The book will appeal to scholars and students of history, Atlantic studies, comparative and historical sociology, and social theory. In addition, it will gain audiences amongst academics and graduate students who follow debates about modernity, civilizations, historical constellations, and social imaginaries.

This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis’s "future imaginary" as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures.

Sound, Image, and National Imaginary in the Construction of Latin/o American Identities addresses a gap in the many narratives discussing the cultural histories of Latin American nations, particularly in terms of the birth, configuration, and perpetuation of national identities. It argues that these processes were not as gradual or constrained as traditionally conceived. The actual circumstances dictating the adoption of particular technologies for the representation of national ideas shifted and varied according to many factors including local circumstances, political singularities, economic disparities, and highly individualized cultural transitions. This book proposes a model of chronology that is valid not only for nations that underwent strong processes of nationalism during the early or mid-twentieth century, but also for those that experienced highly idiosyncratic cultural, economic, and political development into the early twenty-first century.

The American Historical Imaginary: Contested Narratives of the Past in Mass Culture analyzes the shared understanding of America's past that is formed through entertainment, education, and politics. Caroline Guthrie examines our historical imaginary and argues it is crucial to understanding our national identity.

The Imaginary and Its Worlds collects essays that boldly rethink the imaginary as a key concept for cultural criticism. Addressing both the emergence and the reproduction of the social, the imaginary is ideally suited to chart the consequences of the transnational turn in American studies. Leading scholars in the field from the United States and Europe address the literary, social, and political dimensions of the imaginary, providing a methodological and theoretical groundwork for American studies scholarship in the transnational era and opening new arenas for conceptualizing formations of imaginary belonging and subjectivity. This important state-of-the-field collection will appeal to a broad constituency of humanists working to overcome methodological nationalism. The Imaginary and Its Worlds: An Introduction * LITERARY IMAGINARIES * Imagining Cultures: The Transnational Imaginary in Postrace America - Ramon Saldivar * The Necessary Fragmentation of the (U.S.) Literary-Cultural Imaginary - Lawrence Buell * Imaginaries of American Modernism - Heinz Ickstadt * SOCIAL IMAGINARIES * William James versus Charles Taylor: Philosophy of Religion and the Confines of the Social and Cultural Imaginaries - Herwig Friedl * The Shaping of We-Group Identities in the African American Community: A Perspective of Figurational Sociology on the Cultural Imaginary - Christa Buschendorf * Russia's Californio Romance: The Other Shores of Whitman's Pacific - Lene Johannessen * Form Games: Staging Life in the Systems Epoch - Mark Seltzer * POLITICAL IMAGINARIES * Real Toads - Walter Benn Michaels * Obama Unwound: The Romanticism of Victory and the Defeat of Compromise - Christopher Newfield * Barack Obama's Orphic Mysteries - Donald E. Pease * Coda. The Imaginary and the Second Narrative: Reading as Transfer - Winfried Fluck * Contributors * Index

Emerging Aesthetic Imaginaries considers aesthetic imaginaries as they constitute and are constituted by and in our shared realities. With contributions from twelve scholars working in the fields of literary studies, visual studies, anthropology, cultural studies, and digital culture, this book takes a multidisciplinary approach to “aesthetic imaginaries,” which tests the conceptual potential from an array of perspectives and methodologies. It probes into the continuous creation and re-creation of figures for the future that invariably nod to their pasts, whether with a spirit of respect, disgust, hope, or play. It is particularly in the intersections between ideas and formations of “shared realities” and what Ranjan Ghosh has called “entangled figurations” that the full and intricate promise of the aesthetic imaginary as analytic and conceptual prism comes into its own. As the chapters in this collection demonstrate, “knots” of various aesthetic imaginaries disseminate and manifest variously and across place and time, to weave and interweave again, and to offer themselves in each instance as contours-so-far of cultural and aesthetic histories.

A story of self, braided to a story of American culture. Uniting personal history with cultural history, Dark Affinities, Dark Imaginaries tells a story of a mind, a time, and a culture. The vehicle or medium of this excursion is an overview and sampling of the author’s work, and what is revealed are cautionary tales of a once-aspiring egalitarian democracy confronted with plutocracy’s gentrification; of analog history and off-line life superseded by a rush toward virtualized, robotic, AI transformation of the human life-world; of everything social and public giving way to everything personal and opinionated. The vagaries of a lifetime of paths taken are woven together by a narrative that reveals in every piece a significance that was only partially present at its initial writing. Thus, the reader becomes involved in a developing story of a certain personal psyche working toward understanding its own development within a changing American culture. Sometimes angry, sometimes joyful, but always curious and wry, Joseph Natoli crosses the boundary lines of psychology, politics, literature, philosophy, education, and economics to show how we bring ourselves and our cultural imaginaries simultaneously into being through the processes and pleasures of thinking beyond the confines of the personal. “Reading Dark Affinities is a welcome break from the neoliberal buzzword-speak of politicians and university administrators. It reminds me why I entered academia, when it was a profession and not a business, and when modeling thinking actually mattered.” — Alison Lee, University of Western Ontario “Natoli’s Dark Affinities reads as a culminating work of scholarship, marshaling evidence from autobiography, literary analysis, critical theory, and everyday culture in support of its claims. Natoli presents his personal history in the same spirit that Raymond Williams did: as evidence for the ways that cultural forces shape individuals, and as grounds for the shaping of his intellectual and political practice.” — Jeff Karnicky, author of Contemporary Fiction and the Ethics of Modern Culture

American Indians and the American Imaginary considers the power of representations of Native Americans in American public culture. The book's wide-ranging case studies move from colonial captivity narratives to modern film, from the camp fire to the sports arena, from legal and scholarly texts to tribally-controlled museums and cultural centres. The author's ethnographic approach to what she calls "representational practices" focus on the emergence, use, and transformation of representations in the course of social life. Central themes include identity and otherness, indigenous cultural politics, and cultural memory, property, performance, citizenship and transformation. American Indians and the American Imaginary will interest general readers as well as scholars and students in anthropology, history, literature, education, cultural studies, gender studies, American Studies, and Native American and Indigenous Studies. It is essential reading for those interested in the processes through which national, tribal, and indigenous identities have been imagined, contested, and refigured.

Table of Contents Suzi Adams, Paul Blokker, Natalie J. Doyle & John W. M. Krummel: Editorial John W. M. Krummel: Introduction to Miki Kiyoshi and his ‘Logic of the Imagination’ Miki Kiyoshi: Myth (translated by John W. M. Krummel) Abstract: “Myth” comprises the first chapter of the book, The Logic of the Imagination, by Miki Kiyoshi. In this chapter Miki analyzes the significance of myth (shinwa) as possessing a certain reality despite being “fictions.” He begins by broadening the meaning of the imagination to argue for a logic of the imagination that involves expressive action or poiesis (production) in general, of which myth is one important product. The imagination gathers in myth material from the environing world lived by the social collectivity. Its formation of images (Bilder) expresses the pathos of a people vis-à-vis their environment, but myth also contains elements of logos in the form of intellectual representations and figures. And their combination becomes expressed externally by stimulating and guiding action. In this way Miki argues that myths contain both emotive and kinetic elements, which by moving people to action, are capable of making history. Thus rooted in the symbiosis between individual and social and between society and environment, myth possesses a “historical creativity.” And he also argues that myths can be present with a sense of reality at any epoch in history, even today, wherever and whenever their primeval power is felt to function, “drawing out” a new reality, a new world, out of the natural world. Guanjun Wu: The Lacanian Imaginary and Modern Chinese Intellectuality Abstract: Jacques Lacan’s theorization of the imaginary has been regarded generally as an organic part of the crucial development of psychoanalytic theory in its post-Freudian stage. This article situates the Lacanian imaginary in the context of contemporary discussions of ‘theory after poststructuralism’, arguing that it moves radically beyond the poststructuralist terrains of deconstruction and discourse-analysis, and is able to offer new insights on various studies. Especially, it can help (re)examine some aporias in the field of Sinology. This article devotes its main body to demonstrating that the Lacanian account of the imaginary is powerful in exploring the assumptions and expectations of modern Sinophone intellectual discourse. Deconstructive discourse-analysis alone is insufficient for understanding the underlying forces that have been fundamentally shaping the contours of modern Chinese intellectuality, and attention needs to be paid to the psychological dimension of Chinese thought. With the aim of tracing and interrogating these underlying forces, this article seeks to show how the fervor for discussing the ‘problem of China’ reveals a hidden psychical mechanism. Craig Browne: Critiques of Identity and the Permutations of the Capitalist Imaginary Abstract: In their elucidations of the capitalist imaginary, Castoriadis and Adorno emphasize the significance of identity thinking to this social-historical constellation. Adorno contends that the principle of identity constitutes the nucleus of the capitalist imaginary, because it underpins commodity exchange and the formal rationality of bureaucratic administration. Castoriadis associates the logic of identity with the same tendencies, but accentuates the horizon of meaning that animates the deployment of this logic. However, Castoriadis and Adorno recognise that the critique of identity logic confronts a genuine antinomy. Although it is integral to the capitalist imaginary, the logic of identity is present in every institution of society. I show how these critiques of identity pose questions about the ontological underpinnings of capitalism’s value system. After explicating variants of identity logic and its critique, I explore different interpretations of the permutations of the capitalist imaginary. These accounts of conflict, innovation and individualism diverge from Adorno and Castoriadis’s assessments of organised capitalism. Similarly, Arnason’s civilizational perspective situates the capitalist imaginary’s permutations in a longer-term historical perspective and suggests a revised core signification of unlimited accumulation. Finally, my analysis outlines some highly significant, though arguably often neglected, current capitalist instantiations of identity logic. Werner Binder: Shifting Imaginaries in the War on Terror: The Rise and Fall of the Ticking Bomb Torturer Abstract: This analysis employs the concept of social imaginary to account for recent shifts in the imagination, discourse and practice of torture. It is motivated by a broader ambition to highlight the importance of the imaginary vis-à-vis the symbolic, which still dominates theoretical debates in cultural sociology. Culture does not only consist of codes and symbols, but also encompasses collectively shared imaginary significations. Only by paying tribute to the imaginary dimension of culture, we are able to understand how codes and symbols work. The importance of the social imaginary will be demonstrated through an analysis of the impact of 9/11 and the Abu Ghraib scandal on the American torture discourse. The terrorist attacks on the Twin Towers did not bring up new arguments in favor of torture, but changed the social imaginary by turning the so-called ‘ticking bomb scenario’ from a mere thought experiment into a real possibility. The publicized abuses at the Abu Ghraib prison had an opposite effect: The infamous photographs changed the imagination of torture which in turn strengthened its critics. Suzi Adams and Johann P. Arnason: Sociology, Philosophy, History: A Dialogue Abstract: The dialogue focuses on the sources, contexts, and configuration of Johann P. Arnason’s intellectual trajectory. It is broadly framed around the interplay of philosophy, sociology, and history in his thought. Its scope is wide ranging, spanning critical and normative theory, phenomenology and hermeneutics, and contemporary and classical sociology. It explores the importance of Castoriadis, Merleau-Ponty and Patočka for Arnason’s understanding of the human condition from a comparative civilizational perspective; his engagement with Habermas and Eisenstadt for the development of his hermeneutic of modernity and multiple modernities; his ongoing, albeit subterranean, dialogue with Charles Taylor; and concludes with a discussion of his recent focus on the religio-political nexus.

Highlighting the relationship among science, politics, and culture in Latin American history Challenging the common view that Latin America has lagged behind Europe and North America in the global history of science, this volume reveals that the region has long been a center for scientific innovation and imagination. It highlights the important relationship among science, politics, and culture in Latin American history. Scholars from a variety of fields including literature, sociology, and geography bring to light many of the cultural exchanges that have produced and spread scientific knowledge from the early colonial period to the present day. Among many topics, these essays describe ideas on health and anatomy in a medical text from sixteenth-century Mexico, how fossil discoveries in Patagonia inspired new interpretations of the South American landscape, and how Argentinian physicist Rolando García influenced climate change research and the field of epistemology. Through its interdisciplinary approach, Geopolitics, Culture, and the Scientific Imaginary in Latin America shows that such scientific advancements fueled a series of visionary utopian projects throughout the region, as countries grappling with the legacy of colonialism sought to modernize and to build national and regional identities.