Recounts the author's early experiences as a fifteen-year-old Gypsy emigrating with her family from the Soviet Union to the United States.

The Gypsies portrayed in this book are the Vlax-speaking Rom, the largest group of Gypsies in the United States, numbering 500,000. Not officially recognized as a minority in the U.S. until 1972, Gypsies have led an almost entirely invisible existence here. Now in this fascinating workthe first complete account of American GypsiesSutherland has produced an in-depth look at the full range of everyday social life among the Rom. Separate, elusive, complex, and unique among the people of the world, Gypsies have preserved their traditional way of life. How have they avoided assimilation? What keeps them apart? How are they organized, and what do they believe? These and other important questions about these hidden Americans are addressed in Sutherlands contemporary study.

Presents a collection of plays which cover such topics as generational relationships, Native American legends, and Native American beliefs, and includes an essay on Native American playwriting.

America has always been a land of fascinating cultural diversity. From the extremely wide range of cultural groups on the American scene today, Gypsies, or Roma, are among the most extraordinarily elusive and complex. For more than forty-five years, social scientist Anne Sutherland has researched and objectively written about the American Roma worldview. She honed traditional research methods to study the Roma, who normally obscure the truth about themselves to outsiders, dispelling centuries of misinterpretation, bias, and romanticism that have led to discrimination. In this latest work, Roma: Modern American Gypsies, she succinctly portrays their twenty-first-century lives and identifies how their realities have been shaped by global processes and agents of power. Throughout complex stages of change and adaptation, Sutherland concludes, Gypsies have managed to retain, not lose, their identity. Ideal for classes in introductory sociology and cultural anthropology, Roma is also an excellent supplement in courses on ethnicity, immigration, and American culture since Gypsy culture also vividly illustrates the strength of ethnic boundaries, the channeling of interethnic relations, subcultural differentiation, and adaptation.

A true icon of America at a turning point in its history, Gypsy Rose Lee was the firstand the onlystripper to become a household name, write novels, and win the adulation of intellectuals, bankers, socialites, and ordinary Americans. Her outrageous blend of funny-smart sex symbol with the aura of high cultureshe boasted that she liked to read Great Books and listen to classical music while taking off her clothes on-stageinspired a musical, memoirs, a portrait by Max Ernst, and a species of rose. Gypsy is the first book about Gypsy Rose Lees life, fame, and place in America not written by a family member, and it reveals her deep impact on the social and cultural transformations taking shape during her life. Rachel Shteir, author of the prize-winning Striptease, gives us Gypsys story from her arrival in New York in 1931 to her sojourns in Hollywood, her friendships and rivalries with writers and artists, the Sondheim musical, family memoirs that retold her history in divergent ways, and a television biopic currently in the making. With verve, audacity, and native guile, Gypsy Rose Lee moved striptease from the margins of American life to Broadway, Hollywood, and Main Street. Gypsy tells how she did it, and why.

The book is a documented history of Hungarian-Slovak Gypsies that came to America over 120 years ago, they brought to America the traditional Hungarian Gypsy music they and their ancestors played in Europe for hundreds of years. They are directly linked to Europe's finest Gypsy musicians. From the villages of Hungary, this music was brought to America to make our hearts sing. It is part of world roots music. Piskor tells us, using words and striking photographs, the inside story about his Gypsy family and friends, and warns us of cultural treasures we may be losing. --Professor Steve Balkin, Roosevelt University I encourage you to acquire a book long overdue when concerning American-Hungarian music. Gypsy Violins is a significant historical document for anyone who has danced or listened to a cs rd s or any other Magyar folk music. --Tibor Check Jr. William Penn Life Magazine Congratulations on your new book! Incredibly valuable. --Professor Ian Hancock Ph.D.

Memoirs of an American Gypsy is a collection of stories by a young woman on an invigorating adventure through Europe. With an overstuffed backpack and over-planned future, she begins the journey of a lifetime. Her plane to return home leaves without her as her definition of home shifts. She falls deeply in love with foreign cultures, alternative communities, tongue-tingling languages, and welcoming families along the way. Plans and fears melt away to reveal the freedom that lies in the core of us all. She has emerged from tents, mansions, college dormitories, and an abandoned wheat factory to share her journey, the tips n tricks of hitchhiking, trekking the world without needing to pay for a bed. The biggest secret to gypsy survival without cash is faith in humanity. The goodness of people and the inevitable connections that form will dissolve our stereotypes, fears, and inhibitions, leaving us with trust, abundance, and a contagious joy that will help make the world a better place. Tales of urban exploration, charming castle villages, a giant community squat, breathtaking nature, gnarly music festivals, a mud war, police searches, unicorn spotting, a pirates cave, Vikings, rainbows and human-connection fill the pages of this book. Good luck holding on tight to your pre-conceived notions of the world of traveling, because this is going to be a wild ride

New York Times bestseller In their first book, the Junk Gypsies—sisters and stars of the popular Texas-born brand and HGTV show—combine big dreams, stories of roadside treasures found, and down-home design projects inspired by epic makeovers for friends like Miranda Lambert, Billie Joe Armstrong, and Sadie Robertson. Amie and Jolie Sikes, the Thelma and Louise of the design world, are the Junk Gypsies: a family with an addiction to flea markets, wanderlust, and Americana inspired design. In their world, cowgirls are heroes, road trips last forever, and junk is treasured. Beginning with a little bit of faith and a whole lot of heart and soul, the sisters travelled the back roads of America like gypsies, collecting roadside trinkets and tattered treasures while meeting kindred spirits and lively characters along the way. With a mix of hippie, rock n’ roll, southern charm, and big dreams, these small-town Texas girls became restless wanderers and owners and operators of their dream business and bohemian brand, Junk Gypsy. Filled with stories from their unique journey as well as DIY projects and bohemian inspired designs, Junk Gypsy is a tribute to all the rowdy gypsies, crafty junkers, free-spirited romantics, and true-blue rebels who have ever dared to dream big.

A masterful work of personal reportage, this volume is also a vibrant portrait of a mysterious people and an essential document of a disappearing culture. Fabled, feared, romanticized, and reviled, the Gypsies—or Roma—are among the least understood people on earth. Their culture remains largely obscure, but in Isabel Fonseca they have found an eloquent witness. In Bury Me Standing, alongside unforgettable portraits of individuals—the poet, the politician, the child prostitute—Fonseca offers sharp insights into the humor, language, wisdom, and taboos of the Roma. She traces their exodus out of India 1,000 years ago and their astonishing history of persecution: enslaved by the princes of medieval Romania; massacred by the Nazis; forcibly assimilated by the communist regimes; evicted from their settlements in Eastern Europe, and most recently, in Western Europe as well. Whether as handy scapegoats or figments of the romantic imagination, the Gypsies have always been with us—but never before have they been brought so vividly to life. Includes fifty black and white photos.

Gypsy Rose Lee’s memoir became a New York Times bestseller in 1957, inspiring the 1959 hit musical, two movies, and three revivals. Now a fourth, directed by Arthur Laurents and starring Patti LuPone, is lighting up New York, winning top Broadway theatre awards, including three 2008 Tony Awards, as well as raves from critics and audiences: “No matter how long you live, you’ll never see a more exciting production.” —Terry Teachout, The Wall Street Journal “Watch out, New York! This GYPSY is a wallop-packing show of raw power.” —Ben Brantley, The New York Times “Not your ordinary theater experience. This is the best production of the best damn musical ever.” —Liz Smith, Syndicated Columnist The memoir, which Gypsy began as a series of pieces for The New Yorker, contains photographs and newspaper clippings from her personal scrapbooks and an afterword by her son, Erik Lee Preminger. At turns touching and hilarious, Gypsy describes her childhood trouping across 1920s America through her rise to stardom as The Queen of Burlesque in 1930s New York—where gin came in bathtubs, gangsters were celebrities, and Walter Winchell was king. Gypsy’s story features outrageous characters—among them Broadway’s funny girl, Fanny Brice, who schooled Gypsy in how to be a star; gangster Waxy Gordon, who fixed her teeth; and her indomitable mother, Rose, who lived by her own version of the Golden Rule: “Do unto others … before they do you.”