The history and construction of 18th century American furniture is examined in this critical evaluation that looks at the topic both from an aesthetic and technical point of view

FURNITURE FOR THE GENERATIONS As a woodworker, you've no doubt admired examples of classic furniture. You know, the stuff that makes you go, "Wow! I wish I could build that." Now you can. Glen Huey, senior editor at Popular Woodworking magazine, takes you through each and every step of how to build 18th-Century furniture. And when you're done, the projects will last for generations. Complete plans, cutting lists and step-by-step photos with captions are included with each project. Here are some of the furniture pieces you will learn how to build: Massachusetts Block-Front Chest Pennsylvania Chest-on-Chest Chippendale Entertainment Center New England Chest & Bookcase Townsend Newport High Chest Federal Inlaid Table Shaker Small Chest of Drawers Massachusetts High Chest (highboy)

Presenting 10 projects -- from shaping the surface through layout to rough carving and detailed carving -- this guide explains the process of carving authentic motifs found on the most treasured pieces of 18th-century American furniture. Written with a two-pronged approach, the book first emphasises that these are learned skills and offers guidance while, secondly, providing all the complex details that serious carvers need to reproduce each element with confidence. Selected for their importance and popularity on museum-quality pieces, projects include the cabriole leg, Philadelphia-style ball and claw foot, carved foliage on knee, Philadelphia rosette, and Newport flame finial, among others.

The carved embellishments found on eighteenth-century American furniture pieces are what make them memorable works of art. This book directs the serious student through nine authentic elements from the colonial period. Each chapter is devoted to one element and provides pattern drawings, detailed instructions, and abundant photographs of every step. Learn how to execute the entire process from sculpting the surface to layout, roughing in the shapes and levels, and finally carving the details. The selected projects are chosen from historically important eighteenth-century furniture and adorned some of the best pieces ever made. Although the book tackles advanced topics, the instruction is logical and complete so that the serious reader, independent of skill, can successfully work through the steps.

This publication documents The Metropolitan Museum of Art's collection of early colonial furniture and presents a broad spectrum of furniture forms made in America during the 17th and early 18th centuries, including chairs and other seating, tables, boxes, various types of chests and cupboards, dressing tables, and desks. The volume also includes prime examples of the different modes of ornamentation in fashion during that period. Over 140 objects are thoroughly described, with detailed information given on each one's construction, condition, dimensions, materials, and inscriptions and other marks, as well as provenance and exhibition history. Every object is explained in terms of the styles and craftsmanship of the period and evaluated in light of comparative pieces in public and private collections throughout the country. Also included is one appendix containing photographic details of construction and decorative elements, and another with line drawings explaining furniture terms and showing various types of joints and moldings. This is the first volume in a series of two that is dedicated to American furniture in the Museum. -- Metropolitan Museum of Art website.

Publisher description

Rev. ed. of: The new fine points of furniture.1993.

Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.

"American Furniture, 1650-1840: Highlights from the Philadelphia Museum of Art show early American furniture participated in an international visual language. This volume provides an important resource for scholars of American furniture, illuminates the cultural and mercantile life of the fledgling nation, and offers a lively introduction to the donors, curators, and personalities who have shaped the institution from its earliest days to the present"--