Praise for Jamaal May: "Linguistically acrobatic [and] beautifully crafted. . . . [Jamaal May's] poems, exquisitely balanced by a sharp intelligence mixed with earnestness, makes his debut a marvel."—Publishers Weekly Following Jamaal May's award-winning debut collection, Hum (2013), these new poems explore parallel landscapes of the poet's interior and an insidious American condition. Using dark humor that helps illuminate the pains of maturity and loss of imagination, May uncovers language like a skilled architect—digging up bones of the past to expose what lies beneath the surface of the fragile human condition. From: "Ask Where I've Been": Ask about the tornado of fists. The blows landed. If you can watch it all—the spit and blood frozen against snow, you can probably tell I am the too-narrow road winding out of a crooked city built of laughter, abandon, feathers and drums. Ask only if you can watch streetlights bow, bridges arc, and power lines sag, and still believe what matters most is not where I bend but where I am growing. Jamaal May is a poet, editor, and filmmaker from Detroit, Michigan, where he taught poetry in public schools and worked as a freelance audio engineer and touring performer. His poetry won the 2013 Indiana Review Poetry Prize and appears in journals such as Poetry, Ploughshares, the Believer, NER, and the Kenyon Review. May has earned an MFA from Warren Wilson College as well as fellowships from Cave Canem and The Stadler Center for Poetry at Bucknell University. He founded the Organic Weapon Arts Chapbook Press.

Matt and Karen Bair thought they were prepared for anything, but can they survive a total collapse of the economic system? If they want to live through the crisis, they'll have to think fast and move quickly. In a world where all the rules have changed, and savagery is law, those who hesitate pay with their very lives. America is on the cusp of financial annihilation and desperation pushes society to the brink. Government borrowing and monetary creation reach their limits and funds are no longer available for entitlement programs. The thin veneer of civility quickly gives way, revealing the brutal underside of humanity. Widespread civil unrest erupts across the country making cities unlivable. Matt and Karen will have to make the most of every resource and opportunity. They must stay alive long enough to adapt to the ominous nightmare that has become the new normal.American Exit Strategy is a work of fiction . . . until it becomes history!

Righteously angry, riotously funny, and wise to the tensions between abstract policy and lived experience, Ike Holter's play Exit Strategy centers on vivid, unforgettable characters struggling to maintain faith in a vocation that is being determinedly undermined. Drawing from the headlines, Exit Strategy is set in Chicago and tells the story of a fictional public high school slated for closure at the end of the year. Despite funding cuts, bureaucrats run amok, apathy, and a rodent infestation, a small, multiracial group of teachers launch a last-minute effort to save the school, and put their careers, futures, and safety in the hands of a fast-talking administrator who may be in over his head. The tenuous situation also raises fears and anxieties among students, and within the volcanic neighborhood that is home to the school. Holter has said that Exit Strategy was inspired by the 2013 mass closure of forty-nine Chicago public schools, which displaced nearly 12,000 children—the majority of directly impacted students were African American and Latinx. Hailed as "riveting," "sharp," and "richly metaphoric" by critics, the play indicts how we educate our children in big American cities, and shows why gaps between haves and have-nots continue to grow. Exit Strategy is one of seven plays in Ike Holter's cycle of works set in Chicago or Chicago-inspired neighborhoods.

Popular fantasy author Kelley Armstrong (Women of the Otherworld series) makes her first foray into crime fiction, with the debut of a series of non-paranormal novels featuring female assassin Nadia Stafford. Nadia Stafford is one of the world’s few female contract killers. A former cop, drummed out of the force because of a scandal, she is an expert at disguise and cool under pressure. But when fellow hitman Jack arrives on the scene, Nadia’s very private existence is seriously challenged. A series of victims are being murdered seemingly at random all over the country—different areas, different walks of life, different MOs. There is nothing to tie them together except a random page torn out of a single book: Helter Skelter. But does the Helter Skelter killer—as the hysterical media now dub him—have a real connection to Charles Manson? Or is there something even more sinister at work? Is this, in fact—as Jack believes—the carefully planned exit strategy of a fellow professional killer, determined to leave the life, but equally determined to clear up an old mistake? And, if so, which is the real victim? Now, the highly suspicious and secretive hitman community will have to break their cover—at least, to each other—and help take down this killer before the cops and the Feds discover his true connection to their own secret, exclusive society…

This book shows the owners of private businesses how to plan for the most important event in their business lives - a successful exit from their businesses. It is unique because it is written from the owner's point of view, bringing together in one place all you need to know about planning for this key event.

This new account of early Cold War history focuses on the emergence of a bipolar structure of power, the continuing importance of the German question, and American efforts to create a united Western Europe.

A former CIA officer and the creator of the hit TV series The Americans makes the case that America's policy towards Russia is failing--and we'll never fix it until we rethink our relationship. Coming of age in America in the 1970s and 80s, Joe Weisberg was a Cold Warrior. After briefly studying Russian in Leningrad, he joined the CIA in 1990--just in time to watch the Soviet Union collapse. But less than a decade after the first Cold War ended, a new one broke out. Russia changed in many of the ways that America hoped it might--more capitalist, more religious, more open to Western ideas. But US sanctions have crippled Russia's economy; and Russia's interventions have exacerbated political problems in America. The old paradigm--America, the free capitalist good guys, fighting Russia, the repressive communist bad guys--simply doesn't apply anymore. But we've continued to act as if it does. In this bold and controversial book, Joe Weisberg interrogates these assumptions, asking hard questions about American policy and attempting to understand what Russia truly wants. Russia Upside Down makes the case against the new Cold War. It suggests that we are fighting an enemy with whom we have few if any serious conflicts of interest. It argues that we are fighting with ineffective and dangerous tools. And most of all, it aims to demonstrate that our approach is not working. With our own political system in peril and continually buffeted by Russian attacks, we need a new framework, urgently. Russia Upside Down shows the stakes and begins to lay out that new plan, at a time when it is badly needed.

Situating Obama’s end-of-war discourse in the historical context of the 2001 terrorist attacks, Obama, the Media, and Framing the U.S. Exit from Iraq and Afghanistan begins with a detailed comparison with the Bush war-on-terror security narrative before examining elements of continuity and change in post-9/11 elite rhetoric. Erika King deftly employs two case studies of presidential and media framing - the weeks surrounding the formal announcements of Obama’s December 2009 'surge-then-exit' strategy from Afghanistan and the end of combat operations in Iraq in August 2010 - to explore the role of mass media in presenting presidential narratives of war and finds evidence of an interpretive disconnect between the media and a president seeking to present a more nuanced approach to keeping America safe. Eloquently scrutinizing Obama’s discourse on the U.S. exit from two post-9/11 wars and contrasting the presidential endgame frame with the U.S. mainstream media’s narratives of the wars’ meaning, accomplishments, and denouement provides a unique combination of qualitative content analysis and topical case studies and makes this volume an ideal resource for scholars and researchers grappling with the complicated and ever-evolving nexus of war, the president, and the media.

In the past two decades, states and multilateral organizations have devoted considerable resources toward efforts to stabilize peace and rebuild war-torn societies in places such as Afghanistan, Iraq, Kosovo, and Sierra Leone. Despite these prodigious efforts, there has been relatively little consideration of the critical questions arising from the "end game" of state-building operations. In Exit Strategies and State Building, sixteen leading scholars and practitioners focus on relevant historical and contemporary cases of exit to provide a comprehensive overview of this crucial issue. By examining the major challenges associated with the conclusion of international state-building operations and the requirements for the maintenance of peace in the period following exit, this book provides unique perspective on a critical aspect of military and political intervention. Deftly researched, Exit Strategies and State Building sheds new light on what is not merely an academic issue, but also a pressing global policy concern.

The definitive analysis of the events, ideas, personalities, and conflicts that have defined Obama’s foreign policy When Barack Obama took office, he brought with him a new group of foreign policy advisers intent on carving out a new global role for America in the wake of the Bush administration’s war in Iraq. Now the acclaimed author of Rise of the Vulcans offers a definitive, even-handed account of the messier realities they’ve faced in implementing their policies. In The Obamians, acclaimed author James Mann tells the compelling story of the administration’s struggle to enact a coherent and effective set of policies in a time of global turmoil. At the heart of this struggle are the generational conflicts between the Democratic establishment—including Robert Gates, Hillary Clinton, and Joseph Biden—and Obama and his inner circle of largely unknown, remarkably youthful advisers, who came of age after the Cold War had ended. Written by a proven master at elucidating political underpinnings even to the politicians themselves, The Obamians is a pivotal reckoning of this historic president and his inner circle, and of how their policies may or may not continue to shape America and the world.