America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This edition, published alongside the major revival at the National Theatre in 2017, contains both plays, Part One: Millennium Approaches, and Part Two: Perestroika.

An eye-opening history evoking the disruptive first decade of the twenty-first century in America. Dubya. The 9/11 terrorist attacks. Enron and WorldCom. The Iraq War. Hurricane Katrina. The disruptive nature of the internet. An anxious aging population redefining retirement. The gay community demanding full civil rights. A society becoming ever more “brown.” The housing bubble and the Great Recession. The historic election of Barack Obama—and the angry Tea Party reaction. The United States experienced a turbulent first decade of the 21st century, tumultuous years of economic crises, social and technological change, and war. This “lost decade” (2000–2010) was bookended by two financial crises: the dot-com meltdown, followed by the Great Recession. Banks deemed “too big to fail” were rescued when the federal government bailed them out, but meanwhile millions lost their homes to foreclosure and witnessed the wipeout of their retirement savings. The fallout from the Great Recession led to the hyper-polarized society of the years that followed, when populists ran amok on both the left and the right and Americans divided into two distinct tribes. A Decade of Disruption is a timely re-examination of the recent past that reveals how we’ve arrived at our current era of cultural division.

Most non-Central Americans think of the narrow neck between Mexico and Colombia in terms of dramatic past revolutions and lauded peace agreements, or sensational problems of gang violence and natural disasters. In this volume, the contributors examine regional circumstances within frames of democratization and neoliberalism, as they shape lived experiences of transition. The authors--anthropologists and social scientists from the United States, Europe, and Central America--argue that the process of regions and nations "disappearing" (being erased from geopolitical notice) is integral to upholding a new, post-Cold War world order--and that a new framework for examining political processes must be accessible, socially collaborative, and in dialogue with the lived processes of suffering and struggle engaged by people in Central America and the world in the name of democracy.

Leading critics, scholars, and theater practictioners consider the most talked-about play of the 1990s

(Applause Books). In 1950, the terms "American theatre" and "Broadway" were virtually synonymous. As the new century begins, Broadway is only a small part of a vital, creative, and varied national theatrical scene. This lively and authoritative book combines a history of the many changes the spread of regional and non-profit theatres, the rise of Off-Broadway and other alternatives, the decline of Broadway with an analysis of their implications and the problems they have brought, a look at new audiences, the causes of failure, and the unexpected complications of success. Hardcover.

Pimp-controlled sex workers, exploited migrants, domestic servants, and sex trafficking of runaway and homeless youth are just a few of the many forms of sex trafficking and labor trafficking going on all around the world-including in the United States. This book exposes both well-known and more obscure forms of human trafficking, documenting how these heinous crimes are encountered in our daily lives. What types of human trafficking crimes are being committed here in the United States? Who are the victims of traffickers? How do we all unknowingly consume the services and products of slavery? And why are human traffickers able to maintain their illicit operations with relative impunity-indeed, with less than .01 percent of human traffickers ever being held accountable for their crimes? Hidden in Plain Sight: America's Slaves of the New Millennium documents how human trafficking and its byproducts touch every community in America, from impoverished inner-city neighborhoods to middle-class suburbs and alcoves of wealthy estates. It presents information derived from narrative accounts of real-life trafficking cases, interviews with convicted human traffickers, empirical research, and criminal case files to expose the grim realities of human trafficking in America, perpetrated by Americans. Readers will grasp the origins, evolution, and extent of the problem; understand how trafficking plays an unrecognized role in our day-to-day lives; and see why advancements in awareness and anti-trafficking resources have not changed the status quo. The victims of trafficking continue to be criminalized by law enforcement, and the offenders continue to exploit and profit from new recruits. This book equips readers with the knowledge needed to identify human trafficking cases and advocate for policy changes to end this scourge in America.

Americans are as safe, well fed, securely sheltered, long-lived, free, and healthy as any human beings who have ever lived on the planet. But we are down on America. So why do we hate us? According to Dick Meyer, the following items on this (much abbreviated) list are some of the contributors to our deep disenchantment with our own culture: Cell-phone talkers broadcasting the intimate details of their lives in public spaces Worship of self-awareness, self-realization, and self-fulfillment T-shirts that read, “Eat Me” Facebook, MySpace, and kids being taught to market themselves High-level cheating in business and sports Reality television and the cosmetic surgery boom Multinational corporations that claim, “We care about you.” The decline of organic communities A line of cosmetics called “S.L.U.T.” The phony red state–blue state divide The penetration of OmniMarketing into OmniMedia and the insinuation of both into every facet of our lives You undoubtedly could add to the list with hardly a moment’s thought. In Why We Hate Us, Meyer absolutely nails America’s early-twenty-first-century mood disorder. He points out the most widespread carriers of the why-we-hate-us germs, including the belligerence of partisan politics that perverts our democracy, the decline of once common manners, the vulgarity of Hollywood entertainment, the superficiality and untrustworthiness of the news media, the cult of celebrity, and the disappearance of authentic neighborhoods and voluntary organizations (the kind that have actual meetings where one can hobnob instead of just clicking in an online contribution). Meyer argues—with biting wit and observations that make you want to shout, “Yes! I hate that too!”—that when the social, spiritual, and political turmoil that followed the sixties collided with the technological and media revolution at the turn of the century, something inside us hit overload. American culture no longer reflects our own values. As a result, we are now morally and existentially tired, disoriented, anchorless, and defensive. We hate us and we wonder why. Why We Hate Us reveals why we do and also offers a thoughtful and uplifting prescription for breaking out of our current morass and learning how to hate us less. It is a penetrating but always accessible Culture of Narcissism for a new generation, and it carries forward ideas that resounded with readers in bestsellers such as On Bullshit and Bowling Alone.

Latin American Literature at the Millennium: Local Lives, Global Spaces analyzes literary constructions of locality from the early 1990s to the mid 2010s. In this astute study, Raynor reads work by Roberto Bolaño, Valeria Luiselli, Luiz Ruffato, Bernardo Carvalho, João Gilberto Noll, and Wilson Bueno to reveal representations of the human experience that unsettle conventionally understood links between locality and geographical place. The book raises vital considerations for understanding the region’s transition into the twenty-first century, and for evaluating Latin American authors’ representations of everyday place and modes of belonging.