At a moment of cultural and political crisis, with forces of reaction seemingly ascendant throughout the West, it's fair to ask what use does anyone have for America, God, or any other similar fictions? What use does theological language have for the radical facing the apocalypse? Among the subjects considered: the need for an Augustinian left, legacies of American violence, speaking in tongues, the humanities facing climate change, the maturity of realizing that you will die, how to sail towards Utopia, and witches.

A collection of short stories by Fred Arroyo.

This volume explores the idea of age in American literature over the course of the nineteenth century and examines how writers such as Louisa May Alcott, Frederick Douglass, and Henry James used literature as a space to imagine alternative ideas about aging and to challenge conventional definitions of adulthood.

The rise of the Christian Right took many writers and literary critics by surprise, trained as we were to think that religions waned as societies became modern. In If God Meant to Interfere, Christopher Douglas shows that American writers struggled to understand and respond to this new social and political force. Religiously inflected literature since the 1970s must be understood in the context of this unforeseen resurgence of conservative Christianity, he argues, a resurgence that realigned the literary and cultural fields. Among the writers Douglas considers are Marilynne Robinson, Barbara Kingsolver, Cormac McCarthy, Thomas Pynchon, Ishmael Reed, N. Scott Momaday, Gloria Anzaldúa, Philip Roth, Carl Sagan, and Dan Brown. Their fictions engaged a wide range of topics: religious conspiracies, faith and wonder, slavery and imperialism, evolution and extraterrestrial contact, alternate histories and ancestral spiritualities. But this is only part of the story. Liberal-leaning literary writers responding to the resurgence were sometimes confused by the Christian Right’s strange entanglement with the contemporary paradigms of multiculturalism and postmodernism —leading to complex emergent phenomena that Douglas terms "Christian multiculturalism" and "Christian postmodernism." Ultimately, If God Meant to Interfere shows the value of listening to our literature for its sometimes subterranean attention to the religious and social upheavals going on around it.

An unprecedented compendium of milestones in the history of American literature. Presents all of the "first" literary works that broke barriers and inaugurated new traditions; with concise introductions.

This is a collection of huang Fan's work in English. The anthology includes 'Zero', a futuristic novella that won the Unitas Prize, and three critically acclaimed short stories.

N.B. this is a 'Palgrave to Order' title. Stock of this book requires shipment from overseas. It will be delivered to you within 12 weeks. Using literary and social analysis, this book examines a range of modern Arab American literary fiction and illustrates how socio-political phenomena have affected the development of the Arab American novel.

This is a novel about appearance versus reality – how our lives and relationships appear to others versus how they are experienced, and the complex ways that social class shapes identity, relationships, and the codes of friendship. American Circumstance also provides a window into the replication of wealth, power, and privilege. The novel can be used as supplemental reading in courses across the disciplines that deal with gender, social class, inequality, power, family systems, relational communication, intimate relationships, identity, American culture, narrative or creative writing. It can also be read in book clubs or entirely for pleasure. “American Circumstance is wonderful! The characters and story invite you into a world that is both familiar and unfamiliar. Highly recommended!!” – Carl Leggo, Ph.D., University of British Columbia “American Circumstance kept me up! I wanted to see how the characters’ lives untangled. I loved how Leavy challenged my cultural assumptions. Students will have a lot to talk about as they discover the 'sociology of everyday life' embedded in the fiction.” – Laurel Richardson, Ph.D., The Ohio State University “The characters were so compelling that I couldn’t stop reading ... a great beach read, or class text.” – U. Melissa Anyiwo, Ph.D., Curry College “Leavy writes in an engaging way that helps you ask important questions about class issues in America. This story keeps you interested and wondering why women make the choices they do.” – Margaret A. Robbins, The Journal of Language & Literacy Education “American Circumstance is one of my favorite texts to assign to my sociology students.” – Cheryl Llewellyn, Ph.D., University of Massachusetts Lowell Patricia Leavy, Ph.D., is an award-winning independent sociologist and best-selling author.

Visions of the American city in post-apocalyptic ruin permeate literary and popular fiction, across print, visual, audio and digital media. American Cities in Post-Apocalyptic Science Fiction explores the prevalence of these representations in American culture, drawing from a wide range of primary and critical works from the early-twentieth century to today. Beginning with science fiction in literary magazines, before taking in radio dramas, film, video games and expansive transmedia franchises, Robert Yeates argues that post-apocalyptic representations of the American city are uniquely suited for explorations of contemporary urban issues. Examining how the post-apocalyptic American city has been repeatedly adapted and repurposed to new and developing media over the last century, this book reveals that the content and form of such texts work together to create vivid and immersive fictional spaces in ways that would otherwise not be possible. Chapters present media-specific analyses of these texts, situating them within their historical contexts and the broader history of representations of urban ruins in American fiction. Original in its scope and cross-media approach, American Cities in Post-Apocalyptic Science Fiction both illuminates little-studied texts and provides provocative new readings of familiar works such as Blade Runner and The Walking Dead, placing them within the larger historical context of imaginings of the American city in ruins.

It is only in a country where newness and change and brevity of tenure are the common substance of life," wrote Henry James, "that the fact of one's ancestors having lived for a hundred and seventy years in a single spot would become an element of one's morality." Newness and rootedness are the twin poles of Sight-Readings, Elizabeth Hardwick's brilliant new collection of essays. (Her first, Seduction and Betrayal, was nominated for the National Book Award.) Hardwick's focus here is on American writers, at home and abroad, and especially women, as writers and as characters: Edith Wharton, Djuna Barnes, Gertrude Stein, Mary McCarthy, Elizabeth Bishop, Katherine Anne Porter, and Joan Didion, among others. In sections on Old New York, Americans Abroad, and Fictions of America, Hardwick considers writers and their landscapes, real and imagined. Her essays on Edith Wharton and Henry James illuminate aspects of their inventions of New York. From there she takes us to the Paris of Gertrude Stein and Djuna Barnes, into the hermetic world of Boston Transcendentalism, and on to the suburbs of John Cheever, the America of Philip Roth and John Updike, and the restless expanses of Richard Ford and the Prairie poets. Elizabeth Hardwick has achieved a permanent place in American letters for her sharp and elegant criticism. Her essays on American writers are them-selves a work of literature.