A trans pianist makes a New Year's resolution on a frozen Wisconsin night to win regionals and win back his ex, but a new boy complicates things in Edward Underhill's heartfelt debut YA rom-dram, Always the Almost. Sixteen-year-old trans boy Miles Jacobson has two New Year’s resolutions: 1) win back his ex-boyfriend (and star of the football team) Shane McIntyre, and 2) finally beat his slimy arch-nemesis at the Midwest’s biggest classical piano competition. But that’s not going to be so easy. For one thing, Shane broke up with Miles two weeks after Miles came out as trans, and now Shane’s stubbornly ignoring him, even when they literally bump into each other. Plus, Miles’ new, slightly terrifying piano teacher keeps telling him that he’s playing like he “doesn’t know who he is”—whatever that means. Then Miles meets the new boy in town, Eric Mendez, a proudly queer cartoonist from Seattle who asks his pronouns, cares about art as much as he does—and makes his stomach flutter. Not what he needs to be focusing on right now. But after Eric and Miles pretend to date so they can score an invite to a couples-only Valentine’s party, the ruse turns real with a kiss, which is also definitely not in the plan. If only Miles could figure out why Eric likes him so much. After all, it's not like he’s cool or confident or comfortable in his own skin. He’s not even good enough at piano to get his fellow competitors to respect him, especially now, as Miles. Nothing’s ever been as easy for him as for other people—other boys. He’s only ever been almost enough. So why, when he’s with Eric, does it feel like the only person he’s ever really not been enough for...is himself?

Finalist - 2011 Carol Award and 2010 RT Book Reviews Reviewers' Choice Award When Libby’s husband Greg fails to return from a two-week canoe trip to the Canadian wilderness, the authorities soon write off his disappearance as an unhappy husband’s escape from an empty marriage and unrewarding career. Their marriage might have survived if their daughter Lacey hadn’t died . . . and if Greg hadn’t been responsible. Libby enlists the aid of her wilderness savvy father-in-law and her faith-walking best friend to help her search for clues to her husband’s disappearance…if for no other reason than to free her to move on. What the trio discovers in the search upends Libby’s presumptions about her husband and rearranges her faith.

An extraordinary picture book about friendship and celebrating differences from the author of The Colour Monster. Roly is a w oodlouse and Rita is a firefly. They are very different, but this is why they like each other. Then, one day, Rita thinks Roly's suit is too hard and Roly thinks Rita shines too brightly. Suddenly being different seems very difficult.

Being kind is super important, but it isn't always easy. Using a goodhearted, enthusiastic little boy's perspective, a lot of sensitivity and a little gentle humour, this story explores the potential pitfalls of trying to be kind, and what being kind really means. To be truly kind, it turns out, you have to try to look at things from other people's points of view. Gorgeous laser cut holes emphasis the meaning and feelings of the characters, accumulating as the pages are turned to show how kindness can spread from person to person until all the world is full of kindness!

Best friends Poppy and Clementine learn to share their feelings with one another after a new friend enters Clementine's life.

It is common knowledge that, in rich societies, the poor have worse health and suffer more from almost every social problem. This book explains why inequality is the most serious problem societies face today.

"Outsider is the life of a child, boy, adolescent, student and young man in London between the Great Depression of the 30s and the sudden prosperity and social changes of the 60s, affected by the moral attitudes of the day, by the Blitz, post-war austerity and the new freedoms of the later 50s that were resisted with such obstinacy by the old regime. It is about education in the almost forgotten sense of the pursuit of learning for its own sake. It is about the imposed experiences of school and National Service and the chosen experience of being a student at the Courtauld Institute under Johannes Wilde and Anthony Blunt. It is about sex, pre-pubertal, in adolescence and in early adulthood, and the price to be paid for it. It is about art and the art market in the turbulent years of its change from the pursuit of well-connected gentleman to the professional occupation of experts."--Publisher description.

Based on the real-life Gus and Ida of New York's Central Park Zoo, this is the story of a polar bear who grieves over the loss of his companion.

In Untruth, Newsweek and Washington Post columnist Robert J. Samuelson explains why our political, economic and cultural debates so routinely traffic in misinformation--popular fads that, like meteors, momentarily burn brightly in public consciousness and then fizzle out. Advocacy groups, politicians and their unwitting allies in the media instinctively create agendas of problems that afflict society and must be "solved".The problems are often exaggerated and oversimplified, and the result is that the public is misled about what is wrong and how easily it can be made right. Untruth is the first collection of Samuelson's insightful assaults on the conventional wisdom. Included are columns arguing that campaign contributions have not corrupted politics, that the "service economy" is not turning America into a nation of hamburger flippers, and that the Internet isn't the most important invention since the printing press.