Alterations Of Shakespeare 1660 1710
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Author |
: Louis Michael Eich |
Publisher |
: |
Total Pages |
: 436 |
Release |
: 1923 |
ISBN-10 |
: UGA:32108010656547 |
ISBN-13 |
: |
Rating |
: 4/5 (47 Downloads) |
Synopsis Alterations of Shakespeare, 1660-1710 by : Louis Michael Eich
Author |
: Louis Michael Eich |
Publisher |
: |
Total Pages |
: 428 |
Release |
: 1923 |
ISBN-10 |
: UOM:39015070362929 |
ISBN-13 |
: |
Rating |
: 4/5 (29 Downloads) |
Synopsis ALTERATIONS OF SHAKESPEARE 1660-1710: AND AN INVESTIGATION OF THE CRITICAL AND DRAMATIC PRINCIPLES AND THEATRICAL CONVENTIONS WHICH PROMPTED THESE REVISIONS. by : Louis Michael Eich
Author |
: George Clinton Densmore Odell |
Publisher |
: |
Total Pages |
: 556 |
Release |
: 1920 |
ISBN-10 |
: UCAL:B3826500 |
ISBN-13 |
: |
Rating |
: 4/5 (00 Downloads) |
Synopsis The age of Betterton (1660-1710) by : George Clinton Densmore Odell
Author |
: |
Publisher |
: UM Libraries |
Total Pages |
: 1012 |
Release |
: 1948 |
ISBN-10 |
: UOM:39015078934034 |
ISBN-13 |
: |
Rating |
: 4/5 (34 Downloads) |
Synopsis University of Michigan Official Publication by :
Author |
: David J. Latt |
Publisher |
: U of Minnesota Press |
Total Pages |
: 216 |
Release |
: 1976 |
ISBN-10 |
: 9781452910543 |
ISBN-13 |
: 1452910545 |
Rating |
: 4/5 (43 Downloads) |
Synopsis John Dryden by : David J. Latt
Author |
: William Perdue Halstead |
Publisher |
: |
Total Pages |
: 646 |
Release |
: 1983 |
ISBN-10 |
: UOM:39015066323745 |
ISBN-13 |
: |
Rating |
: 4/5 (45 Downloads) |
Synopsis Statistical History of Acting Editions of Shakespeare by : William Perdue Halstead
Author |
: Emma Depledge |
Publisher |
: Cambridge University Press |
Total Pages |
: 267 |
Release |
: 2018-07-26 |
ISBN-10 |
: 9781108667340 |
ISBN-13 |
: 1108667341 |
Rating |
: 4/5 (40 Downloads) |
Synopsis Shakespeare's Rise to Cultural Prominence by : Emma Depledge
Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre history to provide a re-assessment of the reputation and dissemination of Shakespeare during the Interregnum and Restoration. She demonstrates the crucial role of the Exclusion Crisis (1678–1682), a political crisis over the royal succession, as a foundational moment in Shakespeare's canonisation. The period saw a sudden surge of theatrical alterations and a significantly increased rate of new editions and stage revivals. In the wake of the Exclusion Crisis, Shakespeare's plays were made available on a scale not witnessed since the early seventeenth century, thus reversing what might otherwise have been a permanent disappearance of his drama from canonical familiarity and firmly establishing Shakespeare's work in the national cultural imagination.
Author |
: Modern Language Association of America |
Publisher |
: |
Total Pages |
: 1302 |
Release |
: 1926 |
ISBN-10 |
: UCAL:B3627389 |
ISBN-13 |
: |
Rating |
: 4/5 (89 Downloads) |
Synopsis Publications of the Modern Language Association of America by : Modern Language Association of America
Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.
Author |
: University of Michigan. Board of Regents |
Publisher |
: UM Libraries |
Total Pages |
: 1094 |
Release |
: 1920 |
ISBN-10 |
: UOM:39015065412374 |
ISBN-13 |
: |
Rating |
: 4/5 (74 Downloads) |
Synopsis Proceedings of the Board of Regents by : University of Michigan. Board of Regents
Author |
: Deborah C. Payne |
Publisher |
: Springer |
Total Pages |
: 147 |
Release |
: 2017-02-02 |
ISBN-10 |
: 9783319465142 |
ISBN-13 |
: 3319465147 |
Rating |
: 4/5 (42 Downloads) |
Synopsis Revisiting Shakespeare’s Lost Play by : Deborah C. Payne
This collection of essays centres on Double Falsehood, Lewis Theobald’s 1727 adaptation of the “lost” play of Cardenio, possibly co-authored by John Fletcher and William Shakespeare. In a departure from most scholarship to date, the contributors fold Double Falsehood back into the milieu for which it was created rather than searching for traces of Shakespeare in the text. Robert D. Hume’s knowledge of theatre history permits a fresh take on the forgery question as well as the Shakespeare authorship controversy. Diana Solomon’s understanding of eighteenth-century rape culture and Jean I. Marsden’s command of contemporary adaptation practices both emphasise the play’s immediate social and theatrical contexts. And, finally, Deborah C. Payne’s familiarity with the eighteenth-century stage allows for a reconsideration of Double Falsehood as integral to a debate between Theobald, Alexander Pope, and John Gay over the future of the English drama.