Global Strategic Management is written by award winning lecturers in strategy, involved with the Community of European Business Schools and International Business (CEMS) who have a wealth of experience teaching strategy to future business leaders. For those teaching courses in strategy to those going on to work in organisations working in a global environment, this text will meet a number of key teaching and learning needs

Details ways for the reader to find out what online discussion and information groups exist on the Internet, and explains how to connect with them. The book features mini-reviews of 2300 newsgroups, Frequently Asked Question (FAQ) files and a 5500-word, alphabetically-organized subject index.

Xeric Award-winning cartoonist Kevin Mutch skewers theory-spouting academics, sleazy art dealers, and obnoxious over-sharers. In this graphic novel, Adam Kline is an aspiring digital artist stuck in a thankless university adjunct position, married to an ambitious woman sick of supporting his pipe dreams, and is completely ignored by the New York art scene. Miraculously, though, his fortunes seem to be turning around. However, there's just one problem ― his mysterious medical condition keeps blacking him out at the most inopportune times, and slowly blurs his perceptions of reality and fantasy… And, if that wasn't enough, he has to content with eerie, pitch-black void, flesh-eating zombies, and a vast, secret network of bug-eyed, bald-headed aliens.

Megg is a depressed, drug-addicted witch. Mogg is her black cat. Their friend, Owl, is an anthropomorphized owl. They hang out a lot with Werewolf Jones. This may sound like a pure stoner comedy, but it transcends the genre: these characters struggle unsuccessfully to come to grips with their depression, drug use, sexuality, poverty, lack of work, lack of ambition, and their complex feelings about each other in ways that have made Megg and Mogg sensations on Hanselmann's GirlMountain tumblr. This is the first collection of Hanselmann's work, freed from its cumbersome Internet prison, and sure to be one of the most talked about graphic novels of 2014, featuring all of the “classic” Megg and Mogg episodes from the past five years as well as over 70 pages of all-new material.

This is a literary collection of interconnected comics stories about monsters ― giant monsters, tiny monsters, robot monsters, cosmic monsters ― some of whom work for the benefit of humankind, others as agents of chaos. Taking place over different planes of existence, trippy and deadpan, the stories share a perspective seen from a world gone horribly wrong. Worlds behind worlds are revealed ― including our own.

Every week we pile our garbage on the curb and it disappears—like magic! The reality is anything but, of course. Trashed, Derf Backderf’s follow-up to the critically acclaimed, award-winning international bestseller My Friend Dahmer, is an ode to the crap job of all crap jobs—garbage collector. Anyone who has ever been trapped in a soul-sucking gig will relate to this tale. Trashed follows the raucous escapades of three 20-something friends as they clean the streets of pile after pile of stinking garbage, while battling annoying small-town bureaucrats, bizarre townfolk, sweltering summer heat, and frigid winter storms. Trashed is fiction, but is inspired by Derf’s own experiences as a garbage­man. Interspersed are nonfiction pages that detail what our garbage is and where it goes. The answers will stun you. Hop on the garbage truck named Betty and ride along with Derf on a journey into the vast, secret world of garbage. Trashed is a hilarious, stomach-churning tale that will leave you laughing and wincing in disbelief.

Oaf, a wuvable Bay Area bear, searches for love in the local metal and wrestling scenes in Blood and Metal, which collects a number of short stories. Featuring tales of Oaf ’s formative childhood years, and much more!

“It’s the perfect book to pick up to restore your faith in comics or help show infinite diversity in infinite combinations on display on paper using the world’s greatest artform.” — Comics Bulletin The Best American Comics showcases the work of both established and up-and-coming contributors and highlights both fiction and nonfiction — from graphic novels, pamphlet comics, newspapers, magazines, minicomics, and the Web — to make a unique, stunning collection. Frank Miller (Sin City, 300) called guest editor Scott McCloud “just about the smartest guy in comics.”

A true cornerstone of the Japanese underground scene of the 1960s Seiichi Hayashi produced Red Colored Elegy between 1970 and 1971, in the aftermath of a politically turbulent and culturally vibrant decade that promised but failed to deliver new possibilities. With a combination of sparse line work and visual codes borrowed from animation and film, the quiet, melancholy lives of a young couple struggling to make ends meet are beautifully captured in this poetic masterpiece. Uninvolved with the political movements of the time, Ichiro and Sachiko hope for something better, but they’re no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping—together and at times with others. While Ichiro attempts to make a living from his comics, Sachiko’s parents are eager to arrange a marriage for her, but Ichiro doesn’t seem interested. Both in their relationship and at work, Ichiro and Sachiko are unable to say the things they need to say, and like any couple, at times say things to each other that they do not mean, ultimately communicating as much with their body language and what remains unsaid as with words. Red Colored Elegy is informed as much by underground Japanese comics of the time as it is by the French nouvelle vague, and its cultural referents range from James Dean to Ken Takakura. Its influence in Japan was so great that Morio Agata, a prominent Japanese folk musician and singer/songwriter, debuted with a love song written and named after it.