Over 15 years in the making, an unprecedented one-volume reference work. Many of today's students and teachers of literature, lacking a familiarity with the Bible, are largely ignorant of how Biblical tradition has influenced and infused English literature through the centuries. An invaluable research tool. Contains nearly 800 encyclopedic articles written by a distinguished international roster of 190 contributors. Three detailed annotated bibliographies. Cross-references throughout.

In one of his letters Hart Crane wrote, "Appollinaire lived in Paris, I live in Cleveland, Ohio," comparing—misspelling and all—the great French poet’s cosmopolitan roots to his own more modest ones in the midwestern United States. Rebelling against the notion that his work should relate to some European school of thought, Crane defiantly asserted his freedom to be himself, a true American writer. John T. Irwin, long a passionate and brilliant critic of Crane, gives readers the first major interpretation of the poet’s work in decades. Irwin aims to show that Hart Crane’s epic The Bridge is the best twentieth-century long poem in English. Irwin convincingly argues that, compared to other long poems of the century, The Bridge is the richest and most wide-ranging in its mythic and historical resonances, the most inventive in its combination of literary and visual structures, the most subtle and compelling in its psychological underpinnings. Irwin brings a wealth of new and varied scholarship to bear on his critical reading of the work—from art history to biography to classical literature to philosophy—revealing The Bridge to be the near-perfect synthesis of American myth and history that Crane intended. Irwin contends that the most successful entryway to Crane’s notoriously difficult shorter poems is through a close reading of The Bridge. Having admirably accomplished this, Irwin analyzes Crane’s poems in White Buildings and his last poem, "The Broken Tower," through the larger context of his epic, showing how Crane, in the best of these, worked out the structures and images that were fully developed in The Bridge. Thoughtful, deliberate, and extraordinarily learned, this is the most complete and careful reading of Crane’s poetry available. Hart Crane may have lived in Cleveland, Ohio, but, as Irwin masterfully shows, his poems stand among the greatest written in the English language.

Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.

In Volume II of John O'Loughlin's collected supernotational philosophy project, he has combined the titles 'Critique of Post-Dialectical Idealism', 'Philosophical Truth', 'Veritas Philosophicus', and 'Last Judgements', which span the period 1989–93 and have allowed him to bring some kind of strict chronology to bear on a series of writings dubbed 'supernotational', to distinguish them from essays on the one hand and aphorisms on the other, thereby treading a kind of intermediate position between essays and aphorisms in the interests of what became a gradual progression towards an enhanced sense of philosophical logic commensurate, so we believe, with 'Supertruth' and, ultimately, a kind of plateau of aphoristic purism which took shape in the ensuing years. – A Centretruths Editorial

In Islam the fascination for “the word” is as vigorous as in Judaism and in Christianity, but an extra dimension is, that the revealed text, the Koran, is considered to be verbatim the word of the Almighty Himself, thereby providing the Arabic language with just an extra quality. No wonder that throughout Islamic history the study of the word, the Koran, the prophet’s utterances and the interpretation of both, has become the main axis of knowledge and education. As a consequence the intellectuals – and also the poets in Islamic culture - were thoroughly familiar with religious terms and the phraseology of a language which was highly estimated because of the divine origin with which it was associated. No wonder therefore, that allusions to religious texts can be found throughout Arabic literature, both classical and modern. The subject of this volume is the representation of the divine in Arabic poetry, be it the experience of the divine as expressed by poets or the use of imagery coined by religion.

With his 'Collected Supernotes' author John O'Loughlin has combined, on a highly abstract basis, material derived from the independently published titles, Devil and God – The Omega Book, From Materialism to Idealism, Towards the Supernoumenon, Elemental Spectra, Critique of Post-Dialectical Idealism, Philosophical Truth, Veritas Philosophicus, and Last Judgements, which span the period 1985–93, with a view to bringing some kind of strict chronology to bear on a series of writings dubbed 'supernotational', to distinguish them from essays on the one hand and aphorisms on the other, thereby allowing him to establish a kind of intermediate position between essays and aphorisms in the interests of what became a gradual progression towards an enhanced sense of philosophical logic commensurate, so he believes, with 'Supertruth' and, ultimately, with a kind of plateau of aphoristic purism. – A Centretruths Editorial