From the author of Bunny, which Margaret Atwood hails as “genius,” comes a “wild, and exhilarating” (Lauren Groff) novel about a theater professor who is convinced staging Shakespeare’s most maligned play will remedy all that ails her—but at what cost? Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now, she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised and cost her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged…genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is a “fabulous novel” (Mary Karr) about a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

From the author of Bunny, a “hilarious, heartbreaking book” (People) about a woman whose life is hijacked by her struggle to conform “Stunning . . . As you watch Lizzie navigate fraught relationships—with food, men, girlfriends, her parents and even with herself—you’ll want to grab a friend and say: ‘Whoa. This. Exactly.’” —Washington Post Growing up in the suburban hell of Misery Saga (a.k.a. Mississauga), Lizzie has never liked the way she looks—even though her best friend Mel says she’s the pretty one. She starts dating guys online, but she’s afraid to send pictures, even when her skinny friend China does her makeup: she knows no one would want her if they could really see her. So she starts to lose. With punishing drive, she counts almonds consumed, miles logged, pounds dropped. She fights her way into coveted dresses. She grows up and gets thin, navigating double-edged validation from her mother, her friends, her husband, her reflection in the mirror. But no matter how much she loses, will she ever see herself as anything other than a fat girl? In her brilliant, hilarious, and at times shocking debut, Mona Awad skewers the body image-obsessed culture that tells women they have no value outside their physical appearance. Brilliant, hilarious, and heartbreaking, 13 Ways of Looking at a Fat Girl introduces a vital new voice in fiction. WINNER OF THE AMAZON CANADA FIRST NOVEL AWARD FINALIST FOR THE SCOTIABANK GILLER PRIZE FINALIST FOR THE COLORADO BOOK AWARD FOR LITERARY FICTION LONGLISTED FOR THE DUBLIN LITERARY AWARD ARAB AMERICAN BOOK AWARD HONORABLE MENTION FOR FICTION

In a book that divides the body into seven "emotion centers," the author asserts that emotions have a tremendous effect on how the various areas of the body manifest themselves.

In the middle ages, a poet told a story that mocked a strong woman. It became a literary classic. But what if the woman in question had a chance to tell her own version? Who would you believe? 'Brooks' mischievous retelling [of Chaucer's The Wife of Bath] dials up the feminist themes - and the fun - to 11.' The Canberra Times England, The Year of Our Lord, 1364 When married off aged 12 to an elderly farmer, Eleanor Cornfed, who's constantly told to seek redemption for her many sins, quickly realises it won't matter what she says or does, God is not on her side - or any poor woman's for that matter. But Eleanor was born under the joint signs of Venus and Mars. Both a lover and a fighter, she will not bow meekly to fate. Even if five marriages, several pilgrimages, many lovers, violence, mayhem and wildly divergent fortunes (that swoop up and down as if spinning on Fortuna's Wheel itself) do not for a peaceful life make. Aided and abetted by her trusty god-sibling Alyson, the counsel of one Geoffrey Chaucer, and a good head for business, Eleanor fights to protect those she loves from the vagaries of life, the character deficits of her many husbands, the brutalities of medieval England and her own fatal flaw... a lusty appreciation of mankind. All while continuing to pursue the one thing all women want - control of their own lives. This funny, picaresque, clever retelling of Chaucer's 'Wife of Bath' from The Canterbury Tales is a cutting assessment of what happens when male power is left to run unchecked, as well as a recasting of a literary classic that gives a maligned character her own voice, and allows her to tell her own (mostly) true story. 'Astonishingly good - an instant classic. Certes 'tis a tale for everywoman.' Tea Cooper, Bestselling International Author

NATIONAL BESTSELLER Soon to be a major motion picture "Jon Swift + Witches of Eastwick + Kelly 'Get In Trouble' Link + Mean Girls + Creative Writing Degree Hell! No punches pulled, no hilarities dodged, no meme unmangled! O Bunny you are sooo genius!" —Margaret Atwood, via Twitter "A wild, audacious and ultimately unforgettable novel." —Michael Schaub, Los Angeles Times "Awad is a stone-cold genius." —Ann Bauer, The Washington Post The Vegetarian meets Heathers in this darkly funny, seductively strange novel from the acclaimed author of 13 Ways of Looking at a Fat Girl and Rouge "We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn't we?" Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination. Named a Best Book of 2019 by TIME, Vogue, Electric Literature, and The New York Public Library

Barring the usual teenage pranks, all seems peaceful at Philly Prep, the private school in Philadelphia where Amanda Pepper teaches English. No doubt the money that appears to be missing from funds collected to aid victims of a catastrophic hurricane Down South will turn up. Probably the rumor that some of Amanda’s students have discovered the thrills of gambling is totally unfounded. In any case, Amanda has other things to think about. Her husband, private investigator C. K. MacKenzie, is struggling to help his Louisiana kinfolk reconstruct their post-hurricane lives. Her friend Sasha’s stepmother has just committed suicide–although, according to Sasha, Phoebe Ennis would never have killed herself, especially not while having a drink and wearing a red silk blouse and red sandals with four-inch heels. Amanda isn’t persuaded but reluctantly agrees to help investigate the woman’s demise, though the evidence for foul play is slim. True, the middle-aged compulsive collector of knickknacks wasn’t universally loved. Phoebe’s own son hated her and she bored her friends to death with hints of her “royal” lineage. And with four marriages behind her, she was already preparing to announce her renewed availability on the Net. But when another woman is found dead in Phoebe’s house, it becomes clear that something is indeed murderously amiss, and much closer to home than Amanda or anyone else could have imagined. All’s Well That Ends is the final novel in Gillian Roberts’s acclaimed Amanda Pepper series. It’s also the best, irresistibly intelligent, and richly entertaining. Amanda’s farewell adventure brings the genius of “the Dorothy Parker of mystery writers” (Nancy Pickard) into full flower, and the bloom is sweet and a wonder to behold. From the Hardcover edition.

Few writers have a deeper understanding of the foibles of human nature and life’s absurdities and tragedies than William Shakespeare. This makes him a fascinating companion for the season of Lent, a traditional time for a spot of self-examination. This engaging, wise and often amusing Lent book sets quotations from Shakespeare’s characters and poems alongside biblical passages and reflects on the resonance between them – one reflection for each day of the season. It starts with dust on Ash Wednesday (‘Golden lads and girls all must, As chimney-sweepers, come to dust’, from Cymbeline) and ends with resurrection as Easter Sunday approaches (‘It is required you do awake your faith’, from The Winter’s Tale). In between, it considers many rich spiritual themes: mercy, love, loyalty, trust, good vs evil, guilt, forgiveness, ageing, grief, death, hope and more. Each day’s reflection opens with a quotation from Shakespeare and explores its ideas in conversation with the Bible and Christian thought.

Laugh, love, and revel in the comedic twists of a tale where love triumphs over deception, bringing resolution to the most tangled of relationships. All's Well That Ends Well by William Shakespeare: Immerse yourself in the timeless world of the Bard, William Shakespeare, with the enchanting comedy All's Well That Ends Well. This play weaves a tapestry of love, trickery, and the triumph of unconventional romance. Join Helena on her journey as she navigates the complexities of courtship, testing the bounds of love and determination. Why This Book? All's Well That Ends Well invites readers into Shakespeare's comedic realm, where love's journey is anything but conventional. The play unfolds a delightful tapestry of wit, irony, and the inexorable twists of fate, showcasing Shakespeare's mastery in crafting narratives that resonate across centuries. William Shakespeare, the literary genius of the Elizabethan era, continues to captivate audiences with his unparalleled storytelling. Explore the comedic nuances and profound insights into human nature in All's Well That Ends Well, a testament to Shakespeare's enduring influence on the world of drama.

Universalism runs like a slender thread through the history of Christian theology. Over the centuries Christian universalism, in one form or another, has been reinvented time and time again. In this book an international team of scholars explore thediverse universalisms of Christian thinkers from the Origen to Moltmann. In the introduction Gregory MacDonald argues that theologies of universal salvation occupy a space between heresy and dogma. Therefore disagreements about whether all will be saved should not be thought of as debates between the orthodox and heretics but rather as in-house debates between Christians. The studies in this collection aim, in the first instance, to hear, understand, and explain the eschatological claims of a range of Christians from the third to the twenty-first centuries. They also offer some constructive, critical engagement with those claims.

Hoping to earn money so that he and his mother will not have to move, Daniel goes around the neighborhood trying to sell a box of Christmas ornaments, including one with a special message.