Investigates the influence of the preconciliar Catholic Literary Revival on the southern literary critic and Catholic convert Allen Tate (1899-1979), examining Tate's attempt to incorporate the Revival's Christian humanism into a distinctive critique of secular industrial society.

Based on the author's Ph. D. dissertation (University of Mississippi, 2009).

In 1930, a group of southern intellectuals led by John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren published I'll Take My Stand: The South and the Agrarian Tradition. A stark attack on industrial capitalism and a defiant celebration of southern culture, the book has raised the hackles of critics and provoked passionate defenses from southern loyalists ever since. As Paul Murphy shows, its effects on the evolution of American conservatism have been enduring as well. Tracing the Agrarian tradition from its origins in the 1920s through the present day, Murphy shows how what began as a radical conservative movement eventually became, alternately, a critique of twentieth-century American liberalism, a defense of the Western tradition and Christian humanism, and a form of southern traditionalism--which could include a defense of racial segregation. Although Agrarianism failed as a practical reform movement, its intellectual influence was wide-ranging, Murphy says. This influence expanded as Ransom, Tate, and Warren gained reputations as leaders of the New Criticism. More notably, such "neo-Agrarians" as Richard M. Weaver and M. E. Bradford transformed Agrarianism into a form of social and moral traditionalism that has had a significant impact on the emerging conservative movement since World War II.

Introduction: intellectuals becoming Catholics -- New pride and old prejudice -- Loss and gain: the first English converts -- Tractarains and transcendentalists in America -- Infallibility and its discontents -- America, modernism, and hell -- The lowliness of his handmaidens: women and conversion -- The British apologists' spiritual Aeneid -- Revival and departure -- Fascists, communists, Catholics, and total war -- Transforming the past: the convert historians -- Novels from Hadrian to Brideshead -- The preconciliar generation: 1935-1962.

A collection of letters exchanged by two of the 20th century's most distinguished literary figures, depicting their remarkable professional and personal relationship over the years. They respond to the writings and activities of writers including T.S. Eliot, William Faulkner, and Robert Lowell, and offer insight into the group dynamics of the Agrarians, the community of Southern writers who played an influential role in the literature of modernism. Includes bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR

Examines how secular transformations of religious ideas have helped to shape the style and substance of works by American writers, filmmakers and artists from Catholic backgrounds.

"Fascinating insights into modern urban religious practice make Orsi's collection a must-read." -- Publishers Weekly "The essays provide insight into the cultural creativity, reinterpretation of worship and religious ingenuity of city people over the last 50 years." -- Library Journal "At last, a major dissection of the great mystery in modern Americanlife -- how religion and spirituality prospered amidst industrialization,urbanization, and rampant technological change after 1880!" -- Jon Butler, Yale University "Urban religion" strikes many as an oxymoron. How can religion thrive in the alienated, secular, fast-paced, and materialistic world of the modern, Western city? The authors in this collection believe that cities not only can provide the settings for religious expression, but also are material to the experiences which give rise to those religious expressions. In this book, they explore the distinctly urban forms of religious experience and practice that have developed in relation to the spaces, social conditions, and history of American cities.

In The South's Tolerable Alien, Andrew S. Moore probes the role of Catholics in the post--World War II South and argues persuasively that, until the 1960s, religion rivaled race as a boundary separating residents of the Bible Belt. Delving deep into underutilized diocesan archives, he explores the ways in which southern Catholics worked to be both good Catholics and good southerners in a region largely defined by Protestant denominations, and explains how the burgeoning civil rights movement ultimately breached these religious barriers. With religious intolerance integral to southern Protestant identity, anti-Catholicism persisted longer in the South than in any other part of the country. Yet despite the prejudices against them, southern Catholics refused to shrink from public view, creating a separate subculture to sustain their religious identity as they marked out public sacred space from which they could engage their critics. Moore describes in detail the Catholics' civic displays and public rituals -- including the diocese of Mobile-Birmingham's annual Christ the King celebrations, which featured downtown parades of over 25,000 people. More than mere assertions of their presence, these pageants provided Catholics with opportunities to craft a secular identity within the American mainstream. As Moore maintains, the rise of the civil rights movement slowly diminished religious tension among white southerners as violent confrontations in Selma and Birmingham forced Catholics, as well as others, to take a stand. Once the civil rights movement was in full swing, either support for or opposition to racial desegregation became paramount and contributed to social and political realignments along racial lines instead of religious ones. Comparing the responses to the struggle to end Jim Crow among dioceses, Moore finds that, among Catholics, there was no simple liberal/conservative dichotomy. Instead, he argues that, in the South, the civil rights movement was more important than the Second Vatican Council in reshaping the social and political stances of the Catholic Church. By describing the relationship between Catholics and Protestants in the South from a Catholic perspective, Moore demonstrates that, despite the persistence of anti-Catholicism throughout this period, white Protestants were gradually coming to terms with the modern South's religious pluralism. With The South's Tolerable Alien, Moore offers the first serious analysis of southern Catholicism outside of Louisiana and makes an enormous contribution to the study of southern religion.

For those looking to deepen their appreciation of Flannery O'Connor, Wood shows how this literary icon's stories, novels, and essays impinge on America's cultural and ecclesial condition.

Historians' attempts to understand legendary Confederate General Thomas J. "Stonewall" Jackson have proved uneven at best and often contentious. An occasionally enigmatic and eccentric college professor before the Civil War, Jackson died midway through the conflict, leaving behind no memoirs and relatively few surviving letters or documents. In Inventing Stonewall Jackson, Wallace Hettle offers an innovative and distinctive approach to interpreting Stonewall by examining the lives and agendas of those authors who shape our current understanding of General Jackson. Newspaper reporters, friends, relatives, and fellow soldiers first wrote about Jackson immediately following the Civil War. Most of them, according to Hettle, used portions of their own life stories to frame that of the mythic general. Hettle argues that the legend of Jackson's rise from poverty to power was likely inspired by the rags-to-riches history of his first biographer, Robert Lewis Dabney. Dabney's own successes and Presbyterian beliefs probably shaped his account of Jackson's life as much as any factual research. Many other authors inserted personal values into their stories of Stonewall, perplexing generations of historians and writers. Subsequent biographers contributed their own layers to Jackson's myth and eventually a composite history of the general came to exist in the popular imagination. Later writers, such as the liberal suffragist Mary Johnston, who wrote a novel about Jackson, and the literary critic Allen Tate, who penned a laudatory biography, further shaped Stonewall's myth. As recently as 2003, the film Gods and Generals, which featured Jackson as the key protagonist, affirmed the longevity and power of his image. Impeccable research and nuanced analysis enable Hettle to use American culture and memory to reframe the Stonewall Jackson narrative and provide new ways to understand the long and contended legacy of one of the Civil War's most popular Confederate heroes.